City Hall Stained Glass

Here is a gallery of seven pieces of stained glass in Belfast City Hall. BCC has a guide to all of the stained-glass windows in the Hall.

1 (above): North Irish Horse, and in particular, the WWII battles it participated in (listed at the bottom of the window).

2 (below): Spanish Civil War

3 Cú Chulaınn – seen previously in Ulster’s Defence Force. See also the Visual History page In The Shadow Of Cú Chulaınn.

4: The Dockers’ Strike – seen previously in One Big Union.

5: The Famine Window. See also the Visual History page on The Great Hunger.

6: The Pathways Window – according to the guide, this window commemorates the pain caused to the relatives of deceased persons from whom organs were taken without consent.

7: The Centenary Window

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Copyright © 2024 Seosamh Mac Coılle
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Galliagh Remembers

This installation in Galliagh, Derry, has a portrait of each of the ten deceased 1981 hunger strikers on a large “H” as well as the central board shown above – the coffin being carried is that of Kevin Lynch – see For A Socialist Republic.

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Stars, Look Down/A Réaltaí, Féachaíg’ Anuas

For his contribution to the ‘Art And The Great Hunger’ exhibition in 2019, OMIN (ig | web) drew inspiration from the battering rams used to evict people from their homes – for a photograph see History Today – and the Gabriel Rosenstock poem “Dóıbh Sıúd A Dúnmharaíodh 1845-1850” [To The Murdered Of 1845-1850], which ends “A réaltaí, féachaıg’ anuas/Go dtí nach mbeıdh sa ghrıan/Ach abhac dubh” [Stars, look down/Until the sun is nothing/But a black dwarf] (ig).

With support from UV Arts. The van is part of the piece.

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An Staılc Ocraıs

“An staılc ocraıs 1981 hunger strike – 35th anniversary march – Sunday 14th August – Assemble Divis tower 2pm”. With portraits of the deceased 1981 hunger strikers; Frank Stagg and Michael Gaughan are included even though they died in the 1970s.

On the site of the former Andytown RUC barracks, Falls Road/Glen Road, Belfast.

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Copyright © 2016 Seosamh Mac Coılle
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Equality Can’t Wait

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A shortage in low-income housing is highlighted in the campaign which has put up lots of small boards (such as the one in the image below, on Divis Street) and the mural shown above, which is in the New Lodge. The site of the old Mackie’s factory is one particular location the campaign says could be redeveloped. (See articles from BMG and Participation & Practice Of Rights.)

For another shot of the mural on the right, see The Great Hunger and the Visual History page on The Great Hunger.

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The Mass Graves Of Ireland

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In 1997, then-Prime Minister Tony Blair’s office issued a statement acknowledging that the administration of the time of the Hunger failed to intervene (Guardian | Independent).

The mural above asserts that it was not merely a matter of negligence but of will: “With over 1,500,000 deaths “sorry” is not enough. It is time the British government and its war machine to leave Ireland and her people in peace. During the genocide or 1845 to 1852 the British government seized from Ireland’s producers tens of millions of head of livestock, tens of millions of tons of flour, grain, meat, poultry and dairy products, enough food to sustain 18 million people. 200,000 British troops (100,000 at any given time) and 12,000 RIC removed Ireland’s food at gun point. This mural is dedicated to the men, women and children who died of starvation during the Great Hunger. To call this period in Irish history a famine dishonors the pain and untold suffering our ancestors endured. British warships took the food of our land for profit while our people starved. It was genocide. With this truth told may they rest in peace.”

Each white cross on the map represents a mass grave. The map is originally from irishholocaust.org.

An in-progress shot from 2010 is included below.

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The Great Hunger

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This New Lodge mural shows people on the coast, near abandoned buildings, trying to grow crops during the period of the Great Hunger 1845-1852.

“An tOcras Mór” (a literal translation of “the great hunger/famine”) is usually (in Irish) “An Gorta Mór” or “An Drochshaol”.

The left-most and right-most figures are from Searching For Potatoes In A Stubble Field in the Illustrated London News. ILN images are a staple of Belfast muraling on the Great Hunger: see the Visual History page on the Great Hunger. (Here is a list, with links, of all of the illustrations of Ireland in ILN from the period 1845-1852.)

The two central figures, and the composition of the three women together, come from Millet’s The Gleaners. (Thanks to Jeryn Mayer for this pointer.)

There is a Visual History page on the Hunger in murals.

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Na hÉıreannaıgh Aontaıthe

“Liberté, égalité, fraternité”. The United Irishmen of 1798 had been inspired by the revolutions in both the United States and France, and France attempted without success to send troops to Ireland in 1796 and 1798 (Irish History). “It is new strung and shall be heard” – this style of harp is called a Maid Of Erin harp.

Painted by Andrea Redmond in South Link, Andersonstown, Belfast, for the 200th anniversary of the rebellion. Also new for the 200th anniversary is the stone below in the nearby memorial garden outside the PD. “Who fears to speak of 98? This plaque was erected to the memory of the United Irishmen who gave their lives for Irish freedom; also all those who died as a result of the Great Hunger. ‘These are the times that try men’s souls’ [Thomas Paine] ‘The rich always betray the poor’ – Henry Joy McCracken.”

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Copyright © 2013 Seosamh Mac Coılle
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Thousands Are Sailing

Irish people, perhaps fleeing the Great Hunger, board a ship to emigrate to the United States.

The mural was seen in 1999 and dates to 1995 – the 150th anniversary of the Great Hunger.

Oakman Street, Belfast.

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Copyright © 2012 Seosamh Mac Coılle
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Blight

“Nature sent the potato blight, government & landlords created the famine.” A woman kneeling between two gravestones inspects a rotten potato during the Great Hunger (Visual History).

Lenadoon Avenue, west Belfast.

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Copyright © 2010 Seosamh Mac Coılle
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