Picts Exiled From Alba

Samuel Ferguson was born in Belfast in 1810 and after studying law at Trinity College settled in Dublin (WP | paywalled 1886 Memoriam). Some of his poems were based on the pre-Celtic myths, such as ‘Tain Quest‘ on the Táın Bó Cúaılgne, and ‘Congal‘ on the Cath Mhaıgh Rátha. (Ian Adamson later (in 1980) published Ferguson’s Congal as The Battle Of Moira, which featured a cover by Jim Fitzpatrick – see the end of the Visual History page on Fitzpatrick).

Words from Ferguson’s poem ‘Conary‘ (one of the Lays Of The Red Branch) are included at the base of the Dalaradia Window, a free-standing piece of stained glass in the Linen Hall Library (web): “Robed in red mantles and with caps of red/No swords had they, nor bore they spear or shield/But each man on his knee a bagpipe held.”

The image above shows the bó at the centre of the Táın, Donn Cúaılgne (the brown bull of Cooley), at the centre of Window, which is shown complete below; the other elements of the Window are detailed in this Dalaradia publication (pdf). A painted version of the Window can be seen in Kragfargus Cultural Corner.

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Seas Leıs An Phalaıstín

Two murals have been added to the exterior of Felons’ Club in Andersonstown to show support for Palestine. Above, on the Lake Glen side of the club, a printed board reading “We stand with Palestine – seas leis an Phalaıstín” and including an Emmalene Blake image (ig) on the right (shown in close-up, below) journalist Alatrash Samia and her niece Masa (as photographed by Mahmoud Bassam); further below, a “Stop the genocide in Gaza” tarp above the entrance.

Also included are images of several memorial plaques from the courtyard, to James Smyth, Anraí (Harry) Osborne, and Seosamh Ó Conghaıle (Joseph Connolly); the Roger Casement plaque is on the Kieran Doherty mural in Slemish Way. “County Antrim Memorial: Tógaḋ an leaċt seo mar ċoṁarṫa urraıme, grá agus dílse do na saıġdıúırí uaısle as Contae Aontroma, a martraíoḋ ar son Ṗoblaċt Na hÉıreann. Ṡeas gaċ glúın díoḃ sa ḃearna ḃaoıl, ag troıd go cróga ċun aontaċt agus saoırse a ṫaḃaırt ar aıs do náısıún na nGael. Go spreaga an leaċt cuımhne seo na daoıne feasta ıonas go leana sıad lorg na laoċra dtí go mbéarfar bua uasal na saoırse ar ball. Erected by the Belfast Committee of the National Graves Association with generous co-operation from sub-committees in America and Dublin.”

For a similar style of floral arrangement, see Do You Believe?

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Highland Fusiliers

March 10th was the 53rd anniversary of the killings of three Highland Fusiliers, Dougald McCaughey and teen-aged brothers Joseph and John McCaig, who were drinking in a city centre pub and lured to their deaths in north Belfast at the hands of the (Provisional) IRA. The killings led to the resignation of NI prime minister James Chichester-Clark and an increase, to 18, in the minimum age for service (WP).

There is a monument in Ballysillan and a stone to the three in Ligoniel near the spot where they were executed, and a mural in Rathcoole.

This mural is at the Rangers Supporters’ Club in Carrickfergus. Also from the Club: a gallery of Rangers’ Managers in We Welcome The Chase | commemorative murals to the 36th Division in A Name That Equals Any In History and to the UDR in Some Gave All | various others from the laneway and courtyard in We Don’t Do Walking Away, and from inside and from the side patio in The Rangers That I Love.

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Lagan Kingfisher

These are the two sides of the electrical box next to emic’s large wildflowers mural, presumably also by emic (ig). Above is the kingfisher on the Collingwood side and below are the flowers the embankment side. The kingfisher or cruıdín is common throughout Ireland (BirdwatchIreland), including Belfast. Here are two videos of kingfishers on the Lagan: Tom McClean | Tony Dalton.

Here is a Visual History page of electrical boxes in Belfast.

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Birds Not Bombs

Here are seven pro-Palestinian posters on a planter outside the Royal in west Belfast.

The “Rise Up Against Genocide” poster is from ‘Love Letters From Palestine’ (ig).
“Birds Not Bombs” is by Dani Knight (ig).
“Boycott Apartheid Israel” is by Chris Hutch (Palestinian Poster Project).
The “Save Gaza” poster is by Pakistani designer Hazem Asif (ig | web).
“Unity In Confronting Zionism” is by Deliberately/Collectively Anonymous (PPP)
“Palestine Will Be Free” is by Josh McPhee (ig)
“Free Palestine” ?

