“Peace” Building

The gates on Lanark Way are part of the west Belfast “peace” wall. On this site we always put the word in scare-quotes to signify that it has a different meaning than it typically does. Without them, “peace wall” might suggest a place where people can go for a few moments of quiet reflection.

Rather, the wall – and the gates and the cages that surround many buildings on either side of the wall (see above) – is a divider meant to keep the peace by separating warring factions. Indeed the reason for the re-painting of the gates is not just the up-coming 25th anniversary of the Belfast or “Good Friday” Agreement (on April 10th) but the fact that they were damaged in the 2021 rioting (BBC). (This Irish News article surveys 150 years of violence at the site.)

The new art on the gates is inspired by the cover of the booklet sent to every household in advance of the May vote to ratify the Agreement (available at CAIN), which was similar in various ways to the television ad shown at the time (Ads On The Frontline). It showed a family of four in silhouette against a red-and-orange sunset; given the rioting associated with Lanark Way, on the gates this sunset could be mistaken for flames, and the rejoicing silhouetted figures for gesticulating and petrol-bomb-throwing rioters. For the previous art on the gates, see the Visual History page on the west Belfast “peace” line. (For the mural in the background, see Sailortown Dockers.)

For all your “peace” line needs, see the Belfast Interface Project.

Click image to enlarge
Copyright © 2023 Seosamh Mac Coılle
X12166 X12167 X12178 X12184 [X12177]

Silence Speaks When Words Can Not

There was previously a (painted) mural on this wall – see Passchendaele Court – but this latest display is a large printed board, with photographs blended together and framed by graveside mourners, poppies, and the emblems of the Pride Of Govan flute band and the Govan Somme Association (Fb), which also supported the previous mural.

To the left, as seen in the final images, is a smaller UVF (1st Battalion) A Company 5th Platoon board – like the other new board in the street We Will Always Be Ready (and on the other side of Conway Street – see When Needed We Shall Rise Again).

Conway Walk, Belfast

Click image to enlarge
Copyright © 2023 Seosamh Mac Coılle
X12023 X12024 X12021 X12022

You Beaut

North Street Arcade was burned down in April 2004 – see Who Burnt Us Out?. Since 2012, there has been street art at both its North Street and Donegall Street ends, the latest (from September, 2021) being this piece by Danni Simpson (ig) in Donegall St.

For the girl with owl left over from the previous Matt Sewell street art, see Only When The Dusk Starts To Fall (along with A Bird In The Hand and Carnival Of The Animals).

Click image to enlarge
Copyright © 2022 Seosamh Mac Coılle
X11421

Operation Pagoda

“CR Gas & The Burning Of Long Kesh, 15th-16th October, 1974 in Long Kesh. Operation Pagoda – the British government authorised and sanctioned the use of a chemical weapon against Irish Republican prisoners. Members of the 22nd S.A.S. carried out the attack from a helicopter.”

Operation Pagoda was the name of the SAS’s counter-terrorism programme (WP). Its role in the ‘Battle Of Long Kesh’ in October 1974 and its alleged use of CR (dibenzoxazepine) powder – the successor to CS powder (and before that, CN or “tear” gas) (New Scientist) – remains a classified matter. CR had been authorised for use in 1973 (Guardian).

The original photograph of the central scene (IWM HU 7025, included in this article from An Phoblacht) was in black-and-white and was reproduced as such in the three previous versions of this mural 2021 Chemical Warfare In Ireland, 2018 The Battle Of Long Kesh, 2014 The Maze Ablaze. This new version adds burning reds and oranges. It replaces the No Profit On Pandemic mural.

Click image to enlarge
Copyright © 2023 Seosamh Mac Coılle
X12126 [X12127] [X12128] X12071 X12072 [X12082] X12083 [T02283] X12182 [X12183]

We Built This

Here is a gallery of completed pieces produced for International Women’s Day 2023 in College Court. The new street art is part of a larger revitalisation project (Belfast City Council).

The works shown are (from Castle Street to College Street) by Claire Prouvost, Holly Pereira, Katriona, Kerri Hanna, Danni Simpson, Alana McDowell, ESTR; Laura Nelson, Novice Jess, Friz, (guest artist Hicks who was in town to repair and extend his piece in College Street Mews (see Cool) – it was damaged by a dumpster fire) and, on the other side of the street, HM Constance [Update: 2023-04 a purple cow was painted on one of the HMC shutters – see the image in the Paddy Duffy collection].

For in-progress shots, see Women’s Work.

“My piece relates to the history of college court and the coming together of committee in 1807 to raise public subscriptions in co-educational, non denominational education.” (tw)

“This piece took inspiration about the history of College Court, which used to be called Water Street, as it was the first place running water pipes were installed in Belfast.” (ig)

[typist]

[Women’s Work – see Women’s Work]

[PRINT / WORKS – see the image in the Paddy Duffy collection]

Click image to enlarge
Copyright © 2023 Seosamh Mac Coılle
X12099 X12100 [X12115] X12101 X12102 X12103 [X12116] X12104 [X12117]
X12217 X12216
X12107 [X12215]
X12108 [X12124] T02291 X12111 X12112 X12114 Department For Communities, Future City Centre Programme, A Bolder Vision for Belfast

Women’s Work

Here is a gallery of “in-progress” images of the street art being painted by female artists for International Women’s Day, all along College Court. (Most of) The completed pieces can be seen in We Built This.

