IRPWA

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Above is a recent mural from the Irish Republican Prisoners Welfare Association in the Short Strand.

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Copyright © 2014 Seosamh Mac Coılle
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Shrines To Our Ladies

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Religion and politics mix in this image of the Blessed Virgin Mary gazing at a recent mural at the bottom of Teach Na bhFıann/Fianna House (formerly Dill House) in the New Lodge. “Cumann Na mBan” in Irish is “the women’s organization/council/society” in English. The organization in question is the republican paramilitary group which was founded on April 2, 1914 and celebrates its 100th anniversary this year.

Previously: Mothering Sunday In Beechmount | Sister Soldiers | BVM Supports POWs

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Working Class Heroes

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Last Saturday (2014-11-08) saw the launch of a new mural in Ballymurphy Crescent, celebrating local IRA volunteers and community workers.

The doves at the top of the mural are in the style of Robert Ballagh’s “Legacy Of The Hunger Strikes” though there are 12 doves here rather than 10. Marty Lyons holds a copy of Ballagh’s piece in an image below, along with an image on which the halberd and pistol around the beret and gloves in the bottom of the mural are based – the rifles of the original are absent. (Possibly by Patrick Magee, the Brighton bomber (WP) – please confirm by e-mail or comment.)

Left-hand portraits (counter-clockwise from top): Eileen Gray, Margaret Campbell, Annie Adams, Kathleen Moore, Lizzie McGivern, Joe Reid, Rosaleen Russell, Mary Armstrong, Agnes Robinson, Eileen Reid.

Standing (l-r): Fra Toner, Gerry Campbell, Liam Mulholland, Paddy Tier, Sean Connolly, Michael Kane, Liam McParland, Sean Doyle, Cllr. Sean Keenan, Pat McGeown.

Squatting/Kneeling (l-r): Jim McGrillen, Francis Toner, Jr., Jimmy Duffy, Tony McAlister, Billy Carson, Cormac McArt.

The main figure is (and remains from the previous mural) Tommy “Toddler” Tolan, who escaped from the Maidstone in 1972 and served time in the cages at Long Kesh. (See Lost Lives entry and An Phoblacht.) In the original (2001) version of the ‘Safe House’ mural, he was dressed in fatigues (image at CAIN), but this was changed within 18 months to a brown suit (image at CAIN | detail at ExtrAct), similar to the way he is portrayed here.

The mural took some time to complete — the fifth image, below, shows one of the artists on a scaffold with #stoptorycuts on Slıabh Dubh in mid-October — partly because more and more figures were added.

Update 2014-11-26: In an unusual move, the launch of the mural was advertised by a board (rather than flyers), in this case at Dorothy Maguire Corner on the Whiterock Road – see the final image, below.

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X02348 X02401 X02349 X02290 X02287 X02288 X02289 X02403 the mural was unveiled by johnny doc 8th november 2014 remember our volunteers committee an trá ghearr abú

Yes Yes Catalonia

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Yesterday’s symbolic vote on Catalonian independence (for more background see Votes About Votes) showed 81% in favour of separation from Spain. Here are three shots of the encouragement on Slıabh Dubh (Black Mountain), the second with the Ballymurphy Easter Rising mural in the foreground, the third with the wall of superheroes in Slıabh Dubh estate (see Wallbusters | The Walls, Unbroken | Red-Eye | Cartoon World).

Previous messages on the mountain can be seen on its Visual History page.

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Rhythm Of Time

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Bobby Sands’s poem The Rhythm Of Time, published in 1981 as part of Prison Poems, is printed in full along with images of Long Kesh and other prisons in which republican prisoners were held.

The work was launched 2014-08-10, to coincide with the anniversary of the introduction of interment in 1971 (see e.g. this BBC news report).

