Fryday

It’s been a long time since workers walked en masse from east Belfast to the shipyard, but fish and chips remain popular, though the number of chippies has fallen from about 35,000 in 1920 to 10,500 today (BBC | Dockside). This mural is on the side of the ‘Chipyard’ in Strandtown.

See also in the Woodvale: The Chipyard.

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Our Heroes

Scientists are the unusual inclusion in this list of “heroes”, alongside the more typical health-care workers, first responders, delivery people, front-line workers, and community workers. Among the many NHS appreciation posts, the following specify various types of pandemic heroes: Not All Heroes Wear Capes | The Glorious Dead | Key Workers | God Is Not Unrighteous | Thank You NHS | West Belfast Supports The Essential Frontline Workers | Thank You NHS | Prepared For Work, Ready For Coronavirus.

“You are appreciated – we are grateful – thank you – we love [and] respect you – bless you, stay safe.”

Ballymurphy Road, Belfast.

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All Children Have Rights

The Bogside Inn and bogside shops have been razed and “exciting plans” made for a new development (Derry Journal). All that remains at present is the electrical station near Durrow Park, and all that remains of the murals along Meenan Square is the final panel shown above: “All children have rights and these rights must be protected.”

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Take These Seeds

A Ukrainian woman in Heniches’k (just north of Crimea) (tw | with subtitles) became famous for berating an invading Russian soldier with the words “Take these seeds and put them in your pockets so at least sunflowers will grow here when you all die here.” Ukraine is the world’s largest producer of sunflower oil (WP) and since the Russian invasion began on February 24th, prices have increased – so far – by about 70% (Money Control), sending countries (especially India – Reuters | Bloomberg) and companies around the globe scrambling for alternatives, such as the replacement of sunflower oil by rapeseed oil in the making of crisps in Ireland (The Journal). The sunflower has become a symbol of solidarity with Ukraine, along with the Ukrainian flag. This giant sunflower was painted by emic (web | tw | ig) in Harrow Street.

Update: added to the side wall “Ar scáth a chéıle a mhaıreann na daoıne”, here translated as “People live in each other’s shadows.” See the images in the Paddy Duffy collection.

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Sailortown Dockers

This is a mural of a painting of a mural of a mural. The original is the piece by Terry Bradley (web) and Friz (web) at the Titanic museum’s pub (see Dockers’ Rest), which was then reproduced in a different colour for the opening montage of the Kenneth Branagh film Belfast. The success of the film prompted the Department Of Justice to commission Bradley for a painting that could be turned into a mural and he reproduced the film version (BelTel). The mural that enlarges that painting was painted by DMC on Lanark Way, just above the security gates (Belfast Live).

“The dockers who feature in the painting are inspired by real characters and men Terry remembers walking home from the shipyard when he was a child. These hardworking men from Sailortown, Belfast, show a glimpse into the past of the shipyard pubs, where the men congregated after a hard day’s work.”

With support from R-City (web).

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The Irish Dancer

One goal of the voluntary group Larne Renovation Generation (Fb) is to bring “Main Street alive with community spirit in the evenings”. To this end, they are supporting various murals along the street, with this Irish dancer providing a bookmark at the eastern end on the side of the Silver Lounge Café (Fb).

By Visual Waste (web | ig), based on a photograph by Bernie McAllister of a dancer perhaps from the Lisa Dempsey school (Fb).

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Dee St 2nd Batt

Perhaps because of the Covid pandemic, this mural of UDA volunteers on parade reflected in the sunglasses of one of their comrades took months to complete (it was started in late 2020 and was still unfinished last summer). It replaces the previous “UFF Formed 1973” mural – see Northern Island.

The photograph reproduced is from the 1974 Ulster Workers’ Strike; it appeared on the cover of Don Anderson’s Fourteen May Days (CAIN).

Avoniel Road, east Belfast

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Monarch Of The Glen

London street artist Irony (ig) drew on Edwin Landseer’s 1851 painting The Monarch Of The Glen (WP) for this piece of street art – fitting with its location as both near the Glen area of London-/Derry and formerly the old Scotch quarter (Derry Journal) – but updating it for contemporary audiences with an environmental message and the source of its less formal name: Stag With A Bag.

With support from London Calling (web).

Glenview Avenue, London-/Derry. Another large piece by Irony (in Belfast): Pearl.

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Hidden Door With Grass

That’s the official title of this piece by DECOY (ig) in Bethany Street, Ballyhackamore, though the only doors seem to be on the electrical boxes!

With support from Seedhead Arts (web | ig).

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After We Are Gone

Patsy O’Hara was born in 1957 Bishop Street, Derry, and joined Na Fıanna in 1970 and the local Sınn Féın cumann in 1971 and, in August was shot in the leg by British soldiers. In 1972 he joined the Republican Clubs and in 1975 the IRSP. He was imprisoned multiple times, the final time being in January 1979 for possession of a hand grenade (Bobby Sands Trust). He went on hunger strike 41 years ago tomorrow (March 22nd) and was the first of the three INLA hunger strikers to die in 1981. The long-standing mural in Bishop Street was repainted for the 40th anniversary of his death. (For the previous version, see Let The Fight Go On.)

“Óglach Patsy O’Hara, INLA Derry Brigade, Irish hunger striker, who died after 61 days on 21st May 1981, age 23. Last words ‘Let the fight go on’.”

“After we are gone, what will you say you were doing? Will you say you were with us in our struggle or where you conforming to very system that drove us to our deaths?” – these words also appeared in the 2013 mural to O’Hara on Shaws Road, west Belfast.

Bishop Street, Derry

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