A vintage Ógra Shınn Féın stencil still visible in north Belfast. On the removal of the petrol bomb from the modern Sınn Féın Youth logo, see Slugger O’Toole.
In January (2016) a stencil like the one above appeared in Moore Street, Dublin. Moore Street was the place of the last stand of the Easter Rising after the GPO caught fire and campaigners were thus fighting to save it from redevelopment (Irish Times). (Moore Street’s future is still uncertain at this time, late summer 2016.)
The stencil is based on a photograph of Padraig Pearse and Elizabeth O’Farrell surrendering to the British General Lowe. The piece was ‘signed’ by Banksy, though it was immediately suspected to be not by Banksy, as he had not signed any pieces for some years, and indeed, Banksy denied that it was his (e.g. Irish Times) and Will St Ledger wished that the artist had had the confidence to claim it as their own (RTÉ).
The artist was in fact Short Strand man Séan “Seany” McVeigh, who then died in June. In honour of his life, a fellow Short Strand resident (see second image, below) produced this version of McVeigh’s piece, with the name “Seany” proudly attached. (For his other “Banksy” see a Belfast version of Banksy’s Palestinian “peace” wall stencil.)
IRPWA (Irish Republican Prisoners Welfare Association) stencil. Below is a wide shot showing all three of recent pieces in Beechmount (prior to the destruction of the one on the right): No Steps Backward | Political Dissent Is Not A Crime! | The Butcher’s Apron.
In quick succession to the Easter Rising centenary mural in the same spot, there comes this 32 County Sovereignty Movement mural, with the island of Ireland in green, white, and orange, and (representing prisoners) barbed wire and a candle.
Two Beechmount murals today on the same theme: republican prisoners of war in Maghaberry and Hydebank (site of prisons for women and for young offenders).
Here is another mural, this time in west Belfast, in the campaign demanding a response to a shortage in low-income housing. For more, see previously, Equality Can’t Wait.
The Easter Lily on a red, five-pointed, star ties together the centenary of the Easter Rising with republican socialism: another IRSP/INLA stencilled mural — see previously, National Liberation And Socialism — this one in Beechmount.
A shortage in low-income housing is highlighted in the #buildhomesnow campaign which has put up lots of small boards (such as the one in the image below, on Divis Street) and the mural shown above, which is in the New Lodge. The site of the old Mackie’s factory is one particular location the campaign says could be redeveloped. (See articles from BMG and Participation & Practice Of Rights.)