Work by emic (ig) in Castle Lane, Belfast, perhaps picking up a theme from Friz’s Under The Cherry Blossoms in Castle Arcade which focused on the castle and grounds in the era of Arthur Chichester. Chichester’s castle burned down in 1708 and by 1800 the castle and its grounds were vanishing under buildings akin to the nearby corn market and Belfast entries (WP).
This is a gallery of the new Hit The North pieces on Union Street south of Kent Street. There is a separate post for the new pieces on Union Street north of Kent Street.
From north to south (top to bottom in this post) the works are by: Conor McClure (ig) All The Doodz (ig) Wee Nuls (ig) Glen Molloy x2 (ig) Hixxy (ig) Ed Hicks (ig) – on the Sunflower side of the street Danny Rumbl (ig) NOL (ig) Andrey Palval (ig)
From left to right (top to bottom in this post), the artists are:
Zippy (ig) Alana McDowell (ig) Asbestos (ig) Angry Dan (ig) ?TMN krew? Sufek West Hallion – “Цe нaшe поле до біса” [this is our hell on earth] – a common description of the battle for Bakhmut by Ukranian soldiers (AP | France24 | CNN); this was the last of several slogans painted by Hallion throughout the festival (tw) RASK (ig) + STER (ig) + SUMS (ig)
Davd J McMillan (ig) returned to Belfast from Bristol for HTN2023, which this year used the interior walls of the wasteground opposite the Sunflower. The writing appears to read “Ce nas pas une pint” but based on the pipe in the other hand, presumably should be “Ceci n’est pas une pint” in homage to Magritte’s famous non-pipe “Treachery Of Images” (or perhaps, based on the sketch, “Je n’ai pas une pint”).
Also included are various pieces of graffiti art, including a tiger-cat by PENS (ig) and a red-nosed boy by KVLR (ig).
This is Wee Nuls’s (web | ig) street art celebrating the success of the ‘menstruation matters’ (ig) campaign for free period products and the passage of the Period Products Bill.
“Some believe it is only high walls that can hold fear in check but that is not what I have found. I have found that it is the small, everyday deeds of ordinary folk that keep the darkness at bay, small acts of kindness and love – Gandalf and me [called_to_create_ (ig)].” The quote is from the movie of ‘The Hobbit – An Unexpected Journey’ (youtube) and not any Tolkein book. Whatever the truth of the quotation, residents generally want the so-called “peace” walls to remain: 2023 BelTel (about Derry) | 2019 Irish Times | 2015 BBC.
There has been graffiti art of the side wall of what was Vogue Hair & Beauty and is currently the Kurdish barbers since 2008 (see Visual History 11) but in 2018 the wall was claimed by Saoradh (web) with a mural depicting the Palestinian flag (see From The River To The Sea – it has recently been repainted) and a changing message to the right-hand side – currently a pair of IRPWA “No extradition’ boards.
Here are three new pieces above the security gates on Northumberland Street, coving over the “Deserted! Well, We Can Stand Alone” graffiti in the last remaining spot on the wall without a mural. From left to right:
Arthur Guinness: “Black Protestant Porter” as a description of Guinness stems from Arthur Guinness’s opposition to the 1798 rebellion (Indo). The Union Star (newspaper in Belfast – A Planet Of Light And Heat) called Guinness a spy and advised that “United Irishmen will be cautious of dealing with any publican who sells his drink.” (An Phoblacht).
Gusty Spence, a former commander of the UVF, read out the ceasefire statement of the “Combined Loyalist Military Command” (UVF, RHC, and UDA): “Let us firmly resolve to respect our different views of freedom, culture and aspiration and never again permit our political circumstances to degenerate into bloody warfare – Gusty Spence, loyalist ceasefire [statement in full], 13 October, 1994.”
“Welcome To The Shankill Road – we are proud, resilient, welcoming”: The original ‘three hands’ was on Northumberland Street, just above this spot – see Proud, Defiant, Welcoming – which was then reproduced in reduced form in Gardiner Street – see Welcome To The Shankill Road.
This is the most conciliatory statement ever made by loyalism and the decision to put it on Northumberland Street, especially in the context of the internationally famous and associated-with-Ireland Guinness and the “welcome” mural, suggests that the trio is directed at tourists rather than locals.