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Westlife

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“Another winter day/has come and gone away/In either Paris and [or] Rome/And I wanna go home” – words from the Michael Bublé-penned song ‘Home’ which boy-band Westlife released on its 2007 album, Back Home. For Egan, Feehily, and Filan, home is, or was, Sligo — the three went to Summerhill secondary school and were together in earlier bands; Byrne (and Bryan/Brian McFadden who was a member of the group from 1998 to 2004 but is not included in the mural) is from Dublin (WP).

“With a career spanning twenty years, Westlife are, Shane Filan, Nicky Byrne, Kian Egan and Mark Feehily. A true pop phenomenon with more number 1 hits than any other act apart from The Beatles and Elvis, Westlife have sold 50 million albums worldwide.”

The mural is behind Gilooly Hall, on Temple Street, Sligo. It was painted in 2015 by Kelan Curran (TAPA).

Previously from Sligo: Maud Gonne.

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Auld Cobblers

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This new three-storey mural by Dee Craig (Fb) is at the city end of Newtownards Road and so serves as a highly-visible introduction to east Belfast. People arriving in the area are now greeted with a vintage image of a smiling bearded man in a cloth cap, surrounded by occupations from the industrial era: “Cobbler, rag’n’bone man, fish monger, welder, builder, sweep, carpenter, window cleaner, butcher”, capped off by an inspirational “Be your best”, with yellow highlights that match the colour of the shipyard cranes Samson and Goliath (see the third image).

In being overshadowed by the mural, the “Let’s Twist Again” sculpture on the plaza in front of the business centre now becomes a symbol of east Belfast rather than the symbol. It too features east Belfast’s “industrial past” (BelTel), using rope as a metaphor for community: “By being bound together in a common cause, the natural tendency for each twist, fibre, yarn, and strand to separate, only serves to make the rope stronger.”

On the wall behind the sculpture and below the mural is one of the Eastside Lives Heritage Trail (pdf) figures, Jane Scott, whose fifteen-year-old son Samuel fell to his death from a ladder while working on the ship in 1910. She supposedly cursed the ship and it sank two years later.

Images of the completed piece are from March 27th and 29th. The in-progress image below is from March 18th.

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Between The Bridges

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Landmarks of Enniskillen and Lough Erne are depicted in this “Enniskillen” mural by Danni Simpson (ig) and Karl Fenz (ig) for Experience Enniskillen (web).

Clockwise from the peaked roofs in the bottom left: Lough Erne resort, Enniskillen courthouse, Cole’s Monument, the Cuilcagh Boardwalk (which is featured in Stairway To Heaven), Enniskillen town hall, the bandstand at Cole’s Monument, the Butter Market, Enniskillen Castle, the red heart “selfie frame” in the Broadmeadow (Impartial Reporter), with Marble Arch Caves and fishing on Lough Erne (see also Pike Fishing In Enniskillen) at the bottom.

The piece is in East Street Bridge, on the side wall of Fermanagh Cottage Industries in front of the Presbyterian Church.

Also by the same pair in Cavehill, Belfast: Fowl Play (Swan) | Outfoxed | Squirrelled Away.

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Back On The Streets

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This shelf of cassette tapes is a new mural by Blaze FX (web) at Portallo Street on the Woodstock Road, east Belfast, part of the wave of street art being along the avenue (see previously: Down The Woodstock | Up The Cregagh).

Van Morrison (who was with Them before going solo), Gary Moore, David Holmes, and members of Rudi (Spit) and The Defects (Spit), grew up in east Belfast, as did Thin Lizzy’s guitarist Eric Bell. (Comment/Get in touch if you know of any SLF connection to east Belfast.)

The odd tape out here is the Cut La Roc/David Holmes ‘Stars X2’ live recording from Coventry’s ‘Eclipse’ nightclub, which is from 1999 (Old Skool Anthems) while the rest are from the sixties and seventies.

The “Cregagh-Woodstock Traders” (Fb) pencil (on the right) is presumably for re-spooling the tape after you pull it out and fix the tangle.

See also: Morrison, Moore, Holmes and Bell are all included in the Luminaries And Legends mural at Connswater.

For the Belfast punk scene of the late 1970s and early 80s, see also Belfast Has The Reason.

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Léım An Mhadaıdh

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Here is a selection of street art in Limavady/Léım An Mhadaıdh/”Leap of the dog” including, above, a leaping dog by London artist irony (ig).

Below, in order, are a pangram illustration by KVLR (ig), musicians by Claire Prouvost (ig), a jazz band by Matthew Knight (ig), a goat by Visual Waste (ig) for the Stendhal Festival (web), and a mental health piece by Peaball (ig).

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Creggan Is My Home

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“Since 1947, Creggan is my home.” The murals of local sporting heroes on the Creggan shops/Sıopaí An Chreagáın have been replaced by a series of flowers and some local musical heroes: above, ‘Teenage dreams so hard to beat’ is the opening line of the Undertones’ ‘Teenage Kicks’ (also seen in Belfast); below is the title of Dana’s Eurovision-winning song: ‘All Kinds Of Everything’ (youtube).

The murals were created by Peaball (ig) and children from Holy Child PS (across the street) during the 2023 Derry Féıle project ‘Graffiti On The Wall’, which also produced Friz’s Derry Dryad and emic’s Younger Days (see Summer’s Blood) (Derry Journal).

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Ormeau Bridge At Night

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Ormeau bridge (Street View) is a stone arch bridge between the Ormeau and Stranmillis embankments of the Lagan river, designed by Charles Lanyon and opened in 1863.

This mural of the bridge is by London artist DanK (ig), commissioned by the Lower Ormeau Traders’ Association using a Vibrant Business Destinations grant from the Council, funded by the Department For Communities ‘Revitalisation’ programme (of these, only Vibrant Businesses (web) appears to have an on-line presence). The mural will be officially launched today (Saturday March 16th) as part of a Spring Festival between noon and three. (Belfast Media)

In University Street, south Belfast, looking away from the bridge.

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Down The Woodstock

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“Down the Woodstock” and “Up the Cregagh”. The two roads run into each other, heading north-south between Albert Bridge and Lisnabreeny in east Belfast. The Woodstock Road shops are getting a number of new streetart pieces thanks to a consortium of local businesses, including the two shown here.

The racing trap is by Visual Waste (ig) ((with support from Decowell Restoration (web), Bethany Fruit (web) and Astrl Fibres (ig)) in Willowfield Gardens and the (painted) signage by unknown artists in Oberon Street.

There is already a large mural reading “Up The Cregagh” on the road.

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Out The Back Of Boots

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“Pro tanto quid retribuamus?” – What shall we give in return for so much? – is the motto of Belfast. These instances are in Castle Street and on the shutters of Sawers, in Fountain Place, which is “out the back of Boots” – generations of Belfasters (since 1975 – Belfast Live) have used Boots to move between Donegall Place and the Fountain area (or fountains (plural) – see Fountain Street Spirits).

(See previously: Pro Tanto on a mural of HMS Belfast | Pro Tanto on Clifton St Orange Hall.)

Warp, weave, scutch and hackle are actions in the processing of flax fibre (Ulster Linen).

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Lagan Kingfisher

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These are the two sides of the electrical box next to emic’s large wildflowers mural, presumably also by emic (ig). Above is the kingfisher on the Collingwood side and below are the flowers the embankment side. The kingfisher or cruıdín is common throughout Ireland (BirdwatchIreland), including Belfast. Here are two videos of kingfishers on the Lagan: Tom McClean | Tony Dalton.

Here is a Visual History page of electrical boxes in Belfast.

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