Operation Banner

2015-05-21 CharlesVisit1+

Charles, Prince Of Wales, Duke Of Rothesay, Duke Of Cornwall, and heir to the British throne, concludes a four-day visit to Ireland north and south today with a tour of Corrymeela peace and reconciliation centre. He is also colonel-in-chief of the Parachute Regiment (the Paras) which served in Northern Ireland from 1969 to 2007. Flyers have appeared protesting the visit (see the two images below), and The Rebels Rest on the Falls road is flying the banner shown above: “Fund communities, not royal visits – éırígí.org”. Éırígí also produced a video in memory of some of those killed by the Regiment during its time in Northern Ireland.

The Sınn Féın board to the left is from their campaign to extend voting in the Irish Presidential election to the north: “Vótaí do gach saoránach Éireannach”, “Paul Maskey supports #pres4all – Uachtarán do chách/President for all”

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Wee Angel

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Who could resist this beaming smile and lilac knitwear? Communion portrait as street art, taking the place of Ian Jong-Un in Hill Street and (below) beneath the Potthouse plaque in Commercial Court.

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Through The Looking Glass

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Lewis Carroll’s Tweedledee and Tweedledum (as imagined by Tim Burton for Disney) have been turned into Twaddelldee and Twaddelldum, Twaddelldee using an Orange collarette as braces and Twaddelldum with face-mask, concealed brick, and “KAT” tattoo. The protest at Twaddell Avenue continues, after more than 600 days. For background, see previously: Protest Camp | Civil Rights CampSupporters Club | No Surrender

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No British Withdrawal?

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“No British withdrawal? No royal visits!”. Republican flyers from Éırígí on Beechmount Avenue.

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A Word Of Conjure With

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James Connolly was concerned not just with the political independence of Ireland but its economic independence: both political and economic liberty were required in order for the human being to live freely. The quote in the image above comes from Connolly’s 1897 essay “Socialism & Nationalism”. The economic context is clear when we read a little more broadly:

“To the tenant farmer, ground between landlordism on the one hand and American competition on the other, as between the upper and the nether millstone; to the wage-workers in the towns, suffering from the exactions of the slave-driving capitalist to the agricultural labourer, toiling away his life for a wage barely sufficient to keep body and soul together; in fact to every one of the toiling millions upon whose misery the outwardly-splendid fabric of our modern civilisation is reared, the Irish Republic might be made a word to conjure with – a rallying point for the disaffected, a haven for the oppressed, a point of departure for the Socialist, enthusiastic in the cause of human freedom.” (marxists.org)

Takes the place of Padraig Pearse’s “The fools, the fools …

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X02581 5th june 1868 – 12th may 1916

Facelift

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The Bobby Sands mural in Sevastopol Street has been given a facelift, including the blocking-up of a vent on Sands’s left cheek. Kieran Doherty and Joe McDonnell have been added in place of the 1798 medallions on each side. On the side-wall are Sean McCaughey, ten doves representing the 1981 hunger-strikers, and Long Kesh. Aerosol‘s accordion-player stencil has been also been retained.

For a full history of the wall, see the Bobby Sands (Sevastopol Street) Visual History page.

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Ag sráıd Sevastopol cuımhnıtear ar Bobby Sands ı múrmhaısıú a aithnıtear ar fud an domhaın. Ba scrıbhneoır, file, réabhlóıdí agus díograıseoır Gaeılge é Sands. Fuaır sé bas 5 Bealtaıne 1981 tar éıs 66 lá ar stailc ocraıs. As ucht na dıograıse a thaıspeáın Sands agus a chomhchımí ı leıth fhoglaım na teanga faoı choınníollacha uafásacha Bhlocanna H na Ceıse Fada, spreagadh glúın úr chun dul ı mbun athghabháıl na Gaeılge.

Here at Sevastopol Street Bobby Sands is remembered in a mural which has become world-renowned. Sands, a writer, poet, revolutionary and Gaelic enthusiast, died on May 5th 1981 after 66 days on hunger strike. Sands and his fellow prisoners inspired a new generation to reclaim the Irish language enthusing them by the huge efforts they put into learning Irish in the horrendous conditions on the H Blocks of Long Kesh.

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X02586 X02588 X02587 everyone Republican or otherwise has their own particular role to play our revenge will be the laughter of our children joe mcdonnell i’ll wear no convicts uniform nor meakly meekly serve my time that Britain might make Irelands fight 800 years of crime ira volunteer

The Glorious Memory

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The flag of Israel flies beside the flag of the parliament of Northern Ireland and one celebrating “The glorious memory” of William III, crossing the Boyne on his horse. Ballyduff.

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Laundry Service

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The Andy Tyrie Interpretive Centre on the Newtownards Road was opened on August 31st, 2012 (FB) and includes UDA/UFF memorabilia from troubles, including the 1974 Ulster Workers’ Council Strike in which the centre’s namesake, then head of the UDA, played a large role (WP).

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X02384 feriens tego peace can only be achieved through understanding please feel free to call in loyalist conflict museum onevoice-ni.com common sense bill of rights make it right all washed up the online laundry drycleaning company protestants history volunteers northern ireland community intepretative

East Meets West

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The Anti-Racism World Cup is a seven-a-side soccer tournament held annually at the grounds of Donegal Celtic in west Belfast. East Belfast artist John Stewart painted a mural of east Belfast imagery in 2012, complete with Titanic museum, H & W cranes, Titanic, firemen, and shipyard workers. Being on the side of Ryan’s Newsagents, the mural also features confectionery, vintage brands in old money: Cadbury’s peppermint creme for 2d, 1.4 lb of Fry’s milk chocolate for 4d, Terry’s milk chocolate 5d, Rolos “delicious toffee” for 2d and KitKat chocolate crisp.

See also: 2014 Anti-racism World Cup banner at Donegal Celtic.

More by John Stewart: A Better Future | On That Journey

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Ian Jong-un

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Here are two shots of the mash-up which has appeared in various city-centre locations, of Ian Paisley Jr’s visage superimposed on the bust of Kim Jong-Un. The first (above) is at the junction of Corporation St and Dunbar Link; the second (below) is in Hill Street, and is pasted over the torn remains of the previous generation of Paisley paste-up: Ian senior with a face filled in with the harp-side of pre-Euro Irish coins (see TLO’s “Doctored Paisley” web-site). For other versions of last year’s Paisley posters, see: Three Studies Of Ian Paisley | Demonizing Paisley

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