painted board

Woodstock Rocks

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As a tribute to “the influence the local record shops had on the Belfast hip-hop and breakdancing scenes of the 80s” FGB (ig) and Katriona Designs (ig) have painted track-suited pensioners with a dual turntable setup (“Spin-A-Disc” (Technic?) and “Pensioneer” (Pioneer) brands) in Ardgowan Street at the Woodstock Road.

The documentary Bombin’, Beats And B-Boys is available on youtube. Here is an Irish Times look back at Belfast City Breakers.

See also the shelf of tapes at Portallo Street: Back On The Streets. The other new pieces in the current beautification project are: Up The Cregagh and Down The Woodstock | Up The Cregagh | Heron.

Also included below are two small pieces in Glendower Street, of a ‘Dolphin Lamp Standard’ lamp-post (such as can be seen on the Queen’s Bridge) and a fox.

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How Real Men ‘Take A Knee’

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Here is a survey of PUL boards (from left to right) at the shops in the centre of the village of Moygashel, just south of Dungannon.

First is a British Army soldier in a firing position. Compare this board to Now Is The Time To Kneel in Clonduff, Castlereagh, which suggested that the time for soldiers to kneel was in mourning for Queen Elizabeth.

The subject of the second image is obscure. Vanguard as a political and activist group dissolved in 1977 (WP) and the name and emblem have been taken up by the Vanguard Bears, a Rangers supporters’ club (see e.g. Defending Our Traditions).

Third is a children’s mural, produced (in part) by children from Howard primary school.

The ‘Time To Decide’ and UDR 8th (Co. Tyrone) battalion roll of honour were seen previously, alongside two others which are now absent, in Belfast Agreement Null & Void.

Beyond those is a tarp celebrating Queen Elizabeth II’s platinum jubilee, in 2022.

Finally, a Moygashel Youth Club (Fb) mural in disrepair.

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Róısín Dubh

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“A Róısín, ná bíodh brón ort fé’r éırigh dhuıt”/Róısín, be not sad about what has happened to you”. The song ‘Róısín Dubh’ [usually translated as ‘Dark Rosaleen’] is a love song to Ireland, in which the infatuated singer recounts the lengths he would go to on her behalf (song (youtube): Muıreann Nıc Amhlaoıbh | Caıtlín Maude | poem/lyrics in English: Mangan | Kinsella at WP).

This new piece in the New Lodge, north Belfast, was painted (presumably) by emic (ig), (presumably) under the same auspices as, and as a thematic complement to, the project we reported on in Communities In Transition and New Lodge Gardens. The lack of explicitly nationalist or republican signifiers is perhaps necessary if the piece is to be funded by Communities In Transition, while the cultural reference is perhaps necessary if the art is to survive on what has for the past dozen years been an anti-Agreement wall – see Damn Your Concessions, England and Unbowed, Unbroken. Another emic piece, in Creggan, Derry, has been marked with republican graffiti – see Stand Up And Speak Out. This very skilful piece walks a very fine line very precisely.

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Give Peas A Chance

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FGB (ig) brings back a classic in Union Street, Belfast city centre, replacing a Wee Nuls gremlin from HTN23 and next to a Palestinian solidarity mural. Here is the ‘Give peas a chance’ sticker from 2018.

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Tullycarnet Together

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These four boards are on the side of the Hanwood Centre (web) in Kinross way, referencing various local social groups: Helping Hands [Autism Support], Cloud 9 [youth group], Barnardo’s NI (Fb), Links Women’s Project (Fb), TASC, TABC (Fb), TCFC (ig)

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Festival Of Colours

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Here are three of the murals painted in Botanic Gardens for the Belfast mela – an Artsekta (web) project – which includes a festival of colours or “holi”.

See also: What I Have Witnessed In Botanic Gardens.

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Daddy’s Home

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There was previously a mural of the UDA emblem and flags on the substation on the Loughanhill side of Ballysally (Coleraine) (seen in The Hell They Call Highwood) which has now been replaced by the painting of a daughter greeting her father who is returning home after “Victory 1914-1918”. There is also a new version of the painting of the attack on Highwood, as seen below.

The style of the paintings and their frames is the same as the panels in Footsteps Through Our History.

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Our Community, Our Club

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Katie Taylor and Carl Frampton are featured on the large mural at Antrim Boxing Club (Fb), painted by Visual Waste (ig) with support from the Housing Executive (Press Release), Antrim and Newtownabbey Borough Council, and the executive’s T:BUC programme (see previously Belfast Melt).

Below are the small murals on the other walls, of the club’s logo, including the Round Tower (DfC), and of the Irish Athletic Boxing Association (web).

For another Taylor mural, see School Of Champions. Frampton appears in half-a-dozen other murals, most prominently in The Jackal.

Durnish Road, Antrim.

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Inspire A Generation

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“Marching into the future”. The 35th anniversary board – and the Pride Of The Bann flute band (Fb) itself – is still going over a decade after it was mounted in Harpur’s Hill, Coleraine; here is the board in 2012. It has now been joined by a board aimed at young people, designed by members of Sunlea Youth Club.

Tullyarton Road, Coleraine

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Focused Intervention

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The Executive Office’s Communities In Transition programme aims to tackle “residual paramilitary activity and associated criminality” in eight areas of Northern Ireland, including the Northland/Sunnylands area of Carrickfergus, which until now has not had any street art. (It does have some community art, also sponsored by Communities In Transition.) They have sponsored this piece of street art by Aches (ig) — reproducing in overlapping triplicate a photograph of a local girl (Fb) taken by Derry photographer Megan Doherty (web) — in Drumhoy Drive, next to the ‘residual paramilitarism’ shown below: a Red Hand Commando board.

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