The United Kingdom Of Great Britain And Ireland was created in 1801, a reaction to the 1798 Rebellion, led by (amongst others) Wolfe Tone and Henry Joy McCracken, the pair also being founding members of the Society Of United Irishmen in 1791 in Belfast.
In this mural, Tone and McCracken on the left gaze across the “centuries of resistance” from 1798 to 1916 Rising revolutionaries Countess Markievicz and James Connolly, and beyond to Troubles-era figures Maıréad Farrell, Bobby Sands, and Máıre Drumm.
Around the same time as this mural was painted, a Féıle exhibition called ‘Vibrant Colours, Violent Past’ included A Panorama Of Republicanism which contains dozens of figures but again chooses 1798/Tone, 1916/Connolly, and the Troubles/Martin McGuinness as the pivotal moments and figures.
“Comóradh Éırí Amach Na Cásca Bhéal Feırste/Belfast Easter Commemoration. This is the traditional place where on Easter Sunday Belfast republicans gather to honour Ireland’s patriot dead on their way to Milltown Cemetery.” “Honour Ireland’s patriot dead – wear an Easter lily.” “Unbowed, unbroken.”
Féıle An Phobaıl (web) is now headquartered in the renovated (BCC) St Comgall’s on Divis Street in Ionad Eileen Howell, and during this year’s (2025) festival is home to an exhibition called “Vibrant Colours, Violent Past”, the centrepiece of which is a 20-foot-long panoramic history of republicanism, with Wolfe Tone, James Connolly, and Martin McGuinness as pivotal figures.
A full legend of who’s who is given in the leaflet at the bottom of this entry. It also explains the genesis of the project, as follows:
“A few years ago I met a great friend of Ireland and art collector Darius Anderson from California who was here on a trip with his wife Wendy and hoping to see some new work by Irish artists, not only work destined for gallery walls but having been fortunate to be included on one of local guide Dee Morgan’s tours he developed a love for and focus on our world-recognised mural art tradition.
“Then last year on another trip here I was able to introduce Darius to my life-long friends and probably the most prolific contributors to our local landscape.
“From a casual meeting alongside Marty and Micky at work repainting the Vol. Kieran Doherty mural in Andersonstown came an inspired suggestion that we accept a challenge from him to tell our story graphically on a canvas rather than the usual brick wall, not just on canvas to hang on a wall in his gallery in L.A. but a canvas to cover the entire wall 20ft x 7ft!
“Excited by our positive response Darius wondered could we invite some loyalist artist/activist to contribute a similar large canvas celebrating the history of the British, Unionist, Loyalist community here.
“That was last July. This exhibition is a result of that meeting but also a chance for the public to remind themselves of our often colourful and unfortunately violent past. – Danny D, Muralist/Activist”
“History is like a rearview mirror! You must always check back but you must keep focused on the road ahead, otherwise you are going to crash!” (Similar wording was used in a piece – Painting From The Same Palette – painted by Danny D and Mark Ervine in 2008.)
The exhibition was launched on August 1st and also included four display boards featuring murals by Danny D (CNR) and Dee Craig (PUL) (Fb).
Display boards:
Images from the launch on August 1st, along with the two-sided leaflet:
The central space in Ardoyne’s Easter Rising centenary wall, combining stencils of the signatories to the Proclamation around a tarp of the document (see In Commemoration Of 1916) has been empty – except for some electoral signs – since 2019’s board marking the centenary of Sınn Féın (see Still The People Spoke). This new tarp returns to the Proclamation and Easter lily and matches the frame of signatories once more.
The last full mural on the wall fell down in 2014 and there does not appear to have been the energy to paint another full mural since then – but perhaps the fading paint around Clarke and Connolly will provoke a complete re-do.
“National Republican Commemoration Committee national Easter commemoration: assemble at Creggan shops – 2pm Monday 21st April 2025 for march to the People’s Monument — Free Derry Corner. Wear your Easter lily with pride.”
Easter Monday falls late this year – April 21st – though still not as late as it did in 1916, when it was on the 24th. The event is typically celebrated at Easter, regardless of its proximity to the 24th, though for the centenary in 2016, anti-Agreement republicans commemorated the Rising on April 24th, specifically, while others paraded at Easter (which was at the end of March).
This Saoradh (web) board calling for attendance at the national march from Creggan to the new (2022) “People’s Monument” in Rossville Street is in Hugo Street, west Belfast
Each republican group has its own commemoration(s) of the 1916 Easter Rising. (For a list of this year’s commemorative marches, see Republican News.) This is a poster for the RNU’s ceremony in Milltown on the morning of Easter Sunday.
For the RNU memorial stone in Milltown, see An Attitude Of Rebellion in the Paddy Duffy Collection.
In 2000, during the Second Intifada, Palestinian teenager Faris Odeh was photographed by an AP photographer in the act of throwing a stone at an Israeli tank. He was shot and killed a few days later and the image became a symbol of resistance. (A mural of the photograph was painted in Springhill: see David And Goliath.) The iconic image is updated here for Israel’s current invasion of Gaza, showing a young girl with a soft toy standing in front of a tank that is bedecked with the flags of the European Union, France, the USA, the UK, and Germany.
The F-16 jets and rubble and child with teddy-bear are the same as in the We Stand With Palestine mural in Ardoyne.
“At this place of reflection, we proudly honour our heroic volunteers, who made the ultimate sacrifice for the freedom & sovereignty of Ireland and the Irish people. We salute our many comrades, who spent numerous years in captivity, and who’s [sic] lives were often blighted by the experience. Never forgetting the WOMEN & MEN of Creggan and the Derry district, who stood steadfastly with the volunteers. BEIR BUA.” The 12 Troubles-era hunger strikers and 43 Derry brigade members are at the top of each panel with 115 named comrades/comrádaithe (and three unnamed) below (and on the side wall – first image below), with each name preceded by “Com.” as though establishing a new category of activist.
“Joseph Plunkett & Grace Gifford – their final embrace & farewell.” May 4th is the anniversary of the execution of Joseph Plunkett, one of the planners of the Easter Rising in 1916. Seven hours before he faced the firing squad, he married Grace Gifford. The photograph is from a re-enactment for a 1966 RTÉ programme Insurrection (RTÉ). The ballad Grace, written by Seán and Frank O’Meara in 1985, is now internationally known (here is Jim McCann’s 1985 performance).
This is one of various recent additions to the many memorials in Ard An Lao, Béal Feırste/Ardilea, Belfast. This replaces the board seen in Continuing Their Legacy.
“Brits out” and “Wear an Easter lily”. The CNR population in Glengormley has been increasing, especially to the west (home of Naomh Éanna CLG in Hightown) and south (see Fáılte Go Dtí Glengormley and, on the same Elmfield wall as shown below, INLA/Stop Internment) – Belfast North, which includes Glengormley, returned a nationalist (Sinn Féın’s John Finucane) for the first time in the 2019 general election. The broader Newtownabbey area is still predominantly Protestant, however, and there is an Orange arch right in the middle of Glengormley each year.
There are dozens of Easter Rising commemorations happening this weekend – see Belfast Media for a full calendar. Above is a board for Saoradh’s (web) Easter parade on Saturday 8th. Below is the Falls/D Company gathering.
“National Republican Commemoration Committee Easter commemoration. Unfinished revolution. 2.30 pm Saturday 8th April. International wall, Divis Street, Belfast. Bands in attendance. Honour Ireland’s patriot dead, wear your Easter lily with pride.”