These three cars are by DanK (ig) in Bank Square, Belfast city centre, on the wall of Crown Jesus Ministries (Fb) (in the Berry Street Presbyterian building), replacing the ‘Creation’ mural painted in 2012. Dan calls the piece “Hope” (ig) after the church’s ‘Hope Mission Centre’ (ig); this is the same title he gave to the geisha on the Shankill. This piece does not feature any of the kanji street-signage that would place it in Japan (compare with Night Taxi in the Woodvale), though there is some on the pink car, left.
“Deadly” here means “excellent” or “terrific”, perhaps from the idea of “hitting the (living!) target” (Stack) – it is a piece of southern slang that artist and print-maker Leo Boyd (web) perhaps picked up on his journey from Bristol to Dublin to Belfast (Boyd | Atom) where he is one of the Vault Studios artists (Vault).
The new work shown here is at the American Bar (web) in Sailortown.
A kraken awakes in Belfast harbour, under the watchful eyes of working-class men on the waterfront in Belfast’s Sailortown, in front of local landmarks.
Saoırse don Phalaıstín [Freedom for Palestine]. On August 9th, 2024, Irish-language rappers Kneecap launched a third mural in Hawthorn Street/Sráıd Na Sceıthe, (joining Incendiary Device and England Get Out Of Ireland,) which blows up a sticker seen on a nearby street-sign (seen previously in Land Grab) into a mural and which imitates the version from England Get Out Of Ireland which shows Britain grabbing a piece of Ireland.
The Guinness toucans – invented in the 1930s by John Gilroy (Collectors’ Weekly | Guinness Project) – balance pints of “Guinness 0.0” on their beaks as they fly over Clonard Monastery and the houses and shops along the Springfield Road, including (in white) Dan’s Bar (Fb), which is the site of this large poster (on its Cupar Street side).
The info plaque next to this new piece of street art in north Belfast reads: “The Dark Dreamer – The Silkie mural by Loretta Lizzio is a recreation of the oil painting “Dark Dreamer” by world-famous Irish artist Patrick Jones who lived here in the family home.”
Patrick J. Jones (web) grew up in Belfast before leaving for London, England, in 1984 and Brisbane, Australia, in 1997. Lizzio, (web), who is also from Australia, reproduced Jones’s original (Fb) on the side of the Stax coffee-shop on the Cliftonville Road, renaming it ‘The Silkie’, though it depicts a mermaid rather than one of the seal-folk; compare with KMG’s interpretation of the Selkie myth in the city centre.
This is a second piece of street art by Dan Kitchener (web) in Bank Square, next to his painting of fast cars (Fast Enough So We Can Fly Away?): a painting of Jesus Of Nazareth for Crown Jesus Ministeries (web).
“Funny how everything was [roses] when we held on to the guns …” The line accompanying this half-Union-Flag in the alley between Ebor and Kilburn streets (in the Village, south Belfast) comes from the Guns N’ Roses song ‘Breakdown’ (youtube).
The 1916 centenary mural in Andersonstown has been repurposed and repainted to express solidarity with the people of Palestine.
From the frame of the previous mural – see The Undauntable Thought – the title, phoenix, and chains have been preserved but two instances of the inverted red triangle have been added at the top and bottom – see Resist! (and My Kite You Made).
The main panel puts the struggles in Palestine and Northern Ireland in parallel, showing (from top to bottom on each side) political prisoners, violence against protesters, and relatives carrying portraits.
On the left, Palestinian prisoners languish in Israeli jails (based on a photo of Hamza Abu Halima and on this Reuters photograph of prisoners sitting in the street, both from December 2023) and IDF soldiers make violent arrests – the one on the left is from 2016 (CCUN) and the one on the right is perhaps based on this Reuters photograph.
On the right: British soldiers restore order after the Burning Of Long Kesh (see Operation Pagoda), next to blanket-man Hugh Rooney, above three arrests made by British Army soldiers – their caps indicates that they are from the Argyll & Sutherland Highlanders (left) and the Paratroop regiment (centre). (For two of the original photos, see BBC | Getty.)
Along the bottom of both sides, marchers hold portraits of the dead, including the recently-killed leader of Hamas Yahya Sinwar (BBC).
“From the river to the sea, Palestine will be free.” “Stop the genocide – save Palestine.”
The South Link green-space as been renamed “Gaza Square” (see the small plaque in the wide shot, below) and the murals seen recently (at end of March) in Though An Army Besiege Me, My Heart Will Not Fear have been repainted, switching images of Israeli weapons for the images of death, suffering, and destruction seen here.
According to the Al Jazeera tracker, the Palestinian death toll is approaching 45,000, with more than 100,000 injured.
Extramural Activity 