A brand new piece (unveiled March 2, 2013) to Brian Robinson and/sponsored by the Shankill Star Flute Band, in Disraeli Street – where Robinson grew up – replete with images from the first World War such as soldiers (both British and German), trenches and poppies. Robinson was killed on 2 Sept., 1989 by an army undercover unit moments after he had shot and killed a Catholic named Patrick McKenna (WP). This is the second mural on the street to Robinson. The piece is not paint, but printed boards, and the image has been generated by computer.
Two images of BBC Radio 1 DJ John Peel, young and old, on the wall of the passageway to the Duke Of York pub in the city centre.
Peel is famous in Northern Ireland for his love of the song “Teenage Kicks” by Derry group The Undertones (WP). A line from the song – Teenage dreams so hard to beat” – was used in this mural/street art tribute to Peel, who died in 2004 (WP).
Update 2013-06-21: the ‘teenage dreams’ artwork on Bridge End has been painted over (Tele | BBC | Irish Times; video from U.tv).
A board has quickly gone up, on top of the Guernica mural on the so-called International Wall, to commemorate the death of Venezuelan leader Hugo Chavez, who died on March 5th, at age 58 (WP).
“Adios! Amigo. The path to a new, better and possible world is not capitalism, the path is socialism.”
“Defenders of the Woodvale from 1969 B Coy”. The Woodvale Defence Association (WDA) was the largest of the local associations which merged together in 1971 to form the Ulster Defence Association (UDA).
A small RNU (Republican Network for Unity, a dissident (political) group) mural and ONH (Óglaıgh Na hÉıreann, a faction of the Real IRA) stencil below the advertising hoarding at the corner of Northumberland Street and the International Wall on Divis Street.
A picture from the courtyard of the Times Bar, on York Street, with both Northern Irish and Union flags, and the crest of the IFA, the association overseeing soccer in Northern Ireland. (Previously from the Times Bar.)
“Saint Malachy’s G.A.C. is more than a club. It’s our club. To participate is to represent your community and an expression of your cultural identity.”
A mural celebrating Gaelic games in the parish of St. Malachy/Naomh Maolmhaodhóg, in the Markets area of Belfast. The parish church – featured in the top centre – has a celebrated fan-vaulted ceiling (WP). This mural, on the other hand, features a highly unusual bay window.
March 2013 is the 25th anniversary of the Michael Stone’s attack on mourners attending the burials of the Gibraltar 3 in Milltown cemetery. Stone killed three people. The mural combines images of mourners taking shelter from Stone’s attack with the civil war memorial in Ballyseedy, Co. Kerry (WP) which was famously connected to the Gibraltar 3 in a mural prepared for the return of the coffins to Belfast – see A Legitimate Right To Take Up Arms. (Here is a copy of Tragedies In Kerry.) Images of the mural in progress were presented in a previous entry. (See that post for the photographs on which the mural is based.) The Gibraltar 3 are portrayed on the left; Stone’s victims are on the right. In the top right is an IRA volunteer who had been shot two days earlier, on the night that the coffins of the Gibraltar 3 arrived in Belfast.
25 years ago – 1988 – puts us firmly in the era of video, and so you can see footage on youtube relating to each of these events:
Death On The Rock, a famous Thames Television production about the SAS killings of IRA members Maıréad Farrell, Danny McCann and Seán Savage on March 6th in Gibraltar.
Michael Stone’s attack on mourners at their funerals in Milltown cemetery, March 16th, which killed Thomas McErlean, John Murray, and Caoımhín Mac Brádaıgh (Kevin Brady).
The memorial depicted in the background of the mural is a civil war memorial in Ballyseedy, Co. Kerry (WP) which was famously connected to the Gibraltar 3 in a mural prepared for the return of the coffins to Belfast – see A Legitimate Right To Take Up Arms. Here is a copy of Tragedies In Kerry.
This piece in North Street, in the city centre, combines realistic buildings with honeycomb patterning run together with cloud-like spray-paint, threatening to envelope the impressionistic figure in the foreground. The surface is the shutter of a shop front. By emic/This Means Nothing for CNB 2012. (The hand in the bottom left can also be found around the corner in Garfield Street.)
Extramural Activity 