The jam is organised by @DaisyChainInc. The artists at work are @artist.zippy | @dannisimpsonart | @holly.pereira | @thisisfriz | @kerriehanna | @katrionadesigns | @suzusignco | @claire.prouvost | @alanamcdowell | @novicejess | @moirafowley | @HMConstance | @emmaleneblake

Click image to enlarge
Copyright © 2023 Seosamh Mac Coılle
X12088 X12089 X12091 X12092 X12093 [X12090] X12094 X12106 [X12105] X12109 X12119 X12120 [X12118] [X12121] X12123 [X12110] [X12122]

Long To Reign Over Us

This cast of Queen Elizabeth in profile is mounted on the second storey of a house in Hopewell Crescent, Belfast, prior to her death on September 8th (see e.g. The People’s Queen Is Dead), a few months after her platinum jubilee in June (celebrated with a similar portrait in The Longest Reign).

Click image to enlarge
Copyright © 2023 Seosamh Mac Coılle
X12016 X12017

Defender Of Europe

As the Visual History page on the role of Cú Chulaınn makes clear, in PUL muraling and iconography, Cú Chulainn serves as the “ancient defender of Ulster”, and the B Specials, UDR, and loyalist paramilitaries – primarily the UDA but also the UVF – then fit into that tradition. Using Cú Chulaınn as a precursor for service in the Ulster Division of WWI is unique to the panels on Highfield green, five of which are devoted to the hero Cú Chulaınn and four – two on each end – refer to the Great War.

The five Cú Chulaınn panels are (from left to right) Boy Warrior, Hound Of Ulster, Sheppard’s statue, Hero Warrior, and Defender Of Ulster – all shown individually in this post.

On the far left, there are two panels showing Messines tower and a few lines from a Ronald Lewis Carton poem Réveillé (though given a more ‘victorious’ ending) and on the far right, a few lines from Duncan Campbell Scott’s To A Canadian Lad Killed In The War and Thiepval tower. The words to I Vow To Thee My Country (lyrics) are along the bottom (see the wide shot, final image below).

The biographical panels focus on Cú Chulaınn’s age – the sixth panel emphasises that Cú Chulaınn was only 17 when he held off Maeve’s forces – which is perhaps a similarity with those who joined the 36th Division, but how the “defender of Ulster” is connected to the defense of Europe is obscure.

In the background of the wide shot the Cú Chulaınn mural can be glimpsed.

Click image to enlarge
Copyright © 2023 Seosamh Mac Coılle
X12041 X12042 X12043 X12040 [X12039] X12038
X12047 X12046 X12045
X12036 [X12037] [X12044]
X12038

We Will Always Be Ready

There are three hooded gunmen on the main panel of this new installation along Conway Street, Belfast, and the side panel is a gallery of 14 photographs of hooded gunmen, flanked on either by two more hooded gunmen.

Please note: the photograph above has been photoshopped for colour. The true colour (orange) can be seen in the wide shot, below.

“No. 5 Platoon, attached to ‘A’ Company, 1st Belfast Battalion, Ulster Volunteer Force, was formed at the onset of the conflict, and was eventually to become one of the most active Units with the Organisation. The Platoon was formed to fulfil one role, the defence of the Protestant community on the Shankill Road, in the wake of increasing, indiscriminate, Republican gun and bomb attacks. To counter these sectarian, murderous incursions, No. 5 Platoon devised a daring strategy, which would see its Volunteers strike at the very heart of the Republican war machine. Such steely determination and gallantry in the face of a deadly enemy, would make the Platoon one of the most deadly military Units within the 1st Belfast Battalion. Throughout the course of the conflict, alongside other UVF Active Service Units, using any and all means at their disposal, No. 5 Platoon Volunteers inflicted massive casualties to those who would seek our demise, and in so doing, brought the Irish Republican Movement to its knees. Today the message remains unchanged. As long as one of us remains, this community will not be shot, bombed, intimidated or coerced, into a United Ireland. Ulster will remain British! Those No. 5 Platoon Volunteers who were imprisoned during the conflict, and those who made the ultimate sacrifice for the Cause they served, will never be forgotten. They will now and forevermore, be honoured by those of us who remain. For God and Ulster.”

Click image to enlarge
Copyright © 2023 Seosamh Mac Coılle
X12028 X12026 X12025 X12027

Under The Cherry Blossoms

Castle Arcade is so-called because it is the site of the original castle of Belfast, built by the Normans in the late 12th century and then rebuilt by Arthur Chichester in 1611. Chichester’s castle had “spacious gardens which extended from the river along to Cromac Woods and near Stranmillis” with “orchards, bowling greens and cherry gardens … fish ponds,” for “hunting, hawking, and other sports”. It was destroyed by fire in 1708 after which the area became commercialised as a market (ArchiSeek | Mary Lowry | BBC | Belfast Entries).

By Friz (ig) and Gerry Norman (ig).

See previously: You’ve Got The Key Of The Street.

Click image to enlarge
Copyright © 2023 Seosamh Mac Coılle
X10274