Falls Road, west Belfast.

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from the river to the sea

Victory To The PFLP

“Victory to the PFLP.” “PFLP” is the Popular Front For The Liberation Of Palestine, a revolutionary (where Fatah is democratic) left-wing militant group within the PLO. It dates back to 1967 and known for skyjackings in 1969 and 1970 led by Leila Khaled (see the entry on the mural featuring Khaled in Hugo St) and for suicide bombings during the Second Intifada (BBC | WP).

The PFLP emblem also appears in murals from Éırígí (Resistance Is Not Terrorism | Solidarity With Palestine) and RNU (Peoples United).

The posters read: “Republican solidarity with Palestine! التضامن الجمهوري مع فلسطين www.irpwa.irish” and “Stand with Palestine. End Israeli apartheid. End the siege of Gaza.” Both posters have also been murals: for the prisoners joining hands (which is a Carlos Latuff (ig) design) see Hands Across The Yard; for the protester tying her keffiyeh, see #Gaza.

Central Drive, Creggan, Derry.

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Mend-A-City

Word-play in Marquis Street, ironically on the side of the “Fun Times” amusement/gambling arcade.

Above is Annatomix’s Golden Hares Of Rathlin Island.

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Looking Heaven In The Eye

The launch event for the Painting For Palestine project (Fb) took place on March 3rd. A large paper Palestinian flag (with the cartoon character of resistance Handala (WP) on it) was used as a cover over the mural of three children – Irish, Palestinian, and South African – and unveiled by local children who had worked on the piece.

More images of the launch can be found in the Paddy Duffy collection.

For the ten pieces linked by Alareer’s poem on a red ribbon, see Tell My Story.

For the twelve pieces without the red ribbon, see The Land Is OursKhan Younis Mass GraveMan Holding ChildA Window To A Free CountrySoldiers Standing Over ChildrenThree ChildrenFlying Children/PrisonersBethlehem Fireworks – Family GroupSoso And Omar AshourPhoenixCooking In Front Of A Tent.

The ‘Painting For Palestine’ booklet is included last below.

The principal artists: DD, MD, ML

Bill Rolston, one of the organisers:

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Painting For Palestine booklet

Tell My Story

For the launch of the murals painted in the Painting For Palestine project (Fb) a red ribbon with the words from Palestinian writer Refaat Alareer’s poem “If I Must Die” was added to the ten consecutive panels below the ‘republican museum’ panel.

If I must die, 
you must live 
to tell my story 
to sell my things 
to buy a piece of cloth 
and some strings, 
(make it white with a long tail) 
so that a child, somewhere in Gaza 
while looking heaven in the eye 
awaiting his dad who left in a blaze — 

and bade no one farewell 
not even to his flesh 
not even to himself — 
sees the kite, my kite you made, flying up above 
and thinks for a moment an angel is there 
bringing back love 
If I must die 
let it bring hope
let it be a tale

Alareer’s poem was also used on Free Derry Corner; see If I Must Die.

This entry presents images of the ten murals to which the red ribbon was added. For images from the launch, see Looking Heaven In The Eye. For the murals prior to the red ribbon, with in-progress shots, see Man Holding ChildA Window To A Free CountrySoldiers Standing Over ChildrenThree ChildrenFlying Children/PrisonersBethlehem Fireworks – Family GroupSoso And Omar AshourPhoenixCooking In Front Of A Tent

For images from the launch, see Looking Heaven In The Eye.


Painting of the red ribbon began on February 29th:

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Out Of The Ashes Of 1948

The Palestinian West Bank is surrounded by, and in some places penetrated by, a system of barriers 440 miles long. In some places it takes the form of multiple fences, in others, of a concrete wall reaching to a height of 30 feet/9 metres. (Here is WP’s map of the wall in the vicinity of Bethlehem and Jerusalem, also showing the Israeli settlements in this part of the West Bank).

In this mural, a Palestinian stands on top of the wall and looks towards (Christian) Church Of The Holy Sepulchre and the (Islamic) Dome Of The Rock in old Jerusalem and imagines themselves a phoenix, a symbol representing rebirth and persistence, well known from (Irish) republican muraling (Peter Moloney Collection | Extramural collection).

The mural is on the International Wall, west Belfast, part of the Painting For Palestine project (Fb). The original artist is unknown.

The West Bank barrier is locally known as the “separation” or “apartheid” wall. For west Belfast’s own euphemistically-called “peace” wall, see State Art Vs Graffiti On The West Belfast “Peace” Line.

The next mural (to the right) can be seen in Worsening Crisis In Gaza.

The image above was taken on February 25th. Other “in-progress” images are as dated below.

February 22nd:

January 28th:

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