
Spray-painted utility box in Iveagh Street, west Belfast.
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Copyright © 2024 Seosamh Mac Coılle
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“Another winter day/has come and gone away/In either Paris and [or] Rome/And I wanna go home” – words from the Michael Bublé-penned song ‘Home’ which boy-band Westlife released on its 2007 album, Back Home. For Egan, Feehily, and Filan, home is, or was, Sligo — the three went to Summerhill secondary school and were together in earlier bands; Byrne (and Bryan/Brian McFadden who was a member of the group from 1998 to 2004 but is not included in the mural) is from Dublin (WP).
“With a career spanning twenty years, Westlife are, Shane Filan, Nicky Byrne, Kian Egan and Mark Feehily. A true pop phenomenon with more number 1 hits than any other act apart from The Beatles and Elvis, Westlife have sold 50 million albums worldwide.”
The mural is behind Gilooly Hall, on Temple Street, Sligo. It was painted in 2015 by Kelan Curran (TAPA).
Previously from Sligo: Maud Gonne.

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These are images of people collecting for Andy Allen Veterans Support (web) on the Shankill, Belfast. At its peak (in 1973) the UDR had more than 9,000 personnel (Statista). The UDR was amalgamated into the Royal Irish Regiment in 1992 and a 2005 estimate put the number of its veterans at about 58,000 (Veterans Services NI).
The title of the post comes from a UDR memorial in Carrickfergus.


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“Think global, act local – [the world begins on the doorstep]”. This environmental message is by UV Arts (ig) at Buncrana Youth Club, Castle Avenue, Buncrana, Co. Donegal (Inish Live), painted for Children In Crossfire (web | see also Derry Lama, A Wall For All, and Break The Bias).


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“There is no lie big enough to cover the shame of jailing two innocent men #JFTC2”. Brendan McConville and John Paul Wootton were convicted of the 2009 murder of Constable Stephen Carroll (BBC), and sentenced to life with 25-year and 18-year minimums, respectively. The case is under review (Guardian | An Phoblacht).
This RNU (Fb) board also appeared on Northumberland Street in west Belfast.
Berwick Road, Ardoyne, north Belfast. For the Fıanna mural, see Gal Greıne. For the pro-Palestine board, see Old Is The New New. For the right-most board, see Óglach Sean McCaughey.

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The WHO and UNRWA now estimates that of the 34,000 Palestinians killed in Gaza, about 14,000 were children (Egypt Today). 18 were killed in a single explosion in Rafah yesterday (AP). This new board in west Belfast illustrates the disparity between Israeli forces and ordinary Palestinians by showing children in ragged clothing armed only with a single, odd-looking (AI hallucinated?), slingshot facing off against other children armed with assault rifles and wearing riot gear.
Of the RNU social-media handles along the bottom, only the Facebook and TikTok ones actually work.
Previously, from 2018: RNU Stands With Palestine.
Northumberland Street, west Belfast; later with a knotwork surround – see T08102.

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This is a west Belfast instance of INLA graffiti – seen previously in Derry (Saoırse Go Deo) – celebrating the fiftieth anniversary of the group’s founding, in December, 1974.
The Lasaır Dhearg (web | tw) stencils go back to 2020; see Britain’s Occupation Of Ireland.
Waterford St, west Belfast, replacing Victory To The [Palestinian] Resistance.


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This new three-storey mural by Dee Craig (Fb) is at the city end of Newtownards Road and so serves as a highly-visible introduction to east Belfast. People arriving in the area are now greeted with a vintage image of a smiling bearded man in a cloth cap, surrounded by occupations from the industrial era: “Cobbler, rag’n’bone man, fish monger, welder, builder, sweep, carpenter, window cleaner, butcher”, capped off by an inspirational “Be your best”, with yellow highlights that match the colour of the shipyard cranes Samson and Goliath (see the third image).
In being overshadowed by the mural, the “Let’s Twist Again” sculpture on the plaza in front of the business centre now becomes a symbol of east Belfast rather than the symbol. It too features east Belfast’s “industrial past” (BelTel), using rope as a metaphor for community: “By being bound together in a common cause, the natural tendency for each twist, fibre, yarn, and strand to separate, only serves to make the rope stronger.”
On the wall behind the sculpture and below the mural is one of the Eastside Lives Heritage Trail (pdf) figures, Jane Scott, whose fifteen-year-old son Samuel fell to his death from a ladder while working on the ship in 1910. She supposedly cursed the ship and it sank two years later.
For a straight-on shot, see the post at the Paddy Duffy collection.







Images of the completed piece are from March 27th and 29th. The in-progress image below is from March 18th.

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Work by Wee Nuls (web) in Castle Mall (off High Street), Antrim.
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