London street artist Dan Kitchener (web | tw | ig) is back on the Shankill (after recently completing Night Taxi) painting in an even bolder location: where Night Taxi was up around the bend in the Woodvale, the new piece – “Hope” – is at the bottom of the Shankill on Northumberland Street and moreover sits atop Conor’s Corner (2015 | 2021).
Both murals feature Tokyo landscapes (as is the case with Dan’s work) but a geisha is featured here rather than a familiar black taxi. These two murals represent the strongest incursion of street art beyond the city centre and into “sectarian” areas. Reaction has been correspondingly mixed: while no one doubts the craftsmanship and aesthetic value, one twitter user (echoed by various others) asks “What is it’s [sic] relevance to the Shankill? Or is it just a lovely mural?” Dan has travelled in Japan and takes actress Ayumi LaNoire “the pole dancing geisha” (IMDb | vimeo | Afloat on vimeo) as muse (Inspiring City) but taken straightforwardly as a representation of a classical geisha this could appear an act of fetishising cultural appropriation. See also: DanK’s geisha in Belfast city centre, The Dream. See also: Visual History 11 on the rise of street art.
Conor’s Corner itself replaced a Shankill Protestant Boys mural.
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