Here is one of the pieces from the East Belfast Chalk Art and Community Festival that took place on July 9th: a parade of five, with fife and drum.
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The search continues for a new home (or homes!) for the Vault artists (tw). It won’t be long before they have to put their paint buckets on their heads and gather up their briefcases and handbags and head out – the building is to be demolished to make room for housing (BBC).
“News flash! Vault Artist Studios is relocating! Are you a millionaire, property developer or rich benefactor of the arts? Do you own a giant building that could house 100 multidisciplinary artists or do you have a friend that does? If so, Vault Artist Studios is interested in talking with you. As a registered charity, Vault can save you money on building rates! Vault can breathe new life into your disused property and transform this city for the better! If you do own a giant disused building and are interested in working with Vault then email futures@vaultartiststudios for more information. P.S. We are interested in working with all different sizes of building, not just giant ones.”
Also included, below, is a ‘Joy Of Painthead’ paste-up by Leo Boyd (web).
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Here are in-progress shots of “Freedom Corner” from mid June (images 1, 2), early July (images 4, 5) and early August (image 6), plus the info board that was posted to give people an idea of how the gables would look when complete (using the Tommy Herron mural in Bangor).
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Three months after it was initially whitewashed (mid June, 2022), the repaint of so-called “Freedom Corner” is now complete, with a new mural on each of the 11 panels that make it up. This entry is a gallery of fifteen images from the new wall. The main gables reproduce photographs of the UDA (and more specifically the East Belfast brigade) during the 1970s. The side walls celebrate the formation of the UDA/LPA/UFF/UYM in 1971-1974 and the role of women in supporting prisoners.
By Blaze FX (Fb | ig) on the Newtownards Road. Here is a small gallery of in-progress images: Waiting For The Wall. The ‘five flags’ also appear in An Act Of Betrayal.
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Handy Helpers from Queen’s University help maintain the Wildflower Alley (Fb) between College Park Avenue and University Avenue. To “recognise the joint effort” (LinkedIn) a mural has been painted (by emic (ig)) along the Stanmillis Embankment, featuring flowers grown in the Alley.
Funding from Belfast City Council. Officially launched 2022-09-22 (Belfast Live)
Update: the side wall has been painted with a human head, wearing headphones, behind a sunflower – see the Paddy Duffy collection.
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This new Shankill Road installation makes mention of “William and Mary”, Mary being co-monarch with her cousin William from 1689 to 1694, when she died of smallpox. She was raised Anglican, though her parents (including father James II, whom William defeated at the Boyne) had converted to Catholicism in the 1660s. Although the fifteen year-old Mary wept when the marriage was announced, she remained loyal to William and to “Church and State” when James was deposed (WP).
“King William III Prince of Orange 1650-1702. In God is my trust.” “This artwork celebrates the victory of William III over James II at the Battle of the Boyne in 1690 “The battle of the two Kings”. The williamite ranks were filled with Irish protestants and international troops, William encouraged the hearts of his troops on the morning of the battle when he called to them “LET AMBITION FIRE THY MIND” on seeing the opposing army of James II, William exclaimed with delight “Ah I am glad to see you gentlemen; if you escape me now, the fault will be mine” they followed him to victory.”
In the background can be seen SMUG’s Mussen Cortège.
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The Gold Rush mural in the lower Shankill estate is gone an in it we have another mural for the Community Rescue Service (web) making a pair with the mural on Northumberland Street (see Hill Or High Water).
“Sponsored by Cab Tours Belfast www.cabtoursbelfast[.com]. Additional sponsors Olympus Gym (Fb), OK Windows (Fb)”
See also West Belfast Supports The CRS.
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The twelve “Gertrude Street Great War Fatalities” are: Robert Harvey; William Duff; James Fagan; Alexander Leckey; George McCune; Hugh Nabney; William Nabney; Matthew Scott; Robert C. Skillen; James Watson; Samuel Wright; James Burns.
This board was originally next to the To France And Flanders mural on the adjacent wall; the mural also named these twelve but which only lasted a year. That mural depicted the damaged basilica tower in the village of Albert and there is a similar mural in the village itself – a photograph of the mural and the rebuilt tower can be seen in the top right of the board; the mural can be seen in full here.
As the map in the top left shows, Gertrude Street was where Wolff Close now is, running north from the Newtownards Road; the original Gertrude Star mural (circa 1989) was on the first gable of what is now called “Freedom Corner” – see D00388.
The emblem of the Gertrude Star flute band serves as a background. The band’s 60th anniversary mural is across the street.
“‘The Legacy Of Gertrude Street. Twelve brave young men from Gertrude Street,/Bravely fought in world war one./They tried their best as legends do./But never returned back home.//They dragged through muddy trenches,/In the darkness of the night./But never once would they give up,/As they bravely continued to fight.//Each year these men will be honoured,/As we stand together taking time to reflect./It’s vital to show these heroes the uttermost respect.//For now they lie in Flanders fields,/Between crosses row by row./They lived, they fought for our country,/And gave their lives many years ago.//Forever we will speak of these men,/Who came from Gertrude Street./Their legacy will always live on,/When we think of their marching feet.’ By Angela McCully”
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Plants provide symbols of, and metaphors for, rebellion. In America, 1775, Paine wrote of the Liberty Tree which Americans must rise to defend against “Kings, Commons and Lords” and Jefferson would later write (in a 1787 letter) that “The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants.” In Ireland, the tree of liberty was borrowed for the 1798 rebellion (see Where Did The Seeds Fall?“) and although t more familiar symbol of the 1798 Rebellion is the pike, the shamrock is thought to be included as one of the objects in the Wearing Of The Green: Boucicault’s version begins “Oh, Paddy, dear, an’ did you hear the news that’s goin’ round?/The shamrock is forbid by law to grow on Irish ground.” The lily, of course, is a symbol of the 1916 Rising, though it is shown here growing between sunflowers and a rose.
These painted electrical boxes are in Westrock and Ballymurphy (“Fáılte chuıg Baıle Uí Mhurchú”).
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Upon news of Queen Elizabeth’s death, the platinum jubilee mural at the bottom of Crimea Street became a memorial, with hundreds of bouquets being laid before it and a “wall of condolences” set up. (For the mural itself, see The People’s Monarch.) In addition, to the right-hand side has been added a small commemoration of her passing, with a quote from her son, the newly acceded King Charles:
“We mourn profoundly the passing of a cherished Sovereign and a much-loved Mother. I know her loss will be deeply felt throughout the country, the Realms and the Commonwealth, and by countless people around the world”; “Long live the king!”
The fifteen commonwealth “realms” (previously called “dominions”) share a monarch – formerly Elizabeth II and now Charles III – while the commonwealth comprises 41 additional nations, including some which are now republics: Barbados, for example, became a republic on November 30th last year (2021) but is still in the Commonwealth (WP). Additional countries might take the passing of Elizabeth as a suitable juncture at which to sever ties (Edinburgh News has a round-up | for the Bahamas see Caribbean National Weekly | for Canada see Toronto Star).
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Extramural Activity 