Here is an assortment of images concerning boycotts of Israeli goods in response to the invasion of Gaza. Above, “Ban Israeli goods” on the wall of the Alexandra Park Tesco, north Belfast; below, V-for-victory fingers as scissors snipping barbed wire (bdsmovement.net) in a shop window in Andersonstown, west Belfast; “BDS” [Boycott, divestment, sanctions] and “IPSC” [Ireland Palestine Solidarity Campaign, which maintains a list of Israeli goods] next to a painted Palestinian flag in the middle Falls, west Belfast; plus an Artists Against Genocide (ig) sticker.
Irish politicians are making their annual pilgrimage to the United States for St Patrick’s Day. Taoıseach Leo Varadkar was first in Boston and is now in Washington, DC (gov.ie). Sınn Féın leaders Mary Lou McDonald and Michelle O’Neill say (Sky News) that during their visit they will raise the issues of Israel’s military attack and the humanitarian crisis in Gaza with US President Joe Biden, changing “Say “No” to Genocide Joe” to “Say “No” to genocide, Joe”. Michelle O’Neill (SF) and Emma Little-Pengelly (DUP) together promoted Northern Irish business opportunities (journal.ie).
SDLP leaders are not in attendance and People Before Profit called for a boycott (see previously: Don’t Look Away).
Meanwhile in Qatar, it is hoped that negotiations between Hamas and Israel will be rejoined (AP).
“Cosaın Ár Neodracht – Ní dhéanann muıd freastal ar Westminster nó ar Washington ach ar Éıreann amháın./Protect our neutrality – We serve neither Westminster nor Washington but Ireland only.” The question of Ireland’s neutrality is a frequent one in light of US aeroplanes using Shannon as a stop-over point en route to the Middle East and more recently because of the Russian invasion of Ukraine that has pushed Finland and Sweden to join NATO (CNN).
The other issue on these posters (on the right of the electrical box) is political prisoners in Palestine. The Al Naqab prison is in the Negev, Israel, and “a center of brutality and brutal behavior” according to the head of a Palestinian prisoners’ welfare organisation (Al Mayadeen) with at least six prisoners killed in October-November (People’s Dispatch). (For the POW solidarity poster in the bottom right, see Victory To The PFLP.)
For the use of an upturned red triangle, see Resist! from the Lecky Road underpass. For a kite flying in support of peace in Gaza, and the source of this entry’s title, see Tell My Story.
Central Drive (above) and Southway, Derry.
The Resist triangle in Central Drive replaces some simple graffiti in memory of Bloody Sunday:
Two murals have been added to the exterior of Felons’ Club in Andersonstown to show support for Palestine. Above, on the Lake Glen side of the club, a printed board reading “We stand with Palestine – seas leis an Phalaıstín” and including an Emmalene Blake image (ig) on the right (shown in close-up, below) journalist Alatrash Samia and her niece Masa (as photographed by Mahmoud Bassam); further below, a “Stop the genocide in Gaza” tarp above the entrance.
Also included are images of several memorial plaques from the courtyard, to James Smyth, Anraí (Harry) Osborne, and Seosamh Ó Conghaıle (Joseph Connolly); the Roger Casement plaque is on the Kieran Doherty mural in Slemish Way. “County Antrim Memorial: Tógaḋ an leaċt seo mar ċoṁarṫa urraıme, grá agus dílse do na saıġdıúırí uaısle as Contae Aontroma, a martraíoḋ ar son Ṗoblaċt Na hÉıreann. Ṡeas gaċ glúın díoḃ sa ḃearna ḃaoıl, ag troıd go cróga ċun aontaċt agus saoırse a ṫaḃaırt ar aıs do náısıún na nGael. Go spreaga an leaċt cuımhne seo na daoıne feasta ıonas go leana sıad lorg na laoċra dtí go mbéarfar bua uasal na saoırse ar ball. Erected by the Belfast Committee of the National Graves Association with generous co-operation from sub-committees in America and Dublin.”
For a similar style of floral arrangement, see Do You Believe?
Here are seven pro-Palestinian posters on a planter outside the Royal in west Belfast.
The “Rise Up Against Genocide” poster is from ‘Love Letters From Palestine’ (ig). “Birds Not Bombs” is by Dani Knight (ig). “Boycott Apartheid Israel” is by Chris Hutch (Palestinian Poster Project). The “Save Gaza” poster is by Pakistani designer Hazem Asif (ig | web). “Unity In Confronting Zionism” is by Deliberately/Collectively Anonymous (PPP) “Palestine Will Be Free” is by Josh McPhee (ig) “Free Palestine” ?
“Victory to the PFLP.” “PFLP” is the Popular Front For The Liberation Of Palestine, a revolutionary (where Fatah is democratic) left-wing militant group within the PLO. It dates back to 1967 and known for skyjackings in 1969 and 1970 led by Leila Khaled (see the entry on the mural featuring Khaled in Hugo St) and for suicide bombings during the Second Intifada (BBC | WP).
The posters read: “Republican solidarity with Palestine! التضامن الجمهوري مع فلسطين www.irpwa.irish” and “Stand with Palestine. End Israeli apartheid. End the siege of Gaza.” Both posters have also been murals: for the prisoners joining hands (which is a Carlos Latuff (ig) design) see Hands Across The Yard; for the protester tying her keffiyeh, see #Gaza.
The launch event for the Painting For Palestine project (Fb) took place on March 3rd. A large paper Palestinian flag (with the cartoon character of resistance Handala (WP) on it) was used as a cover over the mural of three children – Irish, Palestinian, and South African – and unveiled by local children who had worked on the piece.
For the launch of the murals painted in the Painting For Palestine project (Fb) a red ribbon with the words from Palestinian writer Refaat Alareer’s poem “If I Must Die” was added to the ten consecutive panels below the ‘republican museum’ panel.
If I must die, you must live to tell my story to sell my things to buy a piece of cloth and some strings, (make it white with a long tail) so that a child, somewhere in Gaza while looking heaven in the eye awaiting his dad who left in a blaze —
and bade no one farewell not even to his flesh not even to himself — sees the kite, my kite you made, flying up above and thinks for a moment an angel is there bringing back love If I must die let it bring hope let it be a tale
The Palestinian West Bank is surrounded by, and in some places penetrated by, a system of barriers 440 miles long. In some places it takes the form of multiple fences, in others, of a concrete wall reaching to a height of 30 feet/9 metres. (Here is WP’s map of the wall in the vicinity of Bethlehem and Jerusalem, also showing the Israeli settlements in this part of the West Bank).
In this mural, a Palestinian stands on top of the wall and looks towards (Christian) Church Of The Holy Sepulchre and the (Islamic) Dome Of The Rock in old Jerusalem and imagines themselves a phoenix, a symbol representing rebirth and persistence, well known from (Irish) republican muraling (Peter Moloney Collection | Extramural collection).
The mural is on the International Wall, west Belfast, part of the Painting For Palestine project (Fb). The original artist is unknown.
This is one of five pieces by digital artist Saïd Hassan (ig) that is being painted on the International Wall as part of the Painting For Palestine (Fb) project. It shows a family of refugees living in a tent; the female adult is cooking over an open flame while three children look on.
This is the last (right-most) of the 12 murals.
The images above and immediately below are from February 14th. The ‘in-progress’ images below are in reverse-chronological order.