Commemorations of the INLA’s fiftieth anniversary have so far been limited to graffiti – see Saoırse Go Deo in Derry and Let The Fight Go On in Belfast – but here we have two deliberately painted panels in the Bogside (specifically Meenan Square) (one replacing The Way We Were).
“Irish National Liberation Army, Derry brigade. This mural is dedicated to the women and men who gave their lives in the struggle for national liberation and socialism. Erected by the James Connolly Memorial flute band.”
The long-running extradition case against Seán Walsh – from the republic to the north – took another twist in March when the supreme court referred his case to the European Court Of Justice. Walsh is wanted on charges of New IRA membership, based on surveillance of meetings organised by MI5 agent Dennis McFadden (Herald). The point now at issue is whether a 2021 UK law on sentencing for those convicted of terrorism charges (pdf) – no early release is possible (gov.uk) – contravenes article seven of the European Convention On Human Rights.
Republicans also claim that he would be subject to maltreatment if extradited (RN).
A write-up of the arguments can be found in this Irish Times article from 2023, when the possibility of referral was first mooted by Walsh’s legal team.
The black shamrock in the centre of the wall pre-dates the Walsh graffiti – see Black Shamrock for its significance. Free Derry Corner has its own Visual History page.
A new painting of Amelia Earhart has been created by JEKS (ig), on the side of the Foyle building, North West Regional College, on Queen’s Quay. A number of sources claim without citation or measurement that it is the tallest piece of street art in the north – both the BBC and the Chamber Of Commerce use the passive “thought to be”. Its closest competitor would be the recent piece by Zabou on the Telegraph Building in Belfast – see Broken Promises.
The Foyle Building has six “levels” (NWRC) while the original Telegraph Building had four storeys (Archiseek). In addition to comparing images of the two paintings, you can also judge by comparing Street View images of the buildings: Derry vs Belfast.
Information about Earhart’s connection to the Maiden City can be found in the entries on the printed board (But What Do Dreams Know Of Boundaries?) and the mosaic (Flying Solo) to Earhart in Derry.
JEKS did eventually fill in the hair (and so cover over his instagram handle) on the lower portrait.
The black shamrock is a symbol of Irish neutrality dating back to 2006 (Irish Times | Pensive Quill). In the light of the attack on Gaza it is being used by the IPSC and other pro-Palestinian causes as a symbol of solidarity. This shamrock, on Free Derry Corner, has been augmented with two small Palestinian flags, one with a dove and the word “peace” (shown below).
“Cosaın Ár Neodracht – Ní dhéanann muıd freastal ar Westminster nó ar Washington ach ar Éıreann amháın./Protect our neutrality – We serve neither Westminster nor Washington but Ireland only.” The question of Ireland’s neutrality is a frequent one in light of US aeroplanes using Shannon as a stop-over point en route to the Middle East and more recently because of the Russian invasion of Ukraine that has pushed Finland and Sweden to join NATO (CNN).
The other issue on these posters (on the right of the electrical box) is political prisoners in Palestine. The Al Naqab prison is in the Negev, Israel, and “a center of brutality and brutal behavior” according to the head of a Palestinian prisoners’ welfare organisation (Al Mayadeen) with at least six prisoners killed in October-November (People’s Dispatch). (For the POW solidarity poster in the bottom right, see Victory To The PFLP.)
For the use of an upturned red triangle, see Resist! from the Lecky Road underpass. For a kite flying in support of peace in Gaza, and the source of this entry’s title, see Tell My Story.
Central Drive (above) and Southway, Derry.
The Resist triangle in Central Drive replaces some simple graffiti in memory of Bloody Sunday:
“Victory to the PFLP.” “PFLP” is the Popular Front For The Liberation Of Palestine, a revolutionary (where Fatah is democratic) left-wing militant group within the PLO. It dates back to 1967 and known for skyjackings in 1969 and 1970 led by Leila Khaled (see the entry on the mural featuring Khaled in Hugo St) and for suicide bombings during the Second Intifada (BBC | WP).
The posters read: “Republican solidarity with Palestine! التضامن الجمهوري مع فلسطين www.irpwa.irish” and “Stand with Palestine. End Israeli apartheid. End the siege of Gaza.” Both posters have also been murals: for the prisoners joining hands (which is a Carlos Latuff (ig) design) see Hands Across The Yard; for the protester tying her keffiyeh, see #Gaza.
90% of Meenan Square was bought by Apex Housing for redevelopment with funds from the Executive Office (EO Press Release | Derry Now) in April 2023. 11 million pounds of T:BUC’s 45 million has been put towards the project (Derry Journal). Demolition took place in August, 2021, but it remains a waste-ground. In the meantime, Saoradh (web) and the IRPWA (web) have commandeered the hoarding for two tarps protesting “British Crown forces’ sectarian targeting of republican families” and “sectarian political policing”.
“Since 1948”. This is an interesting board in a comic-book/graphic-novel or movie-poster style with a montage of striking imagery and patterning crammed together, revealed by pseudo-tears, and overlaid lettering in multiple fonts and colours.
The imagery and references are threatening: included are air-jacker Leila Khaled and a rioter with a catapult (who completes the slogan “from the river to the sea … Palestine will be free!”; the lower part of the face of the main figure (and of the face in the bottom-right corner) is covered; we also see “Rebel With[out] A Cause” the 1955 film. in the top left “Struggle Continues – Since 1948” in the style of a fashion emblem, and in the bottom right, “1948” in the style of a mid-century house-number font or perhaps the 1984 film version (with John Hurt and Richard Burton) of Orwell’s 1984.
The other piece – a large bird in the colours of Palestine – is a poster by Videndomen (PPA).
This Glen Road, Derry, streetart was painted by Peaball (ig) (with Glen Development Initiative) in September, 2021, and reflects the duality of experiences in living through the covid pandemic.
The title is the Arabic translation of the Irish “Tıocfaıdh ár lá” taken from a Belfast mural, Freedom In Arabic. (“Tıocfaıdh ár lá” is commonly given in English as “our day will come”; Google reverses the Arabic into English as “Our day is coming”.) At the other end of the block (and above Fight The Rich, Feed The Poor) is a French or Spanish “Viva la resistance”; presumably intended to be “Vive la résistance” or “Viva la revolución”. But it’s a principle of interpretation at Extramural that the spelling (or the quality of the art) is not the point when people feel they are not being heard. In this case, the message is clear: “Free Palestine”.
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