My Enemy’s Enemy

The Ireland Supports The People Of Donetsk graffiti outside the RVH has been modified, perhaps twice. Most prominent is a the writing by MASH (of TMN krew) – highly unusual appearance by a tagger on a central thoroughfare (and in west Belfast, too).

It is possible is that the “Free Ukraine” in the bottom left was an earlier response to the original graffiti. It is not clear why “Free” has been x-ed out.

Support for either Ukraine or Russia in CNR areas is non-existent, perhaps because of anti-imperial attitude applied – in equal but opposite measure – to both NATO and Russia. At the beginning of the conflict, Sinn Féin deleted thousands of comments critical of the EU’s or NATO’s stance towards Russia from its web site (Indo | Irish Times | journal.ie | see also Irish Examiner).

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Soldier Of Ireland

After serving in the IRA in the War Of Independence, Liam Mellows was elected to the First Dáil and as a member of the second Dáil voted against the Treaty in January 1922 (his speech is recorded in Oireachtas.ie under the name “Liam Mellowes”). In the Civil War that followed, he served as IRA quartermaster in the force in the Four Courts that surrendered to Free State forces on June 30th, 1922. He was imprisoned in Mountjoy and executed in December, in reprisal for the killing of Seán Hayes (see Executed). (WP | An Phoblacht) His proposals for government were published posthumously as ‘Mellows Testament’ (NLI) and include state ownership of heavy industry, large estates, the transport system, and the banks. The sticker below quotes from that document: “Ireland, if her industries and banks were controlled by foreign capital, would be at the mercy of every breeze that ruffled the surface of the world’s money-markets.”

Stewart Street, south Belfast

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Larne – The Original Tourist Resort

“Larne – the original tourist resort” going back to Larnians, Romans, Christians, vikings, the Scots (Edward The Bruce), the English (Sir Moyses Hill) but most particularly after 1842, when the Coast Road was finished, making Larne the “gateway to the Glens” and inspiring Henry McNeill to create the package holiday (see previously Those Magnificent Men In Their Flying Machines). Ships carrying tourists from America would ferry emigrants on the way back – Boyd’s souvenir shop (shown in the first panel, above) sold Irish linen to tourists and one-way tickets to New York. After a double whammy in the 1960s of the Troubles and easier access to Spain, “tourism is flourishing again” thanks to the Gobbins and Game Of Thrones.

In the same alley: The Battle Of Ulfreksfjord.

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The Industrial Revolution

Artist Raymond Henshaw produced a series of Markets-related boards in 2008-2009 with support from the Arts Council and despite being printed on laminates they are not indestructible; there is crazing – as well as human-caused damage – on some of them, the worst of which is the ‘Industry’ board in Upper Stanfield Street.

Also in the Markets collection: Social | Social History | Portraits | Sport & Culture | Bars

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The Factory Girls

Tillie & Henderson’s shirt factory opened in 1856 at the junction of Abercorn Road and Foyle Road, Derry (next to the ‘Hands Across The Divide’ statue) and survived until 2003 when it was demolished after a fire (BBC); an apartment block is currently planned for the site (Derry Journal | BBC). It was the largest such factory in the world and one of 44 shirt factories in the city in 1900, all of which employed women, many starting in their teens.

Derry Of The Past has a gallery of historical images.

The murals are in the courtyard of the Craft Village in Shipquay Street; they were designed by Joe Campbell and painted by UVArts (web).

(BBC | BBC | DEPOT | BelTel)

See also: Derry Women Make Communities

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A New Breed Of Ulster Defender

Here are a pair of large boards in the Ulster Museum on the theme of Cú Chulainn, one from each sect.

In the left-hand painting – the CNR piece, by Marty Lyons and a Short Strand artist – Francis Hughes of the IRA – in what we think is a unique break with tradition – takes the place of Cú Chulaınn, who became a symbol of the 1916 Easter Rising when Oliver Sheppard’s statue of Cú Chulaınn’s death was placed in the re-built GPO. Hughes has a tourniquet on his right leg, an assault rifle dangling from his wrist, and instead of the raven that signified Cú Chulaınn’s death there is the symbol of republican political prisoner, the lark, which appears in the apex of many other republican murals.

