“We stand with Lıam Óg”, that is Lıam Óg Ó hAnnaıdh (on the left of the image above), a.k.a. Mo Chara, a member of the rap group Kneecap who appeared in court (in London) on Wednesday August 20th on “terrorism” charges and was bailed for a further month while the judge rules on a technical issue about whether the trial can go forward (BBC). (See previously The Magic Within and Seasaımıd Le Kneecap.)
The night before (the 19th) this board featuring images of the band-members and the band in its early days was unveiled on the Whiterock Road. (Video of the launch can be found on the Glór Na Móna instagram account.)
In the background is a Palestinian flag and “Saoırse don Phalaıstín” [Freedom for Palestine] is written along the bottom.
The United Kingdom Of Great Britain And Ireland was created in 1801, a reaction to the 1798 Rebellion, led by (amongst others) Wolfe Tone and Henry Joy McCracken, the pair also being founding members of the Society Of United Irishmen in 1791 in Belfast.
In this mural, Tone and McCracken on the left gaze across the “centuries of resistance” from 1798 to 1916 Rising revolutionaries Countess Markievicz and James Connolly, and beyond to Troubles-era figures Maıréad Farrell, Bobby Sands, and Máıre Drumm.
Around the same time as this mural was painted, a Féıle exhibition called ‘Vibrant Colours, Violent Past’ included A Panorama Of Republicanism which contains dozens of figures but again chooses 1798/Tone, 1916/Connolly, and the Troubles/Martin McGuinness as the pivotal moments and figures.
“Comóradh Éırí Amach Na Cásca Bhéal Feırste/Belfast Easter Commemoration. This is the traditional place where on Easter Sunday Belfast republicans gather to honour Ireland’s patriot dead on their way to Milltown Cemetery.” “Honour Ireland’s patriot dead – wear an Easter lily.” “Unbowed, unbroken.”
The “defend the Sperrins” “day of resistance” on Saturday August 23rd will include a “family fun day – walk through the land – creative protest – education – eating together – céılí – music – camping on occupied land overnight”.
At issue is a plan to mine for gold from US-backed company Dalradian Mining (web) in an area of Outstanding Natural Beauty. In response to local pressure (see the “No toxic goldmining” placard in the poster), the company has already ditched its plan to use cyanide during the extraction process (BBC | The Planner).
“Victory to Kneecap” and “Free Palestine” on the shutters of the former West Belfast Partnership building on the Falls Road. For background see Seasaımıd Le Lıam Óg.
This mural celebrates the Irish-language institutions in west Belfast. From left to right, the buildings by the loch are: Gaeltacht Bhóthar Seoıghe, Bunscoıl Phobal Feırste, Raıdıó Fáılte, An Chultúrlann, Teach Ard Na bhFeá, Coláıste Feırste, and Áras Na bhFál. In a sense they are all ripples from the initial drop that was the Shaw’s Road Gaeltacht, established in 1969 and which led quickly to the bunscoıl in 1971 (WP). The NVTv documentary about the Shaw’s Road gaeltacht borrows its title from the slogan motivating the early efforts, “Ná habaır é, déan é” [Don’t say it, do it] – the bunscoıl was not officially recognised until 1985.
Among the pioneers (“ceannródaıthe”) of those early ventures were the Mac Seáın family, who grew up in a house adjacent to the wall on which the new mural is painted: “Tógadh Séamus Mac Seáın, Seán Mac Seáın, agus Caıtlín Mıstéıl (née Mhıc Sheáın) sa teach seo. Bhí an trıúr seo ı measc na gceannródaıthe a bhunaıgh Gaeltacht Bhóthar Seoıghe.”
The mural was commissioned by Spórtlann Na hÉıreann’s Irish-language heritage project “Gael Staır” (Meon Eıle | Belfast Media), with support from Mary’s Gift (Belfast Media), and painted by Aodán Ó Manacháın (Fb). It was unveiled Sunday 10th.
Féıle An Phobaıl (web) is now headquartered in the renovated (BCC) St Comgall’s on Divis Street in Ionad Eileen Howell, and during this year’s (2025) festival is home to an exhibition called “Vibrant Colours, Violent Past”, the centrepiece of which is a 20-foot-long panoramic history of republicanism, with Wolfe Tone, James Connolly, and Martin McGuinness as pivotal figures.
A full legend of who’s who is given in the leaflet at the bottom of this entry. It also explains the genesis of the project, as follows:
“A few years ago I met a great friend of Ireland and art collector Darius Anderson from California who was here on a trip with his wife Wendy and hoping to see some new work by Irish artists, not only work destined for gallery walls but having been fortunate to be included on one of local guide Dee Morgan’s tours he developed a love for and focus on our world-recognised mural art tradition.
“Then last year on another trip here I was able to introduce Darius to my life-long friends and probably the most prolific contributors to our local landscape.
“From a casual meeting alongside Marty and Micky at work repainting the Vol. Kieran Doherty mural in Andersonstown came an inspired suggestion that we accept a challenge from him to tell our story graphically on a canvas rather than the usual brick wall, not just on canvas to hang on a wall in his gallery in L.A. but a canvas to cover the entire wall 20ft x 7ft!
“Excited by our positive response Darius wondered could we invite some loyalist artist/activist to contribute a similar large canvas celebrating the history of the British, Unionist, Loyalist community here.
“That was last July. This exhibition is a result of that meeting but also a chance for the public to remind themselves of our often colourful and unfortunately violent past. – Danny D, Muralist/Activist”
“History is like a rearview mirror! You must always check back but you must keep focused on the road ahead, otherwise you are going to crash!” (Similar wording was used in a piece – Painting From The Same Palette – painted by Danny D and Mark Ervine in 2008.)
The exhibition was launched on August 1st and also included four display boards featuring murals by Danny D (CNR) and Dee Craig (PUL) (Fb).
Display boards:
Images from the launch on August 1st, along with the two-sided leaflet:
Jim McCabe, “life-long campaigner for truth and justice” after his wife Norah was killed by a plastic bullet in 1981, returns to the “International Wall” (Visual History) on Divis Street. The original mural – from a few months after his death in January 2023 – was replaced by A Window To A Free Country, one of the Palestinian-inspired murals. This new version replaces The Land Is Ours.
“In memory of all the innocent victims murdered and seriously injured by British Crown forces.”
This is a Basque-language sticker (“Free Palestine”) from French organisation Pastèque Ta Ville [Watermelon Your City] (web) which is raising funds by selling watermelon-themed tote bags, t-shirts, and stickers. The sticker shows a watermelon slice and keffiyeh design on a Basque flag.
Other stickers below: Caterkiller (“Machinery built by Caterpillar is supplied to the Israeli state to assist in the ethnic cleansing of Palestinians from their homes and land”) the Little Prince says “From the river to the sea Palestine will be free” (by Ellis Sauno (ig)) “L’Algerie a vaince – Palestine vaincra!” (by Samidoun (web)) “Occupation no more!” (by éırígí (web)) “May every star in the universe protect Palestine – Global solidarity – End the genocide!” “End colonial violence” a montage of Palestinian symbols “Pass the Occupied Territories Bill” “FCK HMS” (web) “Free Palestine” “End Israeli apartheid”
Extramural Activity 