A brand new piece (unveiled March 2, 2013) to Brian Robinson and/sponsored by the Shankill Star Flute Band, in Disraeli Street – where Robinson grew up – replete with images from the first World War such as soldiers (both British and German), trenches and poppies. Robinson was killed on 2 Sept., 1989 by an army undercover unit moments after he had shot and killed a Catholic named Patrick McKenna (WP). This is the second mural on the street to Robinson. The piece is not paint, but printed boards, and the image has been generated by computer.
A picture from the courtyard of the Times Bar, on York Street, with both Northern Irish and Union flags, and the crest of the IFA, the association overseeing soccer in Northern Ireland. (Previously from the Times Bar.)
One of loyalism’s most famous muraling icons – paradoxically of the peace-time era – is Eddie The Trooper. This one is in the Waterside’s Ebrington Terrace, Londonderry. For others in other locations, see Eddie’s Visual History page.
The first part of the words above the board come from the last paragraph of this WWI order: “There must be no retirement. With our backs to the wall and believing in the justice of our cause each one of us must fight on to the end”.
The last sentence of Haig’s order is not included; instead we here have “We determine the guilty. We decide the punishment.” which appears to be the motto of a “fantasy tabletop war game” Warhammer 40,000.
The image is a 1997 (according to Peter Moloney) replica, with additions, of a 1983 Iron Maiden cover (WP). This character, “Eddie”, was featured in much of Iron Maiden’s artwork. The two images below show a close-up of Eddie, now sporting a UFF badge on his shoulder, and of the victim on the left, now wearing a distinctively gold coloured epaulette to go with his green uniform and white sash.
The board was painted by a group called ‘Attitude Artwork’, made up of Dee Logan, Mark Logan, and Marty Edwards (CAIN). In an interview with the BBC, Marty Edwards said, “I work for Attitude Mural Artists. We’re based in the Waterside, Londonderry and we paint predominantly Protestant paintings. We would usually paint paramilitary paintings for UDA people, UVF people in their own estates. You know, sort of to mark their territory bounds like, you know, stuff like that. Usually we’re left to our own devices, to come up with something that’s really intimidating, will antagonise Catholics. But this project I’ve been involved with two groups from both sides of the community, four schools. … ” (BBC)
A letterbox on Sandy Row bearing a flyer describing rallies protesting the decision not to fly the Union flag every day at Belfast City Hall, which will (apparently) lead to a future where Martin McGuinness, Gerry Adams and a masked paramilitary rule like Queen Victoria (who, as we know, was also Queen of Ireland, Empress of India). For some background info, see The Essentials | And so This is Christmas; and for graffiti on the matter, Let Your Union Flag Fly.
Here is a close-up of the UFF mural which can be seen in the background of the Feriens Tego post from a few weeks ago, in Lord St. A pair of red hands are in shackles and the fences of the Maze are superimposed on an outline of Northern Ireland. (Very similar to ‘For Peace’ mural on the Shankill in 1995.)
A tattered Union Flag on the Hightown Road/Bóthar Bhaile na hAirde in Glengormley/Gleann Gormliath (just north of Belfast). The title comes from the U.S. anthem “The Star-Spangled Banner”: “the rockets’ red glare, the bombs bursting in air, gave proof through the night that our flag was still there” (WP).
They say (some) shows on TV these days are good for you, because they are so complex in structure and signification. The citizens of Belfast are well up to the task, one suspects, as they get plenty of practice just walking down the street (in this case, the Newtownards Road): the Union flag is the most familiar signifier of the group, the fake storefronts (more) might take a moment to process (and make life difficult for bloggers differentiating between murals and street scenes), and one can then attempt to unscramble the meaning of adipose tissue (a.k.a. fat) of a bare-chested man spreading over his “cancer”-banded underwear. The store to the right of (the fake) Marie’s is coincidentally called “Body Language”! See image below ….