Here are four pieces of street art by Pablo Caamina, Filth (web), and Dr Lakra x2 (ekosystem): a ratty cat, ?a cloud?, a skeleton kneeling in its own discarded flesh, and a sweating head. The yellow on the far end is part of a piece by Blu – brains falling out of an open head (ekosystem).
The building is now (part of) the site for the MAC, between Hector Street and Edward Street, Belfast; the building on the right is in Exchange Street.
On the left, George W. Bush sucks down Iraqi oil (and black bubbles with dollar-signs come out of his ears). On the right, Iraq lies in rubble and bones, conquered by a tattered US flag. (According to the artists – see final image – the frame on the right reproduces/is based on a magazine cover during the Viet Nam war.) The “British Support Hook” is has been added in the strip in the middle between the main panels.
Originally, the given reason for “Operation Iraqi Freedom” (not “liberation” as that would have yielded “OIL”) was the hunt for “weapons of mass destruction” but that search was suspended in January.
On the left, “Fuera fascistas de Castilla” (Out fascists of Castile!) The protester on the right is waving the flag of the Castilian Left, a political party working for recognition of the Castle region of Spain, roughly the north-central portion of the country, including Madrid (WP).
On the right are the flags of Catalonia and Ireland. The ‘Catalan Countries’ include (in Spain) Catalonia, parts of Valencia, and the Balearic islands, Andorra, and (in France) the Roussillon region.
In 2004 the first spot in the international wall (left of the traffic light) was still blank and the wall started with the pro-Palestine mural. For the whole of the mural, see M01757.
“Labhaır an teanga Ghaeılge lıom.” Catholic (and Presbyterian) education was prohibited by the penal laws (WP) and particularly the Education Act of 1695 (WP) – this is probably what’s on the notice on the left-hand tree. Schooling by Catholics (in Irish) nonetheless took place, in covert houses and outhouses, as well as in fields and hedge-rows. The Act was repealed in 1782, provided the teacher took an oath of allegiance to the Crown.
The mural is in Ardoyne Avenue, alongside the Mass Rock mural. See also the Cromwell mural in the lower Shankill.
This mural commemorates the repression of Catholicism and use of mass rocks as secret locations in the days of Cromwellian conquest and the penal laws, c. 1650-1800. The 1652 Act Of Settlement banished Catholic priests from the island and services had to be held at short notice in remote locations, with sentries posted to keep watch against soldiers from the New Model Army. Laws against the practice of Catholicism in Ireland were not lifted until the 1782 Roman Catholic Relief Act (PCUG).
“Is í an charraıg seo ıonad adhartha ar náıthreacha, áıt ar cothaıodh an creıdeamh do na glúnta a bhí le teacht.” [“This rock is our ancestors’ place of worship, where religion was preserved for the generations that were to come.”]
Easter lilies, starry plough (WP), Irish tricolour, black beret and gloves, commemorating dead IRA volunteers from the third battalion of the Belfast brigade.
The plaque on the stone in the corner thanks local residents for their contribution to the struggle. There’s a close-up of the stone in Peter Moloney’s collection (M02420).
“This mural is dedicated to the memory of those local republican activists [34 portraits of volunteers from “A, D, F foıreannacha, cathlann 3rú, Brıogáıd mBéal Feırste”] who devoted their lives to the cause of Irish freedom. Ar son na c[ú]ıse. Óglaıgh na hÉıreann. Unveiled by Sınn Féın councillors Martin Meehan and Margaret McClenaghan.”
“Many suffer so that some day future generations may live in justice and peace – Bobby Sands MP.”
“Dedicated to those friends and neighbours from Ardoyne, the Bone and Ligoniel whose contribution and support to our struggle was and remains invaluable. Aıthníonn muıd a gcrógacht. Óglaıgh na hÉıreann. Meán Fómhaır 2003.”
“Is beo ár cheoıl fós” [our music still lives] The Blind Piper is a painting (original) by Joseph Haverty (WP), here placed in the context of North Belfast’s Cave Hill.
Sponsored by North Belfast Cultural Society (“NBCS” in the apex).