“Where is our Alternative Ulster?” Alternative Ulster was a fanzine (Fb | Musical Revolutions) and later a magazine (Issuu) and radio show covering the Belfast music and arts scene until March 2012; the name was then used for the Stiff Little Fingers’ song (youtube) in 1978. By Verz (Fb) and Belfast One (web) in Fountain Street, Belfast.
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The gates on Lanark Way are part of the west Belfast “peace” wall. On this site we always put the word in scare-quotes to signify that it has a different meaning than it typically does. Without them, “peace wall” might suggest a place where people can go for a few moments of quiet reflection.
Rather, the wall – and the gates and the cages that surround many buildings on either side of the wall (see above) – is a divider meant to keep the peace by separating warring factions. Indeed the reason for the re-painting of the gates is not just the up-coming 25th anniversary of the Belfast or “Good Friday” Agreement (on April 10th) but the fact that they were damaged in the 2021 rioting (BBC). (This Irish News article surveys 150 years of violence at the site.)
The new art on the gates is inspired by the cover of the booklet sent to every household in advance of the May vote to ratify the Agreement (available at CAIN), which was similar in various ways to the television ad shown at the time (Ads On The Frontline). It showed a family of four in silhouette against a red-and-orange sunset; given the rioting associated with Lanark Way, on the gates this sunset could be mistaken for flames, and the rejoicing silhouetted figures for gesticulating and petrol-bomb-throwing rioters. For the previous art on the gates, see the Visual History page on the west Belfast “peace” line. (For the mural in the background, see Sailortown Dockers.)
For all your “peace” line needs, see the Belfast Interface Project.
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North Street Arcade was burned down in April 2004 – see Who Burnt Us Out?. Since 2012, there has been street art at both its North Street and Donegall Street ends, the latest (from September, 2021) being this piece by Danni Simpson (ig) in Donegall St.
For the girl with owl left over from the previous Matt Sewell street art, see Only When The Dusk Starts To Fall (along with A Bird In The Hand and Carnival Of The Animals).
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“Why did you do it? Have you not the guts to say?” The question is for David Holden, who in 1988 was an 18-year-old Grenadier Guardsman, manning a checkpoint in Aughnacloy, Co. Tyrone. On February 21st, Holden shot Aidan McAnespie as he was walking to the nearby GAA club. Holden was convicted of manslaughter by gross negligence (BBC | Belfast Live) and was sentenced in February to three years, suspended for three years. The family expressed disappointment, saying that Holden did give a clear account of what happened nor express remorse (Sky News | Journal). Holden has now decided to appeal his conviction (BBC | RTÉ).
See previously: Operation Banner.
The lark in barbed wire is used here not as a symbol of political prisoners but of the struggle for justice in the UK system. (See the Visual History page on the lark and the dove.)
Also visible is the recently-added Braille translation of “You are now entering Free Derry”.
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“CR Gas & The Burning Of Long Kesh, 15th-16th October, 1974 in Long Kesh. Operation Pagoda – the British government authorised and sanctioned the use of a chemical weapon against Irish Republican prisoners. Members of the 22nd S.A.S. carried out the attack from a helicopter.”
Operation Pagoda was the name of the SAS’s counter-terrorism programme (WP). Its role in the ‘Battle Of Long Kesh’ in October 1974 and its alleged use of CR (dibenzoxazepine) powder – the successor to CS powder (and before that, CN or “tear” gas) (New Scientist) – remains a classified matter. CR had been authorised for use in 1973 (Guardian).
The original photograph of the central scene (IWM HU 7025, included in this article from An Phoblacht) was in black-and-white and was reproduced as such in the three previous versions of this mural 2021 Chemical Warfare In Ireland, 2018 The Battle Of Long Kesh, 2014 The Maze Ablaze. This new version adds burning reds and oranges. It replaces the No Profit On Pandemic mural.
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Here is a gallery of completed pieces produced for International Women’s Day 2023 in College Court. The new street art is part of a larger revitalisation project (Belfast City Council).
The works shown are (from Castle Street to College Street) by Claire Prouvost, Holly Pereira, Katriona, Kerri Hanna, Danni Simpson, Alana McDowell, ESTR; Laura Nelson, Novice Jess, Friz, (guest artist Hicks who was in town to repair and extend his piece in College Street Mews (see Cool) – it was damaged by a dumpster fire) and, on the other side of the street, HM Constance [Update: 2023-04 a purple cow was painted on one of the HMC shutters – see the image in the Paddy Duffy collection].
For in-progress shots, see Women’s Work.
“My piece relates to the history of college court and the coming together of committee in 1807 to raise public subscriptions in co-educational, non denominational education.” (tw)
“This piece took inspiration about the history of College Court, which used to be called Water Street, as it was the first place running water pipes were installed in Belfast.” (ig)
[typist]
[Women’s Work – see Women’s Work]
[PRINT / WORKS – see the image in the Paddy Duffy collection]
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Here is a gallery of “in-progress” images of the street art being painted by female artists for International Women’s Day, all along College Court. (Most of) The completed pieces can be seen in We Built This.
The jam is organised by @DaisyChainInc. The artists at work are @artist.zippy | @dannisimpsonart | @holly.pereira | @thisisfriz | @kerriehanna | @katrionadesigns | @suzusignco | @claire.prouvost | @alanamcdowell | @novicejess | @moirafowley | @HMConstance | @emmaleneblake
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Castle Arcade is so-called because it is the site of the original castle of Belfast, built by the Normans in the late 12th century and then rebuilt by Arthur Chichester in 1611. Chichester’s castle had “spacious gardens which extended from the river along to Cromac Woods and near Stranmillis” with “orchards, bowling greens and cherry gardens … fish ponds,” for “hunting, hawking, and other sports”. It was destroyed by fire in 1708 after which the area became commercialised as a market (ArchiSeek | Mary Lowry | BBC | Belfast Entries).
By Friz (ig) and Gerry Norman (ig).
See previously: You’ve Got The Key Of The Street.
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A candle-lit vigil (youtube | iTV) took place last Friday (February 3rd) to commemorate the 50th anniversary of the “New Lodge Six Massacre”. Shortly before midnight on the night of February 3rd-4th, 1973, Jim Sloan and James McCann were killed by the UDA outside a bar – or so the authorities alleged; the plaque shown below near the spot where they were shot reads “killed by British Forces”; full details of what is currently known about the killings can be found at Paper Trail.
Four more – Tony ‘TC’ Campbell, Ambrose Hardy, Brendan Maguire, John Loughran – were among those who came to the area of the initial shootings and were killed by British Army snipers from their positions on top of the flats, using night-vision sights.
The memorial mural in Donore Court was repainted for the event. From left to right, it shows Hardy, Maguire, Campbell, Loughran, Sloan, and McCann walking down New Lodge Road with (what was) Duncairn Presbyterian and (what was) the RUC station on the Antrim Road behind them. The previous (2011) version of the mural showed a body being carried whereas this new one shows them smiling as they walk, though still in the sights of a sniper’s rifle. Other changes were made: the six portraits in the medallions are now photographs rather than paintings; the background is green rather than pink.
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Lahinch street artist SUFEK brings a puffin from the west coast to Derry for the “Roots Street Art” festival (Derry Journal) in 2021.
Previously by SUFEK in Belfast: Beachcombing. Also, a puffin in Larne.
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Extramural Activity 