The red hand of Ulster is not just a symbol of the province from the time of the earls (see Wednesday’s post An Ancient And Powerful Symbol), it is also an emblem of the Ulster Volunteers (and also the modern-day Ulster Volunteer Force/UVF) who were formed in anticipation of Home Rule in Ireland and fought in WWI. “This cross”, which is on the railings outside Pitt Park in east Belfast, “is marked with the blood of our membership in recognition of the sacrifice made for freedom and democracy in the modern world. When you go home tell them of us and say ‘For your tomorrow we gave our today'” – Ballymacarrett Somme And Cultural Society
Here is the final board in the new “St Patrick” set on Tates Avenue (and a wide shot of them all, below). This one explains the composition of the Union flag as a combination of the saltire of Saint Andrew of Scotland, the cross of Saint George of England, and the saltire of Saint Patrick of Ireland. As the text notes, the saltire is much later than the saint: “The association with Saint Patrick dates from the 1780s, when the Order of Saint Patrick adopted it as an emblem. This was a chivalric order established in 1783 by George III. It is often suggested that it derives from the arms of the powerful FitzGerald dynasty [which dates to the 12th century].”
The text ends oddly: “The saltire has occasionally served unofficially to represent Northern Ireland and [has] been considered less contentious than other flags flown there.” Similar language is used on the symbols.com page for the Saltire.
Featured today are two (more) of the boards in a set on Tates Avenue. The central board, shown above, shows a young Patrick (without the clerical garb in which he is often portrayed) against the backdrop of Slemish mountain, where Patrick is thought to have tended sheep as a young slave to a local chieftain, c. 401 AD and developed his Christian faith.
The second image is of colourings of the Saint Patrick profile by children from the nearby Donegall Road Primary School.
The boards were unveiled on March 10th, 2016 by first minister Arlene Foster who remarked that the saint had become “very Gaelicised” and this — and the presence of Irish tricolours at parades — deterred unionists from celebrating “the patron saint of everybody in Northern Ireland” (Belfast Telegraph; also contains video of the launch). Anglicanism venerates saints but Presbyterianism does not, generally taking the “communion of saints” to refer to all members of the church.
Here is one of the new boards on Tates Avenue (the others will be featured over the next two days). It shows a ship racing towards shore, superimposed over a 1659 map of Ulster by Blaeu.
“The Red Hand Of Ulster: According to legend Ulster had at one time no rightful heir. It was agree that a boat race should take place and that whoever’s hand first touched the shore would become king. One contended, upon seeing that he was losing the race, cut off his hand and threw it ashore to win. O’Neill is said to have been the chieftain who cut his hand off to become the King of Ulster. The Red Hand is a key emblem of Ulster’s identity, an ancient and powerful symbol that is traditionally shown as a blood red hand.”
The plaque above is a new one outside the Andersonstown Social Club, mounted for the centenary of the Easter Rising: 1916-2016 – We serve neither king nor kaiser but Ireland. This plaque was erected to the memory of the men and women who give their lives in the fight for Irish freedom. “Apostles of freedom are ever idolised when dead but crucified when alive” – James Connolly (These are the opening lives of ‘The Men We Honour‘ 1898)
The plaque below is a previously existing one to volunteers from the First Battalion of the IRA’s Belfast Brigade and various other republicans and “also in memory of the civilians who died at the hands of the UDR, RUC, and loyalist extremists”.
More “peace” line images today (after yesterday’s repainting of the Cliftonville “peace” line in Blue Sky Thinking): at the end of February work began taking down a section of the 8 foot high wall on the Ardoyne side of the Crumlin Road, separating Ardoyne from the Woodvale area, though the section close to Woodvale and the wall on the Woodvale side remain for now.
The houses on the north side of the road will now be able to see the road and the doors of Holy Cross church (shown above).
The vintage piece of Free Brendan Lillis graffiti shown in the final image survives, just out of picture to the left in the wide shot below.
The Manor Street “peace” line dividing north Belfast’s Lower Oldpark and Cliftonville areas got a facelift in January — the beige was painted over with a sky blue colour. The wide shot, (third image, below,) gives an impression of its height and extent (and this is only the north-south part of the line.) The fourth image is of an old European Union “Urban” mural showing the north Belfast skyline, including Cave Hill (and Napoleon’s Nose) and Belfast Lough. (For more info on Urban II and the mural, see minute 17 onward in this NVTv documentary).
In black and white are scenes from yesteryear of children swinging on a lamp-post, riding a go-cart, playing hop-scotch, and walking down the alley between houses. In colour are more recent scenes: Rossville flats, the Dove Of Peace mural, children on bikes, and graffiti. Outside the Eden Place Arts centre (Fb) in Rossville Street.
Extramural Activity 