Is Féidir Linn!

Inspirational female figures inside Coláiste Feirste: Marie Curie – Duais Nobel, Emmeline Pankhurst – “Vótaí do mhnaí” [votes for women], Alice Ní Mhaolagáin [Milligan], Mary Anne Nic Reachtain [McCracken], Mairéad Ní Fhearail [Farrell], Bernadette Ní Dhoibhilin [Devlin], Angela Davis, Rosa Parks – “Shuigh sí le go dtiocfadh linn seasamh” [She sat so that we would stand], Méabh – Banríon Chonnacht [queen of Connacht], Gráinne Mhaol [Grace O’Malley], Marina Ginestà, Winifred Ní Chearnaigh [Carney], Mary Mhic Giolla Íosa [McAleese] – Uachtarán na hÉireann [President of Ireland], mná Bhóthar Seoighe [women of Shaw’s Road] – scoil Ghaeilge Bhéal Feirste. Dalta Choláiste Feirste – An tusa an chéad laoch eile? [Pupil of Coláiste Feirste, are you the next hero?]
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The First Dáil

“Countess Markievicz – first woman to be a member of the 1st Dáil and the 1st woman in the world to hold a cabinet position as minister for labour 1919-1922.” Markievicz is shown here in civilian garb with a Cumann na mBan pin – compare with the previous mural celebrating the centenary of CnamB. The first Dáil Éireann met in the Round Room of the Mansion House in Dublin (residence of the Lord Mayor) on January 21st, 1919. 35 Sinn Féin deputies – including Markievicz – were absent because they were “fé ghlas ag Gallaibh” (“imprisoned by foreigners”) and four more “ar díbirt ag Gallaibh” (deported by foreigners); Unionist members including Edward Carson did not attend (The Irish Story). Among its business was the adoption of a Declaration Of Irish Independence (title page shown on the right).
The photograph reproduced is of the crowd awaiting news of a truce in the War Of Independence in July 1921 (WP).
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Women Of The Republican Struggle

“The English may batter us to pieces, but they will never succeed in breaking our spirit – Maud Gonne.” The lesser-known figures here are Helena Moloney [Molony] and Margaret Skinnider. Both participated in the 1916 Rising. Actress Molony took part in the failed attack on Dublin Castle and, although ultimately captured, was not executed (Stories | WP). Scotland-born Skinnider was a sniper in the Easter Rising; she was shot three times but survived to flee to the USA where should would write a 1917 account of the Rising before returning to Ireland and a career in teaching (WP).
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Messines 1917

Two panels commemorate the Battle Of Messines in 1917 and the role of nurses in attending to the wounded. This NIHE article says that the two nurses depicted are Annie Colhoun from London-/Derry and Margaret Dewar from Glasgow. “Margaret Dewar lost her life during the battle whilst Annie Colhoun survived and was decorated for her work during the war by the French, Serbians and British Governments.” (This presumably makes her the nurse in the right-hand panel.) An Army Nursing Service page says, however, that they were nurses at Monastir in Macedonia.
“Sub cruce candida” (“under a white cross”) is the motto of the Queen Alexandra’s Royal Army Nursing Corps, though at the time of WWI it was Queen Alexandra’s Imperial Military Nursing Service. “VAD” stands for “voluntary aid detachment” of the British Red Cross.
The soldiers wear red hands or shamrocks on their arms. The red hand is for the 36th (Ulster) Division and the cap badge in the left panel is of the 36th. The shamrock is the symbol of the 16th (Irish) Division, and the right panel shows the cap badge of the Connaught Rangers whose battalions served in both the 10th (Irish) and 16th (Irish) Divisions in WWI. Both the 36th and 16th fought at the Somme and at Messines (WP).

