Liam Ball

Derry swimmer Liam Ball represented Ireland at the 1968 and 1972 Olympics in Mexico and Munich. He died in 1984 at age 33 and is remembered on the wall of local heroes at Creggan shops. There are five other portraits – of James McLean, Tony O’Doherty, David McAuley, Charlie Nash, and Aileen Reid – painted by Karl Porter and Donal O’Doherty from UV Arts.

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Copyright © 2017 Seosamh Mac Coılle
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IRA

Here is a final small board from Derry/Doıre reproducing or at least hearkening back classic images of the armed republican campaign. This one shows a hooded volunteer brandishing an assault rifle. Previously: Sniper At Work  | Join The People’s Army | Beır Bua | Behind Barséıstıgí | IRA

In the background is an “End internment” IRPWA (prisoner welfare) board.

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Just People

Here is a selection of posters from throughout the past year (2017) from Belfast and London-/Derry. Above is an Anarchists In Ireland poster welcoming refugees, while the second image is of a passenger and parcel service to Romania from Dublin. The others are for republican marches and causes.

Previous collections of (mostly torn) posters: We Had Our Distresses | Layer Upon Layer

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Sure It’s Good To Talk

Superheroes Hulk, Captain America, Superman, Spiderman, and Wonder Woman fight isolation and depression by passing out the phone number for the Suicide Awareness And Support Group (90239967) and encouraging people to check on each other in Glenbawn.

The wide shot (third) includes the sporting mural seen previously in Hoops, Stripes & Rings. These murals replace a 2005 piece around casts of local children’s hands – the casts have been retained.

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Hoops, Stripes, Rings

Lisburn boxer James “The Assassin” Tennyson, current Irish super-featherweight champion, (BoxRec | tw) provides the centre-piece between soccer and gaelic games in this Glenbawn mural: on the left, the Celtic Boys Club (tw | web), established 1983) and Gaelic games club Seán Uí Mhistéil (web | Fb) originally formed in the New Lodge in 1899.

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Give Way

Saoradh (“liberation” web) sticker on a traffic sign in Linsfort Drive, London-/Derry: “Stormont must go – end British rule.”

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Wren Day

Though the tradition might pre-date Christianity, on the day after Christmas – known also as Boxing day and St Stephen’s day – the wren (the king of winter and symbol of the past year) is hunted by strawboys or mummers who disguise themselves with straw headgear and make a parade and go around the houses asking for money to bury the wren.

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White Square

A whitewashed panel in the style of a inverse Kazimir Malevich. The panel was painted in preparation for No Justice (Rosaleen & Mervyn Macdonald).

Today’s (two) posts are two in a (very infrequent) series of ‘accidental fine art’. See previously Composition With Orange, Bathroom Tile, And Dolphin Wallpaper | Composition With Electrical Cable And Shadow Of Power Line.

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Portraits Of The Market

Artist Raymond Henshaw undertook a series of six collages of photographs of the Markets area of south Belfast (in 2008): Social, Bars, Industry, Social History, Sport & Culture, and – shown in today’s post – Portraits of locals, such as snooker player “Joe Swales” (Joe Swail) and familiar buildings, such as Loughran’s Shop. The boards were part of the 2008 re-imaging campaign and sponsored by the Arts Council.

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Pearse Jordan

Pearse Jordan was unarmed when he was killed by the RUC on November 25th, 1992 but in this new Éıre Nua Flute Band board he leaves his prints on an assault rifle. (previous Éıre Nua board) His killing was ruled unlawful, and subsequent inquest insufficient, by the European Court Of Human Rights in 2001. The campaign for an inquest continues (An Phoblacht).

The words on the board – “Slan [sic] go foıll [sic] moh [sic] chara, just for a while/We’ll not have your craic, your jokes, or your smiles/But in years to come, your memory’s still true/A brave son of Ireland, we will not forget you” – are the chorus of The Ballad Of Pearse Jordan (words | sung by The Irish Brigade).

The board is in Hugo Street, which is also the site of his memorial plaque, just above the Evolution Of Our Revolution, as seen in the second image, below.

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