Work by DMC (Dermot McConaghy Twitter | Instagram) at the harbour, an underwater version of the “Invertigo” piece he did the week before (with JMK (Twitter)) CNB15 in Lisburn.
Sea horses constitute the genus hippocampus, or horse sea-monster, so-called because they appear to be a hybrid of a horse’s upper body with the lower body of an fish or dolphin. The specimens shown in today’s three images are work by Emic (Fb | Web) – who also did We Borrow The Earth From Our Children — on ‘harbour promenade’ next to the Big Fish.
The mural shows a line of fir trees rather than steel gates but the robins on the spiked rail above give away that we’re on the “peace” line separating loyalist west Belfast from nationalist north Belfast and that the road is still closed. “Seasons Greetings” Belfast-style.
UPDATE Jan 3rd: a similar trompe l’oeil piece by Breandán Clarke could be found at this location previously, showing cars parked on the street (via Old Belfast Photographs/Glenravel History).
“Like a bird on a wire, like a drunk in a midnight choir, I have tried in my way to be free.” – Leonard Cohen Bird On The Wire
The piece above by Malarky (aka Malarko) for CNB15 in September was replaced in short order by the RAZER tag (and face), below.
The wide shot shows the other pieces in the North Street car park: Femme Fatale by Mels from HTN/CNB15 and Fight Or Flight by Friz and Danleo from CNB13.
Malarky also did the piece immediately below in the lower Kent St car-park.
The Connswater community garden is called “In The Meanwhile” (one of four in east Belfast operated by Groundwork NI to make use of empty ground in the ‘meanwhile’). A field-mouse(?) and a robin share the hedgerow peaceably in the mural that serves as a backdrop. The work is by Friz. The garden has its own Facebook page. For some background see this Irish News article.
Jax Teller might have survived ninety-two episodes of Sons Of Anarchy before meeting his fate but he made it barely two months on the streets of Belfast before being executed: he has taken a shot to the head and the ‘men of mayhem’ patches on his cut-off have been painted out.
The unaltered Visual Waste piece can be seen in Men Of Mayhem.
Above is a piece from the Release The Pressure (Fb) streetart festival in London-/Derry in July, one side full of technicolour eyes by Vyal One (web | Instagram) and the other with swirls by ArtByEoin (web | Fb). If you know who the artist was, please comment or e-mail; there doesn’t seem to be much info on-line about this piece.
Gerard ‘Mo Chara’ Kelly painted these three images of Patsy Cline in the back garden of a Springhill neighbour. Cline died in 1963 at age 30; the three panels show different stages of her short career: the first shows her in cowboy gear, before turning to pop music, the second is based on a 1957 publicity shot for her new label, Decca, and the third shows her in 1961. Her cover of Don Gibson’s Sweet Dreams was released as a single in the wake of her death.
Here is video of Patsy singing Willie Nelson’s Crazy and, below that, Marsha Thornton doing the song from which today’s title comes: