painted wall

I Will Plant Them, That They May Dwell In A Place Of Their Own

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The two passages cited here have been cited before on the side wall at the junction of the Limestone Road and N Queen St, with images of Orange symbols and Union Flags, in order to promise that Your Kingdom Will Endure Forever. That theme has now been invoked in upper Tiger’s Bay, to celebrate the latest king (Charles III) of the everlasting kingdom demarcated by the shields of the “four nations” in the corners of the main gable, Northern Ireland included.

The people in question in the second book of Samuel are the people of Israel but as with previous scriptural references on the lower wall (Lamentations | Chronicles | Revelations | Psalms | Genesis), the Protestant people in Ireland and Britain are under discussion (though they might also refer to contemporary Israel).

In the King James version, 2 Samuel 7:10-16 the prophet Nathan is speaking to David: “Moreover I will appoint a place for my people Israel, and will plant them, that they may dwell in a place of their own, and move no more; neither shall the children of wickedness afflict them any more, as beforetime, and as since the time that I commanded judges to be over my people Israel, and have caused thee to rest from all thine enemies. Also the Lord telleth thee that he will make thee an house. And when thy days be fulfilled, and thou shalt sleep with thy fathers, I will set up thy seed after thee, which shall proceed out of thy bowels, and I will establish his kingdom. He shall build an house for my name, and I will stablish the throne of his kingdom for ever. I will be his father, and he shall be my son. If he commit iniquity, I will chasten him with the rod of men, and with the stripes of the children of men: But my mercy shall not depart away from him, as I took it from Saul, whom I put away before thee. And thine house and thy kingdom shall be established for ever before thee: thy throne shall be established for ever.”

In Luke 1:31-33, an angel is speaking to Mary: “And, behold, thou shalt conceive in thy womb, and bring forth a son, and shalt call his name Jesus. He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father David and he shall reign over the house of Jacob for ever; and of his kingdom there shall be no end.”

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Women Carry The People

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Palestinian artist Taqi Spateen’s (web | ig) second piece in Belfast is in Palestine Street in the Holylands of south Belfast, where he worked with Artists Against Genocide (ig) to produce a piece showing the strength of Palestinian women, carrying the land from which Palestinians have been evicted in the Nakba of 1948.

For the first piece, in Kent Street in the city centre, see Anatomy Of Oppression. A third piece was painted in Crocus Street, in west Belfast: see Life Finds A Way in the Paddy Duffy collection.

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Anatomy Of Oppression

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In May and June, Palestinian artist Taqi Spateen (web | ig) toured various cities in England and Scotland (Leeds, Glasgow, Bristol, Stroud, London) as part of the Bethlehem Cultural Festival, producing a wall-painting at each stop. Thereafter, he came to Belfast, where he painted three pieces, beginning with this small piece on the side of the Sunflower bar in Kent Street, showing a person with a head encased in concrete trying to hammer themselves free.

For the second piece, see Women Carry The People.

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Lurgan Workhouse

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This is the last surviving part of a much longer work by Caroline Jeffrey from 2006 to commemorate the Lurgan workhouse of 1841.

Another image from the project can be seen in the Peter Moloney Collection. More information and images can be found at workhouses.org.

Russell Drive/Tandragee Road, Lurgan.

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Frank McKelvey

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Francis “Frank” McKelvey grew up at 56 Woodvale Road (based on Lennon Wylie and the blue plaque on the wall at this address – Street View). That would put him a stone’s throw from Woodvale Park, which provides the backdrop for this new mural at the end of Woodvale Street. The photograph reproduced, of “Woodvale park pond”, can be seen on the Old Shankill Fb page. The pond was filled in after the second World War (City Council). McKelvey’s ‘A Summer’s Day‘ is perhaps of Woodvale Park pond. He died in 1974 (Ulster History Circle).

By Holly Hooks (ig) in Woodvale Street, west Belfast.

February 14th

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On The Beat

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Beat Carnival Belfast (ig | web) puts on celebrations all over town and teaches skills from its base in Millfield/Brown’s Square. Artists Danni Simpson (ig), Codo (ig), Ana Fish (ig), and FGB (ig) worked together to spray this piece on the Gardiner Street door.

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Garfield’s Street

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A (Hit The North) Paint Jam was held on Saturday (the 25th) in Lower Garfield Street, organised by Seedhead Arts (ig) and the Belfast Improvement District (BID web). Shown below are Laura Nelson (ig), NRMN (ig), and Ollie Amscai (ig).

For images of all the completed works, see the entry at the Paddy Duffy Collection.

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DUP Backs United Ireland

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“DUP backs united Ireland in coming border poll, Mon, 5th May”. This image updates one of the images from two weeks ago of the re-painted mural at Madden’s bar in the city centre – see Sásta A Bheıth Anseo. Initially the newspaper showed a headline relating to the prosecution of DUP (now-former) leader Jeffrey Donaldson on charges of rape and sexual assault.

The DUP in January flirted (strategically) with the idea of supporting a border poll (BBC) but their more typical stance is that the conditions for a poll are not close to being met (News Letter).

While elections sometimes fall on the 5th as the first Thursday in May – most recently the 2022 Assembly elections (CAIN) – the date here is probably a nod to the anniversary of Bobby Sands’s death (in 1981).

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Double Vision

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This piece is on the same office-building as the ‘Be Your Best’ piece featured previously (in Auld Cobblers) at the city-side entrance to east Belfast, at the junction of Middlepath Street and Newtownards Road. Both are by Dee Craig/Belfast Mural Arts (Fb) as part of East Belfast Enterprise’s (web | ig) ‘Connecting Communities Through Art’ initiative. The two works were officially launched together on April 20th (pics on EBE’s Instagram). The two in-progress shots (last below) are from April 16th.

According to this Community NI article, the work has been installed using “a jigsaw-like technique using super strength glue to give it a lifespan of up to 25 years before requiring maintenance”.

Interpretations of the new piece are encouraged; feel free to comment or e-mail.

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Spinning Memories

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The inspiration for this new piece of street art by KMG (ig) was the Strand Spinning Mill (formerly the Jaffe Spinning Mill) which closed in 1983 and is now the Portview Trade Centre. During WWI the mill made munitions and during WWII viscose rayon. The film Lint And Linen (youtube) covers both pre-industrial and mechanical linen-production (though mostly focused on yarn from line fibres rather than from tow, which was the Strand mill’s claim to fame (Duffy Rafferty)); the painting appears to present a more primitive and imaginary age in which fibres could be spun using the human hand.

For photographs of the old mill on the Trade Centre, see previously the image of A Block in Strand Spinning Mill.

“Spinning memories” is the name of a planned collection of stories for an archive at Portview (Portview Stories).

Townsley Street, east Belfast, next to the Narnia sculptures and facing Aslan Is On The Move.

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