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Votes For Women

This mural (perhaps still in progress) is in the Connswater Women’s Group (“CWG” in the mural) spot on Severn Road, showing the sun rising over the Harland & Wolff cranes in east Belfast. For the previous mural, see The Verticality Of The Divine.
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Mothers, Sisters, Daughters

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Ériu/Éire of the Tuatha Dé Danann, queen of Ireland, is at the centre of various representations of republican women. Along the top are Ann Devlin, Betsy Gray, Mary Ann McCracken, Countess Markievicz, Nora Connolly?, and Winifred Carney. Suffragettes, the modern IRA, and Cumman na mBan are depicted, as are Máire Drumm at the Falls Curfew, Tom McElwee’s sisters carrying his coffin, and Molly Childers and Mary Spring Rice running guns on the Asgard. There is also an unusual ‘four provinces’ in the corners.
The wide shot (below) shows the James Connolly mural below and the (recently added) 1916 centenary board – for which see Ag fíorú na poblachta.
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The Undauntable Thought

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A succession of Irish rebels is shown in this new mural in Andersonstown, west Belfast. It begins (top left) with the rebellion of 1798 and then to the Easter Rising of 1916 at the GPO in Dublin. In the lower left, a pious Padraig Pearse awaits his execution with rosary beads in hand. There are then shown female figures from Cumann na mBán and the IRA (see previously: United Irishwomen, Do You Care? and Mothering Sunday In Beechmount), and then Mairéad Farrell in Armagh Women’s Prison (for the original, see Prison Walls). In the bottom right corner there is a blanketman. The busts of Bobby Sands and Joe McDonnell float above the GPO and the last verse of Sands’s The Rhythm Of Time form the epigraph: “It lights the dark of this prison cell, it thunders forth its might, it is the undauntable thought, my friend, the thought that says, “I’m right”.
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text: X03374 X03373 south link 1916 2016 centenary irish republic unbowed unbroken

Be The Change You Want To See

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International Women’s Day, which dates as far back as 1909, is today, March 8th, 2016. Above is the 2014 mural celebrating the day in the complex of shops at London-/Derry’s Bogside Inn.
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text: X02815 meenan sq designed by karen cassidy with help from doherty, zoë ramsey, brian farrell, mary mcloughlin, catherine duddy, catherine ellis, kat pollock, stephen boyle, sinéad

Well-Behaved Women Seldom Make History

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Historian Laurel Ulrich‘s 1976 phrase is one of a variety featured in this London-/Derry mural celebrating the role of women both locally and world-wide. It includes images of local women banging bin lids, marching past the ‘Free Derry’ graffiti on 33 Lecky Road, and rioting; images of women striking and protesting; support for Palestine and gay rights; celebrations of femininity; and Wonder Woman. As the final image, below, shows, the tapestry of images and posters is being sewn by a women at a sewing-machine in one of Derry’s large shirt- and collar-making factories. (For some history see these Derry Journal articles: one | two.) As the panel on the left-hand side notes, “Derry women made more than shirts; they made communities”.
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text: X02808 X02811 X02809 X02810 bric bernadette devlin mcaliskey marriage math on trial need your support resisting war crimes is not a crime divas dames daredevils don’t stereotype me stop hating yourself for everything you aren’t start loving yourself for everything that you are every body is beautiful so long as women are not free the people are not free bread roses aunt jemima ballbreaker biker chick bimbo bitch bombshell bra burner bull dyke butch call girl carmen miranda china doll dumb blonde fag hag femme fatale feminazi geisha girl next door gold digger good catholic girl harem girl ho homegirl hot tamale indian princess jewish lady boss lipstick lesbian lolita mother teresa nympho old hag old maid pinup prude slut soccer mom squaw stage mom supermodel tokyo rose tomboy trophy wife valley girl vamp wicked stepmother yummy mummy bitches bimbos guerilla girls illustrated guide to female stereotypes any questions? hush-a-bye-baby breastfeeding sowing spinning weaving woven patches patchwork thomas mcelwee funeral X02808 X02809 X02810 X02811

Do You Care?

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Here are two details from the Mná na hÉireann mural featured on Monday. The first shows three Derry women protesting the conditions in Armagh Women’s Prison and in the H-Blocks. This article on Mary Nelis (the protester on the right, with Kathleen Deeny and Theresa Deery) describes the photograph (included below) on which this part of the mural is based. The women in Armagh prison were allowed to wear their own clothes and so were not ‘on the blanket’ as their male counterparts in the H-Blocks of Long Kesh were. However, they did engage in a “no wash” protest, which lasted from February 1980 until March 1981, and three of them – Mairéad Farrell, Mary Doyle, and Margaret Nugent – joined the 1980 hunger strike. In the second image, below, grieving mothers, wives, and sisters stand over a coffin draped in the Irish tricolour with paramilitary gloves and beret on top.
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DoYouCare