Ardoyne Avenue, north Belfast

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Copyright © 2014 Seosamh Mac Coılle
X02082 1954 h-block palestinian flag starry plough dedicated to all past and present principled ex-prisoners maidstone maghaberry crumlin magilligan armagh women’s rooney toal
There’s an inner thing in every man, Do you know this thing my friend? It has withstood the blows of a million years, And will do so to the end.
It was born when time did not exist, And it grew up out of life, It cut down evil’s strangling vines, Like a slashing searing knife.
It lit fires when fires were not, And burnt the mind of man, Tempering leadened hearts to steel, From the time that time began.
It wept by the waters of Babylon, And when all men were a loss, It screeched in writhing And it hung bleeding from the Cross.
It died in Rome by lion and sword, And in defiant cruel array, When the deathly word was ‘Spartacus’ Along the Appian Way.
It marched with Wat the Tyler’s poor, And frightened lord and king, And it was emblazoned in their deathly stare, As e’er a living thing.
It smiled in holy innocence, Before conquistadors of old, So meek and tame and unaware, Of the deathly power of gold.
It burst forth through pitiful Paris streets, And stormed the old Bastille, And marched upon the serpent’s head, And crushed it ‘neath its heel.
It died in blood on Buffalo Plains, And starved by moons of rain, Its heart was buried in Wounded Knee, But it will come to rise again.
It screamed aloud by Kerry lakes, As it was knelt upon the ground, And it died in great defiance, As they coldly shot it down.
It is found in every light of hope, It knows no bounds nor space It has risen in red and black and white, It is there in every race.
It lies in the hearts of heroes dead, It screams in tyrants’ eyes, It has reached the peak of mountains high, It comes searing ‘cross the skies.
It lights the dark of this prison cell, It thunders forth its might, It is ‘the undauntable thought’, my friend, That thought that says ‘I’m right!’

Prison Walls

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Here are two details from the Ardoyne, Bone, Ligoniel mural featured yesterday, as well as a shot of bouquets of flowers in front of the plaque on the stone put in place in 2003. The first reproduces a photograph of Maıréad Farrell during the “no-wash” or “dirty” protest in Armagh Women’s Prison. (See the middle of this 1989 Frontline documentary.) The second shows the walls and guard-towers of the H-Blocks (featured previously in You Know Where). The frames and photographs of 40 locals are printed, not painted.

Video of the launch:

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Copyright © 2014 Seosamh Mac Coılle
X02277 X02278 X02279 dedicated to those friends and neighbours from ardoyne, the bone and ligoniel whose contribution and support to our struggle was and remains invaluable aıthníonn muıd a gcrógacht óglaıgh na héıreann meán fómhaır 2003

Ardoyne, Bone, Ligoniel

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26 volunteers and 14 others from the Ardoyne, Bone, and Ligoniel areas are commemorated in a new (2014-10-05) mural. The images below show artist Mickey Doherty, himself an ex-prisoner, at the start of the process – with the grid-work visible – and shooting an “action” shot for VICE TV.

The previous mural also commemorated local volunteers (34 painted portraits rather than a printed board), but this mural adds a Celtic cross, funeral volley, and images of Armagh women’s prison, the cages at Long Kesh, and the H-blocks, as well as (an inverted image of) blanketman Hugh Rooney – detailed images can be seen in Prison Walls.

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X02304 X02284 X02305 X02306 gerard mcdade david mcauley james reid joseph mccomiskey pat mccabe marley alan lundy john copeland terry toolan stephen scullion terry clarke declan mccluskey patrick markey peter hamilton thomas begley jim saunders martin meehan

Bawnmore Supports Palestine

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This banner just off the Shore Road includes two Palestinian flags and an Irish tricolour, along with a raised first and the lark of freedom, both in green, black, and red.

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Copyright © 2014 Seosamh Mac Coılle
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Building An Ireland Of Equals

The aspect of Cave Hill commonly known as Napoleon’s Nose is shown sheltering the people of Newington, surrounded by heroes and emblems of the past – Bobby Sands, Wolfe Tone, and in the centre, Winifred Carney. This republican mural is both internally directed (at Newington and the New Lodge) and externally, being on the main Antrim Road (Oceanic avenue, on the side of the Sinn Féin office) which is a main artery between the city and points north.

“Ag aontú Caıtlıceach, Protastúnach agus Easaontóırí.” – “Uniting Catholic, Protestant, and Dissenter.” In An Argument On Behalf Of The Catholics Of Ireland (1791), Wolfe Tone of the United Irishmen wrote, “To subvert the tyranny of our execrable government, to break the connection with England, the never-failing source of all our political evils, and to assert the independence of my country, these were my objects. To unite the whole people of Ireland, to abolish the memory of past dissensions, and to substitute the common name of Irishman, in place of the denominations of Protestant, Catholic and Dissenter, these were my means.”

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St James Supports Gaza

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A Claddagh ring connotes friendship (caırdeas – sadaaka), love, and loyalty, here between Ireland and Palestine. The band is composed of their two flags. The wide shot, below, shows the adjacent “Free Palestine” mural, also featuring the Palestinian flag.

Replaces a Che stencil and a Cliftonville-Celtic mural

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X02041 X02040 Path to peace free palestine