The first “peace” line along Alliance Avenue was a temporary barried constructed by the British Army in 1971 (Heatley at CAIN); parts of it today are nine metrers high (Belfast Interface Project). The central road in Ardoyne, Berwick Road/Paráıd An Ardghleanna was cut off by the line but in the recent redevelopment no house was built in front of the spot where the road ran through. Instead there are now support beams and a small cross in memory of WWI dead.
The final image is of the same spot on the Ardoyne side of the line.
The “Pilgrims” mural on the Newtownards Road has been replaced with an almost-identical representation on boards. As far as we know, this is the fourth instance of this design. Other instances of this mural are: Mersey St c. 1997-2007 (T00240); Tamar St (c. 2002-2005) (M02337); a small version above Cheepers c . 2006 (M02920); and the previous version in this spot on Newtownards Road, 2011-2022 (X00905). The existing mural was significantly faded; the companion “Elementary Right” mural on the other side of the Newtownards Road is less faded but (as can be seen in the final image, below) the paint is peeling away in places.
The last major weekend of marching season occurs this weekend with marches by the Royal Black (web) lodges. These signs from earlier in the season — “Single drumbeat only beyond this point”, “Single drumbeat ends” — were posted along Shore Road at the stretch in front ot St Mary’s Star Of The Sea Catholic church. “Respect – Heritage – Culture” signs are then posted down as far as the Whitehouse Workingmen’s Club. You can check the Parades Commission for times and routes of parades.
The graffiti on the bottom part of the New Life City Church (web) mural on the west Belfast “peace” line has been painted out and this mild wild-style “repent” added.
New Life murals in the area go back to at least 1997 and one on this stretch of the wall goes back to 2004 – see The Dividing Line Of Hostility.
Update, July 2014: “Show kindness” illustrated with a handshake has been added
This is the Titanic Quarter version of Terry Bradley’s (ig) painting Dockers’ Rest, realised in mural form by Friz (ig) at the Titanic museum’s “destination bar” Hickson’s Point (Titanic Belfast) which is named after the (pre-H&W) yard of Robert Hickson (Belfast Titanic Society).
Since this piece was created, in 2019, another version has been created in 2022 by DMC on Lanark Way – see Sailortown Dockers.
For a Sailortown pub still in operation, see McMahon’s.
This entry is an update to 2022’s Upward which showed the new arch in Denmark Street (the north side of the lower Shankill estate). To each side of the arch has since been added a quote from scripture: on the outside, “Blessed be the Lord God of Israel – Psalm 41 v. 13”, and on the inside “Love the brotherhood, fear God, and honour the King – [1st] Peter 2 v. 17”
The ‘Platinum Jubilee’ panel has been replaced with the image from the other side of the ‘Faithful Unto Death’ stained glass that is in Schomberg House (see Our Murdered Brethren), and it has been replaced with an image King Charles III.
“Come one, come all, to the Welcome Hall, and come in your working clothes.” Amy Carmichael was born in Millisle, Co. Down, in 1867. In 1884 the family moved to Belfast, where Amy started Sunday classes in Rosemary Street Presbyterian for “shawlies” who worked in the mills. These were successful enough that a larger venue was required, and so, in 1887, the Welcome Hall, with seating for 500, opened in Cambrai Street (this subsequently became the Welcome Evangelical Church, where the blue plaque shown below is mounted). Carmichael then went to England (Manchester), Japan, Sri Lanka, and India (Bangalore). (Welcome Church | WP)
A shawlie is a working-class woman wearing a shawl to serve as a coat and hat. In Belfast they are particularly associated with the workers in the linen mills, such as the Brookfield Mill on the Crumlin Road. This statue, designed by Ross Wilson, was inspired by William Conor’s painting of mill workers (and pehaps specifically “Going to the mills, Crumlin Road, 1914” which is included in the info board, below) and installed at the top of Cambrai Street in 2010 (BelTel | BBC).
“The Mill Worker. Belfast was one of the fastest growing urban centres in Europe in the nineteenth-century, with the linen industry a major driver. The city’s status as the world’s biggest linen producer came about partly as a result of the cotton shortages in the 1860s caused by the American Civil War. In 1896, 96,000 people worked in linen in Belfast, making it the city’s biggest employer. The profits enabled other industries to grow, including engineering, shipbuilding, tobacco, whiskey and rope-making. Belfast became a world leader in all of these industries. The recession between the world wars led to a dramatic reduction in the demand for linen, reinforced by changes in fashion, so the industry went into almost terminal decline and nearly disappeared. Today, however, the supreme quality of linen is valued once again – not least on the Milan, Paris and London catwalks.”
“Billy was Wright – no Irish Sea border.” Billy Wright broke with the UVF in 1996 over loyalist concessions made during the peace-process that ultimately led to the Agreement in 1998. He soon formed the LVF but was killed in prison in 1997 by members of the INLA, which, like the LVF, had not joined the ceasefire.
These posters are in Cambrai Street and Conway Street; attempts to remove them have proven unsuccessful. The Sunday World reports that a similar banner has appeared in Ballymena (Sunday World) and that the same poster was also spotted in the lower Shankill (Sunday World).
Wright is shown standing in front of a small mural in Old Rectory Park, Portadown – see D01068.
Extramural Activity 