cultural

Born For A Storm

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The family of “Andrew Jackson 1767-1845”, seventh president of the United States, hailed from Carrickfergus (Discover Ulster-Scots | Carrickfergus History) and there is a period cottage that functions as a museum on the site of the home from which his parents and two older brothers departed (Discover NI).

There is a Visual History page on Ulster-Scots murals. A series of murals was painted, beginning in 1999, under the title ‘Pioneers To Presidents’, the last of which was of Andrew Jackson in the lower Shankill in 2007. Why he was chosen as the subject of this new mural in Pinewood Avenue, Sunnylands, Carrickfergus, is as yet unknown.

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Róısín Dubh

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“A Róısín, ná bíodh brón ort fé’r éırigh dhuıt”/Róısín, be not sad about what has happened to you”. The song ‘Róısín Dubh’ [usually translated as ‘Dark Rosaleen’] is a love song to Ireland, in which the infatuated singer recounts the lengths he would go to on her behalf (song (youtube): Muıreann Nıc Amhlaoıbh | Caıtlín Maude | poem/lyrics in English: Mangan | Kinsella at WP).

This new piece in the New Lodge, north Belfast, was painted (presumably) by emic (ig), (presumably) under the same auspices as, and as a thematic complement to, the project we reported on in Communities In Transition and New Lodge Gardens. The lack of explicitly nationalist or republican signifiers is perhaps necessary if the piece is to be funded by Communities In Transition, while the cultural reference is perhaps necessary if the art is to survive on what has for the past dozen years been an anti-Agreement wall – see Damn Your Concessions, England and Unbowed, Unbroken. Another emic piece, in Creggan, Derry, has been marked with republican graffiti – see Stand Up And Speak Out. This very skilful piece walks a very fine line very precisely.

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Joe Cahill Annual Tournament

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Easter Saturday is traditional day for the Joe Cahill tournament, hosted by Cardinal O’Donnell’s (Fb) and involving about 250 children (Belfast Media). Shown above is the new board in Beechview Park, updating the one from last year.

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T04075 [T04076] [T04077] “Mol an óıge agus tıocfaıdh sí” [encourage youth and it will flourish, or less literally, youth responds to praise]

A Name That Equals Any In History

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“In memory to all who fought and gave their lives.” This is the tribute to the Ulster Division at the Carrickfergus Rangers Supporters’ Club, citing the words of Wilfrid Spender “I am not an Ulsterman but yesterday, the First of July [1916], as I followed their amazing attack, I felt that I would rather be an Ulsterman than anything else in the world.” (For more of Spender’s tribute to the 36th Division, see I Am Not An Ulsterman.)

For the names and information of the nine VC recipients, see Victoria Crosses or Repaying Their Memory.

Also from the Club: a gallery of Rangers’ Managers in We Welcome The Chase | commemorative murals to the three Scottish soldiers in Highland Fusiliers and to the UDR in Some Gave All | various others from the laneway and courtyard in We Don’t Do Walking Away, and from inside and from the side patio in The Rangers That I Love.

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1916 Battle Of The Somme

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153 men of the 12th Battalion Royal Irish Rifles (which included men from Ballymena and other Central Antrim Volunteers) died on the first day of the Battle Of The Somme, July 1st, 1916, as they and the 9th Royal Irish Fusiliers attempted to take German trenches near Beaucourt railway station (Royal Irish). According to the account of the movements of the 12th Royal Irish Rifles by Des Blackadder on the Great War Forum, “they were cut down like corn before a scythe”. In all, more than 2,000 men from the 36th Division were killed that day (WP). The 12th’s Robert Quigg, received the VC for his actions in the evening, rescuing wounded men from no-man’s-land. He is remembered by the statue and plaque (shown below) in Bushmills; he was from Ardihannon townland near the Giant’s Causeway.

The new mural in Drumtara, Ballymena, was painted by Craig Gilmore, who also did the recent tribute to Elizabeth II (see The Crown) (Ballymena Guardian article on the mural, also by Blackadder).

