“The Stormont swamp is irreformable”, claims the TUV election manifesto. “It’s time to drain it.” The expression “drain the swamp” in politics goes back to (at least) 1903 when it was used by an American socialist in reference to capitalistic influence in and is borrowed from the literal practice of draining swamps in order to reduce mosquitoes, and so, malaria.
Another Americanism is shown in the second image: Barak Obama’s “Yes we can” became Hillary Clinton’s “Yes, she can”, which Naomi Long (Alliance), the #gingerninja, is using for her own campaign.
This is one of the four murals at the Stoker’s Halt, on the Upper Newtownards Road, probably by DMC (Dermot McConaghy). The others are JMK’s old man (see Wrinkle In Time), Be Nice by Verz, and The Stoker himself, also by Verz.
“Are you one of Kitchener’s own?” asks a new mural in Northumberland Street: “We here pay grateful and everlasting tribute, to all foreign nationals across the empire, who courageously and passionately fought side by side with their British counterparts, for King and country, during the First World War.” The left-hand side (second image) features images of soldiers from the West Indies and India, including “The Flying Sikh”, Hardit Singh Malik and a French lady as she “pins flowers on a regiment containing Muslims, Sikhs, and Hindus.” On the right, images of the “presentation of Colours to the 51st Battalion Canadian expeditionary force” and of Canadian “bluebird” nurses in the Canadian Army Medical Corps.
The UK general election takes place on Thursday (June 8th), only two years after the previous one. The (British) Conservative party hopes to increase its majority of 17 seats/votes. The NI Conservatives (web) are fielding candidates in 7 of the 18 seats but are not expected to contribute to the overall Conservative tally.
Here’s the left-hand side of the UDA mural in Disraeli Street being launched today (June 3rd, 2017). As can be seen most clearly in the final, sideways-on, image, both pieces are a combination of printed poster and attached boards. Lines from Laurence Binyon’s poem For The Fallen of WWI are used: “They shall grow not old, as we that are left grow old/Age shall not weary them, nor the years condemn. At the going down of the sun/And in the morning we shall remember them.”
Here is the main part of a new printed mural in the Woodvale area of west Belfast (to be officially launched on Saturday, June 3rd). It celebrates the creation of the Woodvale Defence Association as “Defenders of our community since 1969” which in 1971 merged with other associations to form the UDA, whose youth wing is the UYM (lower middle, “terrae filius” = “sons of the soil”) and which uses “UFF” (upper left, “feriens ego” = “attack to defend”) as a cover for military operation. The final emblem is of the LPA (Loyalist Prisoners’ Association, “quis separabit” = “none shall separate us”). The mural replaced by this one is in the bottom left, while the bottom right contains an image of Long Kesh in 1979. The main photograph is of a 1972 march on the Shankill.
Here are two panels and a wide shot of the memorial garden in Frenchpark Street. Above is a verse from John McCrea’s In Flanders Fields. Below is a plaque “to the memory of all those Ulster men and women from the south Belfast area who died during the great wars 1914-18 and 1939-45, and to all those who have lost their lives during the recent troubles and continuing conflicts.”
Sir Edward Carson, 1854-1935, was born and raised in Dublin, and practiced law there for many years, but he is most famously associated with the Unionist campaign against Home Rule and the creation of “a Protestant province of Ulster” and eventually the six-county state of Northern Ireland. The new mural in today’s post is by Dee Craig in Ballyclare’s Grange Drive.