Brian “Herbie” McCallum was a 29 year-old attending a contentious loyalist parade to Whiterock Orange Hall, being re-routed by the RUC, when the grenade he was carrying exploded prematurely, killing him instantly. The mural and memorial shown above is at the top of Ainsworth Avenue, close to the spot of the incident. He died in hospital three days later. (CAIN | Border & Border Politics | Irish News article at Nuzhound | Independent)
The masthead of the 1916 proclamation declaring a “Provisional Government of the Irish Republic” to the “People of Ireland” is faithfully reproduced in this éırígí stencil, along with busts of Padraıg Pearse and Tom Clarke. Pearse, Clarke, and the other signatories will likely be familiar faces in the months leading up to Easter 2016, which is at the end of March, and the anniversary of the date itself, April 24th, 1916.
See also Thursday’s post featuring a fly-paper reproduction of the 1916 Proclamation: Brotherhoods.
Gerard ‘Mo Chara’ Kelly painted these three images of Patsy Cline in the back garden of a Springhill neighbour. Cline died in 1963 at age 30; the three panels show different stages of her short career: the first shows her in cowboy gear, before turning to pop music, the second is based on a 1957 publicity shot for her new label, Decca, and the third shows her in 1961. Her cover of Don Gibson’s Sweet Dreams was released as a single in the wake of her death.
Here is video of Patsy singing Willie Nelson’s Crazy and, below that, Marsha Thornton doing the song from which today’s title comes:
An enchanted forest in purple and gold – street art by London-based artist Ed Hicks (Instagram | Fb) for CNB15. The piece is in a narrow alley (Exchange Place, next to the Black Box) which makes quality images of the whole thing difficult to get – you are encouraged to see the full thing in person.
Two visions of brotherhood: The Lady Boys Of Bangkok compete for poster space with the Irish Republican Brotherhood’s proclamation of an Irish Republic.
Transformer Megatron is powerless to stop these pigeons from eating up scraps of bread thrown to them on North Street. Work by KrikSix (web) for CNB15.
A woman cautions secrecy as she pulls back a curtain to reveal a keyhole in the wall, the key for which is on a chain around her neck — two-storey mural by Friz (web) for CNB15 in Joy’s Entry on the side of McCracken’s bar.
Two murals by Mark Bodé (web) and another in his style (and that of his father, Vaughan Bodé). The first is on the Cupar Way “peace” line and shows a disgruntled caveman and the Yellow Hat character; the second is in the Lecky Road underpass in London-/Derry and shows the character Cobalt 60; and the third is a promotional mural in the style of the Bodés in Gresham Street. All three date to this (2015) summer, when Bodé came to Derry for the ‘Release The Pressure’ street art festival. (Bodé’s official piece for the festival, painted with Dave Bonzai, can be seen in Metalmorphosis.)