The Oasis

According to a history of Brown’s Square, the area was known as “the oasis” during WWII on account of its 3 dance-halls and 22 pubs (Religion, Riots And Rebels). As with so much publicly-funded art (though we cannot find any provenance for this art) it depicts Belfast in the “good old days” – that is, before the Troubles, which produced the so-called “peace line” dividing west Belfast.

In this case of Brown’s Square, the area was further desolated in anticipation of a planned ring road (formally to be known as the Belfast Urban Motorway). the plan produced only the subterranean “Westlink” that cut Brown’s Square in half. The images in today’s post are in Townsend Street, (these are from below the security gates; there are others above it). Before the construction of the Westlink, which opened in 1981, Townsend Street was considered the western border, and part of Brown’s Square. John Gilbert’s photographs at the Belfast Archive Project show the area in the mid-seventies, when much of it had been abandoned but prior to construction.

The Boys Brigade are shown parading in front of Townsend Presbyterian which held its last service in September and is being handed over to the Ulster Orchestra (Belfast Media) (see previously On The Other Side for stained glass windows inside the church). The Brown’s Square school was at the junction of Brown’s Square (the street) and Melbourne Street.

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Creggan 75

Construction of Creggan estate was begun in 1947, to house a burgeoning Bogside population while keeping them all in the South ward. At its height, there were 15,000 residents in the area. (McGuinness & Downey | An Phoblacht)

It celebrated its 75th anniversary this year (2022) with a parade, a stage play called A Green Hill Far Away, and a new mural by Peaball (ig) and Vents (ig) along with children from local schools (Derry Journal).

For the graffiti, see End Internment Of Jason Ceulemans

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The Kilcooley Arch

An arch of a different kind in the Kilcooley estate: a reflective steel arc overlooking a circular mosaic.

“This steel and ceramic sculpture was created by the residents, children and young people from the Kilcooley Community, working in collaboration with visual artists Duncan Ross and Helen Sharp. The sculpture was created as part of the North Down Borough Council Art of Regeneration Project. The sculpture was officially launched by the Chair of the Art of Regeneration Partnership Councillor Alan Leslie on the 28th April 2009. Funded by the Art Council of NI, NI Housing Executive, North Down Local Strategy Partnership through Peace II, Department for Social Development and North Down Borough Council. Tiles printed and supplied by Edinburgh Ceramics.”

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A Journey Through Space And Time

The title says “Bloomfield [Bangor] 1973-2018” but the images are all of the Shankill in Belfast: (top, from left) the Changing Faces installation on the Cupar Way “peace” line, coal being delivered by horse and cart, the Original Belfast mural, (bottom, from left) the Shankill Graveyard, the Shankill Road Mission, Beatties fish and chip shop, and the Shankill Graveyard mosaic. 1973 is presumably the year of the construction of the contemporary houses in Bloomfield; there were aluminium bungalows in Bloomfield Road in 1951 (Lennon Wylie | flickr).

Replaces the damaged UVF eagle mural.

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Is Ceıst Deacaır É Sın

Edward Daly is most famous for waving a white handkerchief on Bloody Sunday, as a dying Jackie Duddy was carried away, but his devotion to the city of Derry spans decades: was a curate and then bishop in Derry from 1962 until 1993 (WP). ‘That’s a difficult question’ was his favourite saying (Derry Journal). The stone was erected after his death in 2016 (see The People’s Priest) and has now been incorporated into a garden of reflection.

“This garden of reflection has been dedicated in honour of the late Bishop of Derry (Emeritus) Dr Edward Daly in heartfelt gratitude and thanksgiving for the wonderful work for the people of Derry and beyond. Rest in peace. ‘To love means loving the unlovable; to forgive means forgiving the unforgivable; faith means believing the unbelievable; hope means hoping when everything seems hopeless.’ Is ceıst deacaır é sın [that is a difficult question]” “Opened by the Most Reverend Jude Thaddeus Okolo, papal nuncio to Ireland, on 5th February 2018. Also John Hume, Ivan Cooper, Vinny Coyle, Chief Stewart [sic] of Civil Rights march and all those who campaigned for Civil Rights.”

For the mural, see Civil Rights.

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The Scales Of Justice

The giant mural around the offices of Russell & Co solicitors in Newtownards combines legal imagery with famous north Down sites and people.

