On Saturday mornings Brandywell Celtic play in the premier division of the Northwest league, while on Sunday mornings Brandywell Harps and Ballymoor FC play in the Senior league. Brandywell Swifts played in the Astroleague. Also included are the Oakleaf Amateur Boxing Club (Fb) and the Long Tower Judo Club.
Dublin-based South African street artist MarcaMix (pictured below) was in Belfast for CNB15 in September and painted this colourful mural in Garfield Street. The circular swirl was originally larger and looked like a sun, so I see steam rising off icy fields. Or a chemistry experiment gone gloriously wrong. Other interpretations are welcome in the comments!
Young people from the Lower Shankill pose in the style of a movie poster: “You must have dreams and goals if you are ever going to achieve anything in this world.” The info panel (shown below) incorrectly states that the board replaces a loyalist H-Block mural (of which there were two versions: yellow (M02473) | orange) and, before that, a UDU-UFF-UDA mural; these were on different walls and this board replaces only the Maze mural.
This is the second of five recently-launched boards in the lower Shankill. The first to be featured was I Am Not Resilient.
mark adair megan aiken nathan arbuthnor craig ballentine ryan baxter justin baxter darnel bell latisha brant CJ burke rabileigh crooks morgan dillon alanna flynn nathan hill brandon irvine curtis irvine marcus kane dylan kane megan mccaw simone mccormick jordan mckeag brittney mckeag kerri-lee mclaughlin jenni mclaughlin glenn mcquillan thomas mitchell jordan mullan morgan patterson lauren stewart chloe stewart becky turner craig wilson
Work by artist Hugh Clawson (whose web presence is extremely modest) inside Conway Mill showing life in the mill and the lower Falls/Clonard area from years gone by. Painted directly onto an interior wall.
CNB15 street art from Inkie (Fb) featuring a woman reading a book by (Belfast-born) CS Lewis (WP), possibly because the piece is in Kent Street behind the Central Library.
Historian Laurel Ulrich‘s 1976 phrase is one of a variety featured in this Derry mural celebrating the role of women both locally and world-wide. It includes images of local women banging bin lids, marching past the ‘Free Derry’ graffiti on 33 Lecky Road, and rioting; images of women striking and protesting; support for Palestine and gay rights; celebrations of femininity; and Wonder Woman. As the final image, below, shows, the tapestry of images and posters is being sewn by a woman at a sewing-machine in one of Derry’s large shirt- and collar-making factories. (For some history see these Derry Journal articles: one | two.) As the panel on the left-hand side notes, “Derry women made more than shirts; they made communities”.
On the left of the main panel, women march out of one of the city’s gates. The information sheet (which has fallen off) reads as follows: “On International Women’s Day, March 8th [1991, not 1981 as the hand-written addition suggests], the first ever women’s mural in Derry was unveiled on the back of Free Derry Wall. It was designed and painted by Patricia Hegarty and Joe Coyle, and helpers, both men and women. The mural takes its inspiration from a march in November 1968, after Minister for Home Affairs Bill Craig banned all civil rights marches in the walled city. Women factory workers walked out and spent the afternoon marching in and out of every gate in the city, deliberately “breaking the ban”. Men marched in from DuPont to join them, and a rally was held in the Diamond. In the mural you can find the faces of some of those marching on that historic day, as well as other women who played their part in the ongoing struggle for justice. Civil rights workers Bridget Bond and Women’s Aid refuge founder Cathy Harkin march alongside republicans such as Ethel Lynch, Bridget Sheils, Peggy Derry, prisoners’ rights activists Susie Coyle, and many others. You may find images of your granny, sister or aunt. The mural is dedicated to all those women whose energy and determination have changed their lives and the world about them.”
The board on FDC can be seen in Woods’s Seeing Is Believing?, plate 19.
The board featured here (above and three shots below) has a dual purpose. On the one hand, it is part of celebrations marking the 75th anniversary of the Battle Of Britain, which was waged from July to October in 1940. On the other, it is part of an anti-racism project, celebrating in particular the contributions to the Battle made by roughly 145 Polish aviators (WP) and especially the 303 squadron: “The Polish nation – part of us then, part of us now”. The 303 was later stationed in Northern Ireland for a time. (BBC-NI)
Braddell & Sons sell fishing equipment in North Street and this year for CNB15 their shutters got the Elph treatment: a boy sits fishing in a mind-melting landscape. The little fish named “Fish” on the left (in the wide shot below) is for a guy who used to play the arcades further up the street. (Fb)
The lower Shankill estate has been re-imaged (again). The history of re-imaging in the lower Shankill is told by the new piece at Boundary Way: the wall first sported a mural critiquing Sinn Féin’s role in the peace process (see this 2004 image) before being replaced around 2007 by a mural celebrating Andrew Jackson’s Ulster-Scots heritage (see X00285). The new work sends a mixed message: the word “resilient” is in large letters and is the title of the piece, but the quote reads “Stop calling me “resilient”. Because every time you say “Oh, they’re resilient,” that means you can do something else to me. I am not resilient.” The quote would seem to be by Tracie Washington (not: Tracie Jackson) of the Louisiana Justice Institute. The left-hand side wall, which read “UDA Est. 1971” was painted over. For a description of the launch, see this Housing Executive report. Five printed pieces (four of them new this year) have replaced various murals in the area.