In the second of the pieces – the PUL piece, painted by Dee Craig – the raven sits on the shoulder of a Cú Chulainn who has a red cloak and carries a Northern Ireland shield. “Down through the years, his shadow has cast a new breed of Ulster defender”: a (loyalist) hooded gunman. Thus while Cú Chulaınn is the (surprising) “Ancient defender of Ulster!”, the UVF and UDA are its modern defenders, now that the B Specials and UDR are gone.

The dripping red hand in the top left is the ‘red hand of Ulster’; one version of the origin-story for the red hand is that the man who avenged Cú Chulaınn’s death made a bloody hand-print to indicate his completion of the deed. Most people, however, will think of the legend that in a race to be first to touch the land of Ulster one contestant (perhaps Érımón Uí Néıll) cut off his hand and threw it ahead of the others. (This legend was depicted in a lower Shankill mural and narrated in an east Belfast mural: The Strangest Victory In All History.)

The Black Pig’s Dyke is the collective name for a number of ditches built around 400 BCE, perhaps to prevent cattle-raiding. They share a common mythology: that they were created by huge black boar; they are on the Ulster-Connacht border, rather than the Ulster-Leinster border as shown in the painting, though there are similar earthworks in Down, Armagh (and Cork) (WP).

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The Children Of Gear

These are the murals from HTN22 in Kent Street above Union Street, by (in order) Hixxy (web), TMN krew, Rob Hilken (web), Curtis Hylton (web), Bad Belfast (ig) – punning on the Irish myth of the Children Of Lear.

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Earth-Flavoured Ice-Cream

For Recycle Week 2021 (WRAP), Laura Nelson (ig) and Leo Boyd (web) installed a series of seven pieces (each a combination of sign-writing and paste-up) on Fanum House, using CO2-absorbing paint (from Graphenstone) and a potato-based glue for the paste-ups. “A revolution in recycling!”

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Their Struggle Is A Workers’ One

“Murdered for their political beliefs: Tom Berry, Robert Elliman, Robert Millen, John Browne”. All four had a connection Markets or Ormeau area of south Belfast. Millen, from the Ormeau area, was shot in 1973 by the UVF; he played on the same soccer team (Bankmore Star) as Thomas Berry, who was shot in a Short Strand GAA club; Elliman was shot in a Markets pub; John Brown (without the “e”) was shot in his Cooke Street home in front of his family. The first three were all Protestants; the latter three were among 11 people who died in the 1975 feud between the Officials and the Provisionals. (Lost Lives)

“The war they wage is not a war of bigotry or greed, their struggle is a workers one, so everyone may lead a life with rights and liberty, in a land where they can say “Up the Army of the people, the Official IRA”.” “Erected by the Official Republican Movement.”

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The People’s Monarch

The long-standing display for Queen Elizabeth II’s sixtieth (diamond) jubilee has been replaced with a new set of images for her platinum jubilee, including a series of panels of colourings by local school-children: “The Platinum Jubilee mural has been created by P7 primary school pupils in the Greater Shankill area to celebrate Her Majesty Queen Elizabeth’s Jubilee in June 2022. The pupils involved from Edenbrooke, Glenwood, Blackmountain, Springhill, Springfield, Harmony, Forthriver and Malvern enjoyed creating the collage for a once in a lifetime art mural.”

The mural was launched on June 4th (Belfast Live).

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X10456 X10457 X10458 X10461 X10455 Crimea St “The people’s monarch, her sovereign majesty, Queen Elizabeth II.” “Dirige Deus gressus meos – May God grant my steps”. “Princess, queen, mother.” “As this day draws to its close, I know that my abiding memory of it will be, not only the solemnity and beauty of the ceremony, but the inspiration of your loyalty and affection. I thank you all from a full heart. God bless you all. – Her Majesty Queen Elizabeth II, 2nd June, 1952.”