A Planet Of Light And Heat

The Northern Star newspaper began publication in 1792 in Wilson’s Court, Belfast, under the editorship of Samuel Neilson, to cover local news and express the views of the United Irishmen. It became so popular that it survived until 1797, despite the Irishmen being outlawed in 1793 with the declaration of war between Britain and France and Neilson being arrested in 1796. Walter Cox, editor of The Irish Magazine And Monthly Asylum For Neglected Biography) wrote a ‘Sketch Of The Life Of Samuel Neilson’ for the September, 1811, edition (p. 396 ff) and wrote that “The Northern Star, under his managment, was indeed a planet of light and heat; its influences were commensurate with its circulation and its circulation was only restricted by the ocean. It warmed the cold; it animated the feeble; it cheered the afflicted; it stimulated the intrepid and instructed all. Pernicious dogmas, false reasonings, slavish superstitions and gothic prejudices, which broke the people into different sects and marshalled them against each other, disappeared before it.” (O’Brien 1998 | History Ireland)

The mural – in Wilson’s Court, Belfast – is by Rob Hilken and called “Light And Heat”.

See previously: Olaudah Equiano | Belle Martin and the Visual History page on the Belfast Entries Project

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Gairdín Na hÉireann

Plants provide symbols of, and metaphors for, rebellion. In America, 1775, Paine wrote of the Liberty Tree which Americans must rise to defend against “Kings, Commons and Lords” and Jefferson would later write (in a 1787 letter) that “The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants.” In Ireland, the tree of liberty was borrowed for the 1798 rebellion (see Where Did The Seeds Fall?“) and although t more familiar symbol of the 1798 Rebellion is the pike, the shamrock is thought to be included as one of the objects in the Wearing Of The Green: Boucicault’s version begins “Oh, Paddy, dear, an’ did you hear the news thats goin round?/The shamrock is forbid by law to grow on Irish ground.” The lily, of course, is a symbol of the 1916 Rising, though it is shown here growing between sunflowers and a rose.

These painted electrical boxes are in Westrock and Ballymurphy (“Fáilte chuig Baile Uí Mhurchú”).

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England, The Never Failing Source Of All Our Political Evils

“‘To unite Protestant, Catholic and Dissenter under the common name of Irishmen in order to break the connection with England, the never failing source of all our political evils, that was my aim’ (Theobald Wolfe Tone, 1763-1798)”. As the dates suggest, Tone was captured and sentenced to death; his exact cause of death is uncertain – perhaps a self-inflicted knife to the throat, or a bullet to the throat. The other portraits are of Michael Dywer [should be “Dwyer”], Lord Edward Fitzgerald, Anne Devlin, Mary Anne McCracken, Betsy Gray, Fr. John Murphy, William Orr, Robert Emmet, Henry-Joy McCracken, and Jeremiah O’Donovan Rossa.

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Her Old Tradition Of Nationhood

“Saoradh salute the men and women of violence,” namely the signatories to the 1916 Proclamation, the women of the 1970s IRA, and modern “dissidents” with home-made weapons.

The plaque on the left is to the IRA’s Pearse Jordan, next to the centenary celebration of the Proclamation, Ag Fíorú Na Poblachta. The board was been moved to this Falls Road location from Ardoyne; it replaces an anti-RUC/PSNI mural.

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Death Dealers

“Say no to death dealers”. Saoradh sticker on Divis Street, west Belfast, against

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The Men And Women Of Violence

“Saoradh salute the men and women of violence.” Namely the signatories to the 1916 Proclamation, the women of the 1970s IRA, and modern “dissidents” with home-made weapons. Saoradh currently (mid-late 2019, in the wake of the death of Lyra McKee) no longer has a web site or Twitter feed, and the Belfast and Derry section’s Facebook pages are non-existent (other section’s pages are still up, including Tyrone, Dublin, and Munster).

On the same wall as the Larry Marley plaque.

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Murdered By Those Who Followed In Their Footsteps

The “Provisional” split from the IRA in early 1970 and the feud between the Provos and the “Official” IRA went on intermittently throughout the 70s. This board on Teach Oisín in the New Lodge commemorates three local OIRA members who were (or, were thought) killed in the feud (John) Mario Kelly was killed in Newington near his home in November 1975. Trever [Trevor] McNulty, education officer for the Republican Clubs and OIRA, was shot by the Provisionals in the entrance hall of Alexander House (later Teach Fhinn) in the New Lodge. 11 people, mostly OIRA, died in the feud in the two weeks from the tail end of October into November (CAIN). The third person shown is Patric​k​ McGreevy from Carlisle Square, a youth member aged 15 or 16 (hence the Gal Gréine) who was shot from a passing car outside a café on Clifton St​reet. Originally his killing was thought to be part of the feud (which explains his inclusion here), but it is now generally accepted that he was shot by the UVF (Lost Lives). 
The genealogy of the republican movement goes through the pike-men (silhouettes on the left and right) of 1798 and 1803 to the Easter Rising (the quote from James Connolly: “The cause of labour is the cause of Ireland and the cause of Ireland is the cause of labour”)
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Make Partition History

The Thames Street wall of Salvezza’s pizzeria doesn’t allow for full murals because of a giant flue, but Saoradh (web | fb) are making the most of the space with long vertical tarps. The quote on the tarp above (new for 2018) is from James Connolly, from his foreword to Labour In Irish History: “Only the Irish working class remains as the incorruptible inheritors of the fight for freedom in Ireland.”
The tarp that hung for most of 2017 is included below.
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Join Today

This Ardoyne hoarding for Saoradh the “revolutionary republican party ” (web | fb), uses a pike (for 1798 Rebellion), the Sunburst (traditionally used by Fianna Éireann), and the Starry Plough (from the Irish Citizen Army of the Easter Rising). Cut off at the top is a red star of socialism.
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Na hÉireannaigh Aontaithe

“Liberté, égalité, fraternité”. The United Irishmen of 1798 had been inspired by the revolutions in both the United States and France, and France attempted without success to send troops to Ireland in 1796 and 1798 (Irish History). “It is new strung and shall be heard” – this style of harp is called a Maid Of Erin harp.

Painted by Andrea Redmond in South Link, Andersonstown, Belfast, for the 200th anniversary of the rebellion. Also new for the 200th anniversary is the stone below in the nearby memorial garden outside the PD. “Who fears to speak of 98? This plaque was erected to the memory of the United Irishmen who gave their lives for Irish freedom; also all those who died as a result of the Great Hunger. ‘These are the times that try men’s souls’ [Thomas Paine] ‘The rich always betray the poor’ – Henry Joy McCracken.”

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