Sydney-based artist Sophi Odling (web | ig) was in town for HTN24, painting this large piece in York Lane (behind the D block of the new UU building), showing a youngster dreaming of what they will get up to ‘tomorrow’.
These are images of people collecting for Andy Allen Veterans Support (web) on the Shankill, Belfast. At its peak (in 1973) the UDR had more than 9,000 personnel (Statista). The UDR was amalgamated into the Royal Irish Regiment in 1992 and a 2005 estimate put the number of its veterans at about 58,000 (Veterans Services NI).
“There is no lie big enough to cover the shame of jailing two innocent men #JFTC2”. Brendan McConville and John Paul Wootton were convicted of the 2009 murder of Constable Stephen Carroll (BBC), and sentenced to life with 25-year and 18-year minimums, respectively. The case is under review (Guardian | An Phoblacht).
The WHO and UNRWA now estimates that of the 34,000 Palestinians killed in Gaza, about 14,000 were children (Egypt Today). 18 were killed in a single explosion in Rafah yesterday (AP). This new board in west Belfast illustrates the disparity between Israeli forces and ordinary Palestinians by showing children in ragged clothing armed only with a single, odd-looking (AI hallucinated?), slingshot facing off against other children armed with assault rifles and wearing riot gear.
Of the RNU social-media handles along the bottom, only the Facebook and TikTok ones actually work.
This is a west Belfast instance of INLA graffiti – seen previously in Derry (Saoırse Go Deo) – celebrating the fiftieth anniversary of the group’s founding, in December, 1974.
This new three-storey mural by Dee Craig (Fb) is at the city end of Newtownards Road and so serves as a highly-visible introduction to east Belfast. People arriving in the area are now greeted with a vintage image of a smiling bearded man in a cloth cap, surrounded by occupations from the industrial era: “Cobbler, rag’n’bone man, fish monger, welder, builder, sweep, carpenter, window cleaner, butcher”, capped off by an inspirational “Be your best”, with yellow highlights that match the colour of the shipyard cranes Samson and Goliath (see the third image).
In being overshadowed by the mural, the “Let’s Twist Again” sculpture on the plaza in front of the business centre now becomes a symbol of east Belfast rather than the symbol. It too features east Belfast’s “industrial past” (BelTel), using rope as a metaphor for community: “By being bound together in a common cause, the natural tendency for each twist, fibre, yarn, and strand to separate, only serves to make the rope stronger.”
On the wall behind the sculpture and below the mural is one of the Eastside Lives Heritage Trail (pdf) figures, Jane Scott, whose fifteen-year-old son Samuel fell to his death from a ladder while working on the ship in 1910. She supposedly cursed the ship and it sank two years later.
This RNU (Fb) board calls for attendees at a gathering in Milltown cemetery to commemorate the Easter Rising of 1916. The signatories to the Proclamation can be seen above and behing the large Óglaıgh Na hÉıreann gravestone on the right.