“The Continuity Fıanna”. The Irish National Boy Scouts or “junior IRA” were founded in 1909 by Bulmer Hobson and Countess Markievicz, who is at the centre of this photograph. The Fıanna followed the Provisionals in 1969 and Republican Sınn Féın (and the Continuity IRA) in 1986 (Fianna History blog | Irish Examiner), while Provisional Fianna became Ógra Shınn Féın and then Sınn Féın Republican Youth (An Sionnach Fionn).
For the previous stencilling in this spot, see In The Cause Of Irish Freedom. For the plaque and old (single bugler) tarp (to Josh Campbell, Davy McAuley, Bernard Fox, and Joseph McComiskey), see Purity In Our Hearts.
Jason Ceulemans was sentenced to ten years with five years to be served on supervised licence in 2014 for possession of an explosive. He had his licence revoked in June after attending an Easter commemoration which, according to Saoradh, he had permission to attend (Irish News | Saoradh). The graffiti in support of his release is in Anne Street, Derry.
For this year’s Twelfth, the famous UVF “Prepared for peace, ready for war” mural that has stood over the entrance to Mount Vernon for twenty years was retouched. The most obvious change is in the apex, as a different UVF symbol – with flags – has been included, along with the words “3rd Battalion” which had been in the much earlier version of this mural on another wall.
The image above has been photoshopped to remove the lettering on the left.
A march took place this past Saturday (July 9th, 2022) to mark the 50th anniversary of the Springhill-Westrock massacre, in which five people were killed by the British Army. A new inquest was directed by the AG in 2014 but has been repeatedly delayed; it is scheduled to begin next year (Belfast Live).
The march was organised by the Springhill-Westrock Campaign (Fb | tw); it began at the memorial plaque in Springhill and ended at the memorial garden in Westrock (Irish News). See also Keep On Praying.
The mural shows the pre-fab aluminium bungalows built in Westrock in 1949.
Here are dozen South East Antrim UDA boards along Shanlea Drive in Ballycraigy (Larne). The first four commemorate the massive bonfire built each year (see Commonwealth Handling Equipment) – “We lead, others follow”.
The middle are the most violent, showing volunteers wearing balaclavas and carrying assault rifles, with a poem about killing “Provos” which here seems to mean simply Catholics, as no IRA members were killed in either Ormeau or Greysteel. “The Provo’s fear the reaper/From the UFF he comes/The loyalist executioner/He brings judgment with his gun//He strikes when no one expects him too/From behind his hood cold eyes/The reaper brings stiff justice/As another Provo dies//He brought revenge for the Bann/ In Ormeau bookies five/And for the Shankill bombing/Greysteel was his reply//Sometimes his lust is chilling/As he goes about his task/The Provo’s fear the reaper/There’s death behind his mask.” There was a poem with the same sentiment in south Belfast (see The Reaper Come To Call) next to a mural of Eddie The Trooper.
Of the final four (the right-hand side) the historical photograph was the basis for a mural in south Belfast.
Orange Order Victims day is an annual commemoration (on September 1st) of the 339 members who were killed during the Troubles. The stained glass window reproduced in a board on the Newbuildings memorial garden is in the Museum of Orange Heritage in Schomberg House, south Belfast.
Compared with the garden in 2020 (see Newbuildings Victoria), there is a new NI Centenary board, and on the outside (replacing the tarps giving thanks for the NHS and commemorating the 75th anniversary of VE day) there is a celebration of the platinum jubilee of Queen Elizabeth II. On the electrical box, there is a stencil in support of Bloody Sunday’s “Soldier F”, who continues to face murder charges (for the killings of William McKinney and James Wray) and five attempted murder charges after the PPS’s decision to discontinue prosecution was quashed in March (Guardian); the PPS has appealed (News Letter).
339 Orange Order members killed during the Troubles.
After serving in the IRA in the War Of Independence, Liam Mellows was elected to the First Dáil and as a member of the second Dáil voted against the Treaty in January 1922 (his speech is recorded in Oireachtas.ie under the name “Liam Mellowes”). In the Civil War that followed, he served as IRA quartermaster in the force in the Four Courts that surrendered to Free State forces on June 30th, 1922. He was imprisoned in Mountjoy and executed in December, in reprisal for the killing of Seán Hayes (see Executed). (WP | An Phoblacht) His proposals for government were published posthumously as ‘Mellows Testament’ (NLI) and include state ownership of heavy industry, large estates, the transport system, and the banks. The sticker below quotes from that document: “Ireland, if her industries and banks were controlled by foreign capital, would be at the mercy of every breeze that ruffled the surface of the world’s money-markets.”
Here are a pair of large boards in the Ulster Museum on the theme of Cú Chulainn, one from each sect.
In the left-hand painting – the CNR piece, by Marty Lyons and a Short Strand artist – Francis Hughes of the IRA – in what we think is a unique break with tradition – takes the place of Cú Chulaınn, who became a symbol of the 1916 Easter Rising when Oliver Sheppard’s statue of Cú Chulaınn’s death was placed in the re-built GPO. Hughes has a tourniquet on his right leg, an assault rifle dangling from his wrist, and instead of the raven that signified Cú Chulaınn’s death there is the symbol of republican political prisoner, the lark, which appears in the apex of many other republican murals.
In the second of the pieces – the PUL piece, painted by Dee Craig – the raven sits on the shoulder of a Cú Chulainn who has a red cloak and carries a Northern Ireland shield. “Down through the years, his shadow has cast a new breed of Ulster defender”: a (loyalist) hooded gunman. Thus while Cú Chulaınn is the (surprising) “Ancient defender of Ulster!”, the UVF and UDA are its modern defenders, now that the B Specials and UDR are gone.
The dripping red hand in the top left is the ‘red hand of Ulster’; one version of the origin-story for the red hand is that the man who avenged Cú Chulaınn’s death made a bloody hand-print to indicate his completion of the deed. Most people, however, will think of the legend that in a race to be first to touch the land of Ulster one contestant (perhaps Érımón Uí Néıll) cut off his hand and threw it ahead of the others. (This legend was depicted in a lower Shankill mural and narrated in an east Belfast mural: The Strangest Victory In All History.)
The Black Pig’s Dyke is the collective name for a number of ditches built around 400 BCE, perhaps to prevent cattle-raiding. They share a common mythology: that they were created by huge black boar; they are on the Ulster-Connacht border, rather than the Ulster-Leinster border as shown in the painting, though there are similar earthworks in Down, Armagh (and Cork) (WP).
Extramural Activity 