
Word-play in Marquis Street, ironically on the side of the “Fun Times” amusement/gambling arcade.
Above is Annatomix’s Golden Hares Of Rathlin Island.
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Word-play in Marquis Street, ironically on the side of the “Fun Times” amusement/gambling arcade.
Above is Annatomix’s Golden Hares Of Rathlin Island.
Click image to enlarge
Copyright © 2024 Seosamh Mac Coılle
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For the launch of the murals painted in the Painting For Palestine project (Fb) a red ribbon with the words from Palestinian writer Refaat Alareer’s poem “If I Must Die” was added to the ten consecutive panels below the ‘republican museum’ panel.
If I must die,
you must live
to tell my story
to sell my things
to buy a piece of cloth
and some strings,
(make it white with a long tail)
so that a child, somewhere in Gaza
while looking heaven in the eye
awaiting his dad who left in a blaze —
and bade no one farewell
not even to his flesh
not even to himself —
sees the kite, my kite you made, flying up above
and thinks for a moment an angel is there
bringing back love
If I must die
let it bring hope
let it be a tale
Alareer’s poem was also used on Free Derry Corner; see If I Must Die.
This entry presents images of the ten murals to which the red ribbon was added. For images from the launch, see Looking Heaven In The Eye. For the murals prior to the red ribbon, with in-progress shots, see Man Holding Child – A Window To A Free Country – Soldiers Standing Over Children – Three Children – Flying Children/Prisoners – Bethlehem Fireworks – Family Group – Soso And Omar Ashour – Phoenix – Cooking In Front Of A Tent
For images from the launch, see Looking Heaven In The Eye.











Painting of the red ribbon began on February 29th:




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The Palestinian West Bank is surrounded by, and in some places penetrated by, a system of barriers 440 miles long. In some places it takes the form of multiple fences, in others, of a concrete wall reaching to a height of 30 feet/9 metres. (Here is WP’s map of the wall in the vicinity of Bethlehem and Jerusalem, also showing the Israeli settlements in this part of the West Bank).
In this mural, a Palestinian stands on top of the wall and looks towards (Christian) Church Of The Holy Sepulchre and the (Islamic) Dome Of The Rock in old Jerusalem and imagines themselves a phoenix, a symbol representing rebirth and persistence, well known from (Irish) republican muraling (Peter Moloney Collection | Extramural collection).
The mural is on the International Wall, west Belfast, part of the Painting For Palestine project (Fb). The original artist is unknown.
The West Bank barrier is locally known as the “separation” or “apartheid” wall. For west Belfast’s own euphemistically-called “peace” wall, see State Art Vs Graffiti On The West Belfast “Peace” Line.
The next mural (to the right) can be seen in Worsening Crisis In Gaza.
The image above was taken on February 25th. Other “in-progress” images are as dated below.
February 22nd:

January 28th:

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This is one of five pieces by digital artist Saïd Hassan (ig) that is being painted on the International Wall as part of the Painting For Palestine (Fb) project. It shows a family of refugees living in a tent; the female adult is cooking over an open flame while three children look on.
This is the last (right-most) of the 12 murals.
The images above and immediately below are from February 14th. The ‘in-progress’ images below are in reverse-chronological order.

[For a mostly-complete in-progress image from January 24th, see the Paddy Duffy Collection.]
January 20th:


January 17th:

The original art is by Saïd Hassan.

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The first (left-most) mural of the Painting For Palestine project (Fb) reproduces a piece that once stood in a Gaza school, called The Land Is Ours, by Mohammed Alhaj, Abdullah Al Najar, Rami Al Safadi, and Abdel Hamid Fares. It shows a human figure holding a Palestinian flag that wraps around an olive tree and the Dome Of The Rock temple in Jerusalem.
The next mural in the PforP project can be seen in Another Martyr In The Earth.
January 20th:


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Siblings Soso and Omar Ashour were brought to a Gaza hospital in the first week of the Israeli attack. Artist Raed Yousef Qatanani (ig) took them as subjects (ig photo | ig video of the pair) for a painting which has in turn been reproduced on the International Wall in west Belfast as part of the Painting For Palestine project (Fb).
The next mural (to the right) can be seen in Out Of The Ashes Of 1948.
January 26th:

January 20th:

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This mural is based on an original by Ahmad Shaweesh (ig) which shows a group of people, perhaps a family, in distress. The piece, both original and reproduction, is deliberately left unfinished, presumably to represent the unfinished lives of the Gaza dead.
The mural is on the International Wall, west Belfast, part of the Painting For Palestine project (Fb). The next mural, to the right, is of Soso And Omar Ashour.
The image above is from February 25th. Other in-progress images are as dated below.
February 22nd:

February 7th:

January 26th:

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In December, South Africa lodged an emergency application (pdf) at the International Court Of Justice in The Hague, Netherlands, alleging that Israel had violated the 1948 convention on genocide (see also the WP page of human rights violations against Palestinians).
Two days of public hearings were held on January 11th and 12th and the ruling on the 26th directed Israel to take “all measures” to prevent any acts that could be considered genocidal, though it did not order a halt to Israel’s attack on Gaza (Al Jazeera | WP).
Sınn Féın moved in the Dáıl that Ireland join South Africa as a plaintiff in the full case, but the motion was defeated (Irish Times).
The image above shows, on the left, three children from Ireland, Palestine, and South Africa holding hands, and, on the right, dead Palestinian children flying to heaven over stripped and kneeling Palestinian prisoners. The flying children are based on an image by Taqdees Fatima (ig) and the kneeling prisoners on an image by Saïd Hassan (ig). The source for the three children is unknown.
The murals are on the International Wall, west Belfast, and part of the Painting For Palestine project (Fb). The next mural (to the right) can be seen in Let Your Hopes Bloom As the Cactus Blooms.


February 22nd:


[For in-progress images from February 18th, see the Paddy Duffy Collection.]
February 14th:

February 7th:

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The Pride Of Ardoyne flute band memorial site was overhauled in November. The silhouetted bandsmen (seen in Pride Of Ardoyne) are gone and the cross and wooden plaque at the top (see Billy Hanna) have been joined by two large boards, naming “J. Bailey, W. Hanna, S. Rockett, B. McClure” and, (on the drum) “Charlie Dunn (1957-2021)”, along with 20 small plaques of these five plus 15 more who are an “absent member”, “absent friend”, and “loyal supporter”.
For Bailey, see On This Day. For Rockett, see Essence And Space. For McClure, see UPI. For Dunn, see the band’s Fb Page.

The image below is of a 50th anniversary Pride Of Ardoyne flag inside the door of Lainey’s craft shop on the Shankill Road.

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A Palestinian boy sitting among rubble looks out through a window of bars to see doves flaying in front of a Palestinian flag.
Based on a original by artist Azhar Al Majed (ig).
On the International Wall, west Belfast, part of the Painting For Palestine project (Fb).
The image above is from February 25th. Other images are as dated below:
February 22nd:

February 14th:

February 7th:

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