There are two main parts, in High Street and in Lower Mary Street. In High Street, we see Blair “Paddy” Mayne; the Jordan ‘Hissing Sid’ Formula 1 race-car (Eddie Irvine, who is from Newtownards, drove for Jordan until 1996); a weaver working a loom (the image is from Waringstown, but is perhaps meant to represent local mills such as Walker’s or Ards & Webb); an image of the Ards TT.

In Lower Mary Street, from behind Scrabo Hill, Lady Justice weighs scales each containing Rodin’s statue The Thinker. We also see a modern agricultural tractor, as designed by Harry Ferguson; a portrait of James Russell who founded the solicitors’ firm in 1948; a Cessna light aircraft, presumably at Newtownarrds airport, the first purpose-built airport on the island (Ulster Flying Club); the former Ards Maltings; a sack of Comber Earlies.

Acting as a joining motif on both sides of the building are roses from Dickson Nurseries.

The mural was painted by Mark Ervine. The partially-completed mural was featured in the Financial Times all the way back in November 2018; it was eventually finished in 2021 and given an anti-graffiti coating this (2022) summer.

With thanks to Colin Haddick of Russell & Co.

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Shared History

New panels – dubbed the ‘Wall History Project’ – have been added to the previous row of vintage images of the area (the “Peace” Wall Reimaging Project), telling personal stories of life during the Troubles including positive interactions with British soldiers and RUC officers. The “peace” wall in question runs along the top of the Fountain in Londonderry along Bishop Street WIthout. (The street was also “settled’ by the construction of senior citizens’ home, Alexander House.)

“The spoken words scattered across this peace wall are those of local women who have endured the Troubles in the City and continue to live in the shadow of its legacy. It gives a platform to all too long silenced voices, to share real real life experiences, memories and hopes for the future in a divided society. During lockdown, a group of women who have transcended division for years through the Bogside & Brandywell Initiative’s Peace Barriers Programme continued to connect on Thursday evenings via Zoom. The craic was 90, there was laughter, tears, words of encouragement, banter and good old Derry/Londonderry slagging.”

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“This Shared History Panel Initiative was officially launched by Mayor of Derry & Strabane, Councillor Elisha McCallion and Dr Adrian Johnston, Chairman, International Fund for Ireland, 12-12-2015. … This initiative is a symbolic display of what can be achieved when community groups and residents work together.”

Bond’s Field

Although only Bond’s Place now retains the apostrophe, all of the “Bond” placenames in the Waterside (Bond’s Place, Bonds/Bond’s Street and Bonds/Bond’s Hill) are named after the Bond family, one of whom – William – was a United Irishman (Derry Journal). Bond’s Field is the site of the former Ebrington factory – home to Young & Rochesters shirt factory (Smart Tour) – and now part of the Ebrington complex (Scrivener). Four other Ebrington institutions are included in this Ebrington Street mural: Ebrington Primary school (web) which was originally at the end of Roulston Avenue, Ebrington Presbyterian (web), the Waterside branch of the Royal British Legion (Fb), and (in the centre) Pages bakery, which is now the Ebrington Bake House (Fb).

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Larne – The Original Tourist Resort

“Larne – the original tourist resort” going back to Larnians, Romans, Christians, vikings, the Scots (Edward The Bruce), the English (Sir Moyses Hill) but most particularly after 1842, when the Coast Road was finished, making Larne the “gateway to the Glens” and inspiring Henry McNeill to create the package holiday (see previously Those Magnificent Men In Their Flying Machines). Ships carrying tourists from America would ferry emigrants on the way back – Boyd’s souvenir shop (shown in the first panel, above) sold Irish linen to tourists and one-way tickets to New York. After a double whammy in the 1960s of the Troubles and easier access to Spain, “tourism is flourishing again” thanks to the Gobbins and Game Of Thrones.

In the same alley: The Battle Of Ulfreksfjord.

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The Industrial Revolution

Artist Raymond Henshaw produced a series of Markets-related boards in 2008-2009 with support from the Arts Council and despite being printed on laminates they are not indestructible; there is crazing – as well as human-caused damage – on some of them, the worst of which is the ‘Industry’ board in Upper Stanfield Street.

Also in the Markets collection: Social | Social History | Portraits | Sport & Culture | Bars

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