Coming Back To Drumahoe

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Jim Donaghy was born in the Bonds area of the Waterside but when he joined the 10th (Derry) Battalion his family was living in Drumahoe. It was to there that he returned after seeing action at The Battle Of Albert in 1916, as well as the Battle of Messines, the Battle of Langemarck, the Cambrai Operations, and the Capture Of Bourlon Wood (Reserves & Cadets | Three Cheers For The Derrys). 

“”I arrived in Larne on the ferry from Scotland and before I caught the train to Londonderry, I sent a telegram to my mother telling her I was on my way. When I arrived in Waterside Station, there was no one there to meet me so I started my long walk to Drumahoe. As I walked down Daly’s Brae in my uniform, someone must have spotted me in the distance. The bell of Clarke’s Mill at Drumahoe started to ring frantically to my mother that I was home. When I got home the house was filled with my friends, relations and neighbours. They were overjoyed.” – Jim was home – it was over at least. Cpl Jim Donaghy returning home from the First World War.”

“Cpl Jim Donaghy MBE, 10th Royal Inniskilling Fusiliers and his former family home 2 Fincairn Road, Drumahoe.” The mural is on the yard wall of the house, which still stands.

“In remembrance of all those who served at home and abroad.”

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Dee St 2nd Batt

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Perhaps because of the Covid pandemic, this mural of UDA volunteers on parade reflected in the sunglasses of one of their comrades took months to complete (it was started in late 2020 and was still unfinished last summer). It replaces the previous “UFF Formed 1973” mural – see Northern Island.

The photograph reproduced is from the 1974 Ulster Workers’ Strike; it appeared on the cover of Don Anderson’s Fourteen May Days (CAIN).

Avoniel Road, east Belfast

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Monarch Of The Glen

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London street artist Irony (ig) drew on Edwin Landseer’s 1851 painting The Monarch Of The Glen (WP) for this piece of street art – fitting with its location as both near the Glen area of London-/Derry and formerly the old Scotch quarter (Derry Journal) – but updating it for contemporary audiences with an environmental message and the source of its less formal name: Stag With A Bag.

With support from London Calling (web).

Glenview Avenue, London-/Derry. Another large piece by Irony (in Belfast): Pearl.

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Oi, Putin! Behave!

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Another piece from London, related to the on-going Russian invasion of Ukraine. After appearing in the Washington Post (and elsewhere) the graffiti by London artist Memo has its own Instagram page where you can buy t-shirts bearing the slogan, with proceeds going to British-Ukrainian Aid.

At the junction of Church Road and Anerley Road, in Crystal Palace.

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Copyright © 2022 Peter Moloney
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Key Workers

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This is the Keyworkers mural in front of the Shaftesbury recreation centre (web), created in August 2020 (Fb), in the first few months of the Coronavirus pandemic. A child wearing a mask is watering the rainbow of drivers, NHS, nurses, doctors, social care, community workers, volunteers, and shop workers that arches over the shops and buildings on the Ormeau Road along the Lagan and in front of the City hospital and City Hall.

Also on the rec centre: In The Paint

Balfour Avenue, Belfast

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Ordinary People

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This is an update to End The Sanctions! We’re Freezing, which has now been changed to “Sanctions only hurt ordinary people”, perhaps including the “ordinary people” of Russia alongside those of the New Lodge.

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Spirit Of ’93

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The house in Bond’s Place that had been home to an Eddie mural for many years was torn down last summer (see final image for the hoarding around the site of the absent gable); it had been used since at least 1982 for images of the Commonwealth, King Billy, and, since 1996, Eddie The Trooper. The final Eddie board that was on the wall has been moved one neighbourhood over, into Lincoln Court. It was the first to include the words “Spirit Of ’93” – presumably a reference to the Greysteel Massacre in which eight people in the Rising Sun bar were killed in reprisal for the Shankill Bombing (BelTel). The “raid” was planned in – and both gunmen rented rooms at – the UDP office on Bond’s Place, just across Bonds Street (NI Judiciary).

Eddie has his own Visual History page.

“SLMFB” is the Sergeant Lindsay Mooney flute band.

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Copyright © 2022 Seosamh Mac Coılle
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Hidden Door With Grass

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That’s the official title of this piece by DECOY (ig) in Bethany Street, Ballyhackamore, though the only doors seem to be on the electrical boxes!

With support from Seedhead Arts (web | ig).

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After We Are Gone

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Patsy O’Hara was born in 1957 Bishop Street, Derry, and joined Na Fıanna in 1970 and the local Sınn Féın cumann in 1971 and, in August was shot in the leg by British soldiers. In 1972 he joined the Republican Clubs and in 1975 the IRSP. He was imprisoned multiple times, the final time being in January 1979 for possession of a hand grenade (Bobby Sands Trust). He went on hunger strike 41 years ago tomorrow (March 22nd) and was the first of the three INLA hunger strikers to die in 1981. The long-standing mural in Bishop Street was repainted for the 40th anniversary of his death. (For the previous version, see Let The Fight Go On.)

“Óglach Patsy O’Hara, INLA Derry Brigade, Irish hunger striker, who died after 61 days on 21st May 1981, age 23. Last words ‘Let the fight go on’.”

“After we are gone, what will you say you were doing? Will you say you were with us in our struggle or where you conforming to very system that drove us to our deaths?” – these words also appeared in the 2013 mural to O’Hara on Shaws Road, west Belfast.

Bishop Street, Derry

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Play Spaces Should Be Safe Spaces

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“Factory Residents’ Rights – How could any play park be worse than this?” The playground in the Factory area of Larne (Ferris Park) was closed in early 2021 because the surface was deemed unsafe. The local residents held a protest in April aimed at getting the attention of Mid- & East-Antrim council (Fb) and in October the council voted to build a new park some time in 2022 or 2023 if funding is available (NI World). As of mid-February, 2022, the playground is still in disrepair but – as can be seen from these images – it is being used by children.

For the murals on the long wall in the background of the second image, see Ad Vera Petenda.

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