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The Rangers That I Love

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Here are images of murals from the interior and the outside patio of the Rangers Supporters Club (Fb) in Carrickfergus. January 2nd, 1971 – included in the panel above – is the date of the Ibrox disaster, in which 66 people died (WP). “Fleshers’ Haugh” [Butchers’ Low-Lying Meadow] – included in the panel below – is the part of Glasgow Green where Rangers played their games in the first three years of the club’s existence (Scotland Guide). Edmiston Drive (above) and Copland Road (third image) are streets adjacent to the stadium.

Also from the Club: a gallery of Rangers’ Managers in We Welcome The Chase | commemorative murals to the 36th Division in A Name That Equals Any In History, the three Scottish soldiers in Highland Fusiliers, and to the UDR in Some Gave All | various others from the laneway and courtyard in We Don’t Do Walking Away.

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we are the people follow follow our lads had a dream the blue blue sea of ibrox absent friends we will remember them all taigs are targets our club will never die

DUP Sellout

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TUV (Traditional Unionist Voice) has put up placards attacking the DUP (Democratic Unionist Party) – including outside the office of DUP leader Jeffrey Donaldson – in response to the possibility that the DUP might re-enter Stormont – which has been defunct now for two years – and implement the NI Protocol (BBC | BelTel).

It hasn’t happened yet, but a combination of public dissatisfaction concerning inaction over strikes by transport workers on December 22 and a general strike planned for January 18 (ITv)) and a financial package for pay awards are keeping the pressure on (Shropshire Star).

For the Orange symbols above, see Your Kingdom Will Endure Forever; for Psalm 95 see We Are The People; for the Lamentations, see אי כניעה (“No surrender” in Hebrew).

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Ignite Tradition

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“A taste of tradition: Whiterock flute band. Est. 1962. West Belfast, Northern Ireland. New Barnsley, Moyard, Springmartin, Woodvale, Whiterock, Springfield, Highfield, Shankill.” The Whiterock Flute Band board at the top of the Shankill has been updated to reflect the changing of the monarch – the passing of Queen Elizabeth II and the accession of Charles III – and also to mark the band’s 60th anniversary in 2022.

The memorial to Elizabeth on the left-hand side replaces the memorial to Alex Thompson (seen in 2021) which had been appended to the 50th anniversary board (A Taste Of Tradition). Thompson is included at the top of the next column, “recognition of loyal service”. The columns on either side of the emblem show photographs from the various deacdes, including the 50th anniversary celebrations. Above the doorways are the names of “members past and present” above drawings by local children of “my favourite image” and a link for the band’s music.

“Embrace the past. Ignite tradition. Inspire the future.” Whiterock Flute Band appear to have fallen under the influence of a public-relations consultant.

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community cohesion with local children

A Tale Of Ireland

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“Alexander Fitzgerald Irvine was an Author, Minister and local resident [of “Antrim Town”] 1863-1941.” The family home where he was raised was in Pogue’s Entry, now a museum, above which sits this mural (paid for by Lidl) (Antrim Guardian).

Irvine worked in Belfast and Scotland before joining the Royal Marines. He moved to the United States in 1888, graduated from Yale and was ordained, took up various ministerial positions in the US, and became a social radical over time (Irish Biography). Irvine died in Holywood, California; his collection of autographs and letters from 77 famous figures is held by the University Of California.

He is best known as an author and playwright. The book on top of the pile is the best-seller My Lady Of [The] Chimney Corner (pdf), an autobiographical book about “Irish peasant life” written in 1913 in tribute to his mother, who had not lived to see his military successes.

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How Many Loved Your Moments Of Glad Grace

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W. B. Yeats’s poem When You Are Old is generally understood to be directed at Maud Gonne, who was born on this day in 1866. Yeats met the actress and activist in 1899, fell in love with her, and proposed marriage four times in the years to follow, each time being rejected. It is as Yeats’s muse — and not for her mysticism or anti-Semitism or Irish nationalism — that she is the subject of this mural in Union Street, Sligo, painted by artist Nick Purdy of Blowdesigns (Fb) in 2018.

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