The Gladstone Bar — seen on the right of the image above – was in Gilford Street at the junction with Divis Street, which stretches towards the city on the left. The other street image is perhaps also Divis St/Falls Rd though there are no easily-identifiable landmarks. In between them is a scene from the 1930 Laurel and Hardy film, Night Owls (WP).
To the left of these three is a mural of an island paradise, and to its left (in the final image) we find Muhammad Ali, based on the famous photo of Ali standing over Sonny Liston in their second encounter.
The murals are in a courtyard off Ross Road and were probably painted at the request of a local resident. The Ali-Liston fight – in 1965 – perhaps gives a date for the consciousness that groups all of these items together – the Gladstone was still standing in the 60s and Laurel and Hardy played on UK televisions into the 1970s. The source for the palm trees is unknown.
This is the new Sam Rockett mural in the Woodvale, replacing the mural seen in Murdered By Cowards. The old mural just featured Rockett, who died in August, 2000, in the feud between the UVF and lower Shankill UDA. This new mural also features the “ethnic cleansing” of Torrens in 2004.
Torrens sits between Cliftonville, Ardoyne, and the lower Oldpark, and was one of the many historically mixed areas in north Belfast that, with the Troubles, became increasingly segregated and separated from neighbouring areas by “peace” lines. Jarman (1996) provides eye-witness testimony of the dispute in Torrens in 1996 which saw Catholic families leave the area. Its proximity to Ardoyne (and Cliftonville), however, meant that over the next few years the houses were gradually abandoned by Protestants, culminating in 2004 when ten of the remaining Protestant families moved out of the area, alleging persistent intimidation and employing the term term “ethnic cleansing” – a term the poem to the right of the mural uses three times.
The area was eventually redeveloped from 2008-2012, with the Wyndham Street “peace” line coming down and Elmgrove Street being opened to the Oldpark Road.
The line in the poem “the resistance formed a steady band” is unclear – it might refer to loyalists being bussed into Torrens in 1996 (see the testimonies in Jarman); if it refers to B Company it would make a connection to Rockett. As it is, the connection between the two elements of the mural (if any is intended) seems to be that Rockett was from the lower Oldpark, near Torrens.
“In the name of Ireland’s cruel game/Oh, land that once sang freedom’s song/Now marred by ethnic cleansing’s wrong.//Echoes of anguish haunt the Protestants of Torrens,/Ethnically cleansed, a sinister goal,/Their weapon honed, to exact a toll.//Families robbed of essence and space,/fuelled by hated, to erase their trace.//Against the darkness, spirits sincere,/Hand in hand across the land,/the resistance formed a steady band.//Ethnic cleansing’s horrors unveiled at last,/Hearts of courage, unbreakable souls,/Truths unfurled, their power untold,/A captured scene of the evil deeds done.”
The mural was completed for the anniversary of Rockett’s death on August 23rd. The source for the central image (of furniture being loaded into a lorry) is unknown.
The waste ground at Corrib Avenue (in the curve between Rossnareen and Lenadoon) is being developed with new houses by Choice (Belfast Media) and Lasaır Dhearg have taken advantage of the hoarding mounted around the construction site to display the messages above — “Remember the hunger strikers” — and below, with an image of James Connolly — “Time for a socialist republic”.
These BUILD (web) boards highlight areas of waste ground in the Shankill area: “Every generation needs regeneration” (above) is next to waste ground on the Shankill Road/Boundary Street; “our children deserve more than dereliction” (below) is next to waste ground in Tennent Street; the third site (with skip) is in Townsend Street/Dayton Street; the fourth (with the tarp) is on Peter’s Hill below the new Drummer Boy mural (see Shankill Drummer and The Little Drummer Boy).
Members of Bannside Drumming Club (Fb) and Shankill Road Defenders (Fb) were on hand for the official launch of the Drummer Boy mural at the entrance to the Shankill on Peter’s Hill.
Stacey Graham from Alternatives (Fb) introduced DUP councillor (for Court) Ian McLaughlin, who said that the mural — painted by Glen Molloy (ig, pictured below) — would create “a welcoming, positive atmosphere here at the gateway to the Shankill area”.
Tomorrow (August 30th, at 12:30) there will be a family fun-day and the launch of a new mural of a colourful drummer boy. The mural is on Peter’s Hill; it takes the place of the “Original Belfast” murals (2009 and 2020) and before that a UDA emblem (M02480).
Painted by Glen Molloy (ig) with support from SAFE Shankill (see Woodvale OK), Alternatives (web), Executive Office, Communities In Transition.
The first “peace” line along Alliance Avenue was a temporary barried constructed by the British Army in 1971 (Heatley at CAIN); parts of it today are nine metrers high (Belfast Interface Project). The central road in Ardoyne, Berwick Road/Paráıd An Ardghleanna was cut off by the line but in the recent redevelopment no house was built in front of the spot where the road ran through. Instead there are now support beams and a small cross in memory of WWI dead.
The final image is of the same spot on the Ardoyne side of the line.
Red and then green and then back to red, at least in part. This “Royal mail” post-box is at the entrance to Glencolin, west Belfast. With bonus “Join RSF – Éıre Nua” stencil on the electrical box across the street.
The “Pilgrims” mural on the Newtownards Road has been replaced with an almost-identical representation on boards. As far as we know, this is the fourth instance of this design. Other instances of this mural are: Mersey St c. 1997-2007 (T00240); Tamar St (c. 2002-2005) (M02337); a small version above Cheepers c . 2006 (M02920); and the previous version in this spot on Newtownards Road, 2011-2022 (X00905). The existing mural was significantly faded; the companion “Elementary Right” mural on the other side of the Newtownards Road is less faded but (as can be seen in the final image, below) the paint is peeling away in places.
Extramural Activity 