Lord Street in east Belfast celebrates the Twelfth, 2021, with bunting and flags hung from houses and lamp-posts.
For images of the Giants mural around the time of its creation and launch, see In The Land Of Giants.
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Copyright © 2021 Seosamh Mac Coılle
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“Young people from Greater Shankill Alternatives” try to stamp out racism with a mural on the side of the Spectrum Centre on the Shankill Road. “Loyalist or racist – you can’t be both.”
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The Consensus ‘Community Restorative Justice/Mediation’ programme (tw) attempts to resolve threats, disputes, and conflicts over anti-social behavior, hate crimes, interface violence, and paramilitary threats in the lower Shankill. With support from the Lower Shankill Community Association (tw) and the SAFE programme.
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The Noel Fitzpatrick/Alec Reid mural in Springfield Drive is vandalised with “RiP Rebeca – one of our own – CRF [Catholic Reaction Force]” graffiti.
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Copyright © 2021 Sabine Troendle (web | Fb)
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Dan Kitchener (web) added a side wall to his large mural in Enfield Street in the Woodvale. According to the man himself, the scene is Tokyo rather than Soho.
For the large piece, see Night Taxi. Also by DanK on the lower Shankill: The Greater Shankill.
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“#ItsOKToTalk” “This art project was completed as part of Alternative – Safer Areas For Everyone (SAFE) project. The young people involved identified mental health as the theme for their art project and incorporated positive mental health messages & support numbers to highlight the issue. The group also identified the “Steps” area as the location for the art work, to help brighten up the area which had become unsightly, neglected and a focus for anti-social behaviour. This project also engaged with the residents through door to door surveys, provided information leaflets on support services and organised community clean ups to help improve community pride & spirit in the area. Special thanks to Jamie, Dylan, Kyle, Corey and Mason who showed positive leadership in their community, to street artist Emic & Sam from Signlink for the art work & graphics and to the local residents and young people who were involved in the clean ups. SAFE Shankill is supported by the The Executive Office through Communities In Transition programme.”
For the steps, see previously: Steps To Mental Health
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“Shhhhhhhh, it’s a secret. Don’t tell anyone!” Who did this piece of street art? We don’t know. Maybe that’s the secret? Next to Mark Worst’s (ig | web) “The Muse/Erin” piece on Glendermott Road, in the Londonderry Waterside.
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Copyright © 2021 Andy McDonagh/Eclipso Pictures (ig | Fb)
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London street artist Dan Kitchener (web | tw | ig) is back on the Shankill (after recently completing Night Taxi) painting in an even bolder location: where Night Taxi was up around the bend in the Woodvale, the new piece – “Hope” – is at the bottom of the Shankill on Northumberland Street and moreover sits atop Conor’s Corner (2015 | 2021).
Both murals feature Tokyo landscapes (as is the case with Dan’s work) but a geisha is featured here rather than a familiar black taxi. “The wall is dedicated to Sandra- サンドラ. Sandra McCurry worked and owned Mikala’s Kitchen on The Shankill Road, Sandra worked tirelessly for the local community and sadly passed away” (Belfast Walking Tours Fb).
These two murals represent the strongest incursion of street art beyond the city centre and into “sectarian” areas. Reaction has been correspondingly mixed: while no one doubts the craftsmanship and aesthetic value, one twitter user (echoed by various others) asks “What is it’s [sic] relevance to the Shankill? Or is it just a lovely mural?” Dan has travelled in Japan and takes actress Ayumi LaNoire “the pole dancing geisha” (IMDb | vimeo | Afloat on vimeo) as muse (Inspiring City) but taken straightforwardly as a representation of a classical geisha this could appear an act of fetishising cultural appropriation. See also: DanK’s geisha in Belfast city centre, The Dream. See also: Visual History 11 on the rise of street art.
Conor’s Corner itself replaced a Shankill Protestant Boys mural.
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“A little boy of fifteen years/was chosen thus to die./As a British soldier aimed his gun/And never questioned why!/The shots rang out, the echo[e]s still/Young Danny fell, shoot to kill./They shoot to kill & kill & kill/Oh please God stop them/But no one will.” Danny Barrett was shot and killed on July 9th, 1981 – a day after Joe McDonnell’s death and on evening of the same day as the shooting of Norah McCabe – by a single shot from a British army observation post on top of Ewart’s Mill. The mural in his memory is in Havana Way, close to his Havana Court home, where he had been sitting on a garden wall talking to a friend. For a full account, see Free Ireland or watch video of his sisters in front of the new mural. For the Lawrence/Hammil board in Brompton Road, see Same Story, Same Bigotry.
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Monkeys (perhaps Mizaru and Iwazaru – most recently referenced in the George Floyd mural) wearing masks to avoid evil thought and spreading coronavirus. Street art by Glen Molloy (ig | Fb) in North Street. The remains of Andy Council’s Belfast Phoenix is to the left.
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Extramural Activity 