The Spiritual And The Temporal

Work by emic (ig) in Castle Lane, Belfast, perhaps picking up a theme from Friz’s Under The Cherry Blossoms in Castle Arcade which focused on the castle and grounds in the era of Arthur Chichester. Chichester’s castle burned down in 1708 and by 1800 the castle and its grounds were vanishing under buildings akin to the nearby corn market and Belfast entries (WP).

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X-Wing Land Rover

Here is a Leo Boyd (ig) print of an x-wing police land rover – one in a series of land rovers: see previously: ice-cream-van land rover | wind-up land rover | surveillance land rover.

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Hit The North – Union Street

This is a gallery of the new Hit The North pieces on Union Street south of Kent Street. There is a separate post for the new pieces on Union Street north of Kent Street.

From north to south (top to bottom in this post) the works are by:
Conor McClure (ig)
All The Doodz (ig)
Wee Nuls (ig)
Glen Molloy x2 (ig)
Hixxy (ig)
Ed Hicks (ig) – on the Sunflower side of the street
Danny Rumbl (ig)
NOL (ig)
Andrey Palval (ig)

[Nol faces] see the Paddy Duffy collection

[Owl] see the Paddy Duffy collection

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Hit The North – Kent Street

Here is a gallery of the new pieces from Hit The North 2023 on the north side of Kent Street (there is a separate post for the south side and there is a separate post at Paddy Duffy’s site for Kent Street above Union Street).

From left to right (top to bottom in this post), the artists are:

Zippy (ig)
Alana McDowell (ig)
Asbestos (ig)
Angry Dan (ig)
?TMN krew?
Sufek West
Hallion – “Цe нaшe поле до біса” [this is our hell on earth] – a common description of the battle for Bakhmut by Ukranian soldiers (AP | France24 | CNN); this was the last of several slogans painted by Hallion throughout the festival (tw)
RASK (ig) + STER (ig) + SUMS (ig)

[writing]

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Ceci N’Est Pas Une Pint (Hit The North – Wasteground)

Davd J McMillan (ig) returned to Belfast from Bristol for HTN2023, which this year used the interior walls of the wasteground opposite the Sunflower. The writing appears to read “Ce nas pas une pint” but based on the pipe in the other hand, presumably should be “Ceci n’est pas une pint” in homage to Magritte’s famous non-pipe “Treachery Of Images” (or perhaps, based on the sketch, “Je n’ai pas une pint”).

Also included are various pieces of graffiti art, including a tiger-cat by PENS (ig) and a red-nosed boy by KVLR (ig).

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Fox’s Classier Tints

Annatomix (web) painted a giant fox for HTN23 over DanLeo’s 2016 Palm Cockatoo and (as the wide shot below shows) next to BUST’s Dry Gin.

Union Street, Belfast.

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A Window On The World

A new piece by Alice Pasquini (ig) and UNO (web) is in progress in College Street, Belfast. A throw-back to the days before mobile devices, surely.

The completed work (with paper aeroplanes added) can be seen in the Paddy Duffy collection.

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Stigma Breakers & Law Makers

This is Wee Nuls’s (web | ig) street art celebrating the success of the ‘menstruation matters’ (ig) campaign for free period products and the passage of the Period Products Bill.

The piece is perhaps a “gremlin” self-portrait in the style of Mr Blonde/Vic Vega. It was painted for HTN22 in the spot below Transport House where her original version of Free Period Items was painted and blacked out. (It was then repainted at Artcetra.) To the left is Claire Prouvost’s tribute to women workers of the world and to left is a Unity (union) hoarding: Workers Of The World Unite.

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No Apartheid

“The Civil Rights 50th Anniversary Committee pay homage to all the courageous people who participated in the Civil Rights campaign” with a commemorative board in the alley of Donegall Street Place, in front of the Jim Larkin statue and ICTU mural. The photograph shows the start of the march from Coalisland to Dungannon on March 24th, 1968. The participants are identified on the CAIN page about NICRA. (See also the remarks from vice-chair Dympna McGlade at Slugger.)

“We shall overcome – the history of the struggle for civil rights in Northern Ireland 1968-1978. During the 1960’s, a diverse group of people and organisations with differing political aims, ideologies, cultural backgrounds, and religious beliefs came together to forge a unity based on a growing awareness of the need for an effective, non-violent vehicle for political and legislative reform. This led to the formation of the Northern Ireland Civil Rights Association (NICRA). Original, inventive and radical in a stagnant political system, NICRA avalanched its way through Northern Ireland politics using the following aims: defend the basic freedoms of all citizens; protect the rights of the individual; highlight all possible abuses of power; demand guarantees for freedom of speech, assembly and association; inform the public of their lawful rights. Through activism, marches and peaceful disobedience, the NICRA demands were addressed to varying degrees and paved the way for major legislative, political and social reform in Northern Ireland. These demands included: ‘one man, one vote’; an end to gerrymandering of electoral wards; the prevention of discrimination in the allocation of government jobs and council housing; the removal of the Special Powers Act and the Disbandment of the Ulster Special Constabulary (The B Specials).”

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Alternative Ulster

“Where is our Alternative Ulster?” Alternative Ulster was a fanzine (Fb | Musical Revolutions) and later a magazine (Issuu) and radio show covering the Belfast music and arts scene until March 2012; the name was then used for the Stiff Little Fingers’ song (youtube) in 1978. By Verz (Fb) and Belfast One (web) in Fountain Street, Belfast.

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