The New Lodge youth centre has received a make-over, with kids’ drawings of purple pencils, yellow flowers, pink buses, and red circles. Even the security wire at the top has been included in the gaiety.
The ‘Cemented With Love’ mural on Oak Street (Donegall Pass) has been repainted for the 2015 marching season. According to the painted note in the bottom left corner, it was originally painted in 1989 on the 25th anniversary of the erection of the arch in nearby Lindsay Street. The mural shows William of Orange rearing back his horse in the Boyne river while a Jacobite soldier in green, white, and gold expires on the shore (shown below along with a close-up of William and horse).
Every day, men would line up in schooling pens on the various docks of the port of Belfast to be hired by foremen. As mentioned on the left-hand side of the board above (recently erected on the New Lodge side of the Duncairn “peace” line) the rise of the shipping container in the 1970s spelled the end of the docker: “from 3000 listed dockers in 1970, the number had fallen to 280 by 1985.” Author and poet John Campbell recalls his first day on the docks in 1952, unloading cement, in this NVTv video.
“This artwork celebrates the unique contribution that generations of dockers have made to the port and City of Belfast.”
“It was a physically demanding job, the hours were long, the conditions were tough and the availability of work was not constant. Without the Dockers, however, the Port of Belfast would not have been able to grow. / Transportation of goods by containers led to a revolution in working practices at Belfast Docks and the number of dockers decreased dramatically. From 3000 listed dockers in 1970, the number had fallen to 280 by 1985. Behind these figures lay the human story of vast social changes in the harbour area as well as the gradual dissappearance [sic] of an entire community who had earned their living from the sea and also through the loading and unloading of ships. These were the Dockers and their families, many of whom lived in Sailortown. / The workforce of dockers spanned both traditions. Red button and Blue button. Dockers had a common allegiance to the Port of Belfast which provided a living for men and families from both communities. / The work was backbreaking, yet the Docks educated us about life, integrity, discipline, about standing up for our rights, about having pride in our identity as working men, as Dockers. / The Dockers[‘] working environment was repressive and hazardous with large numbers experiencing industrial injuries. Others lost their lives or were badly injured in horrific accidents at work. Many suffered chronic long term illnesses, others died prematurely having contracted asbestosis. Many Dockers became politically aware in the formation of trade unions and social reforms. The Dockers Trade Union, Irish Transport and General Workers[‘] Union (ITGWU) organised by Jim Larkin (1909) and James Connolly (1910-11) celebrated its centenary in 2009.” OBU one big union
The tall ships will be in Belfast July 2nd to 5th for the start of a race that will take them to Norway and then to Denmark. The first of about 80 ships have already arrived. The mural above is on the quay-side of the Rotterdam bar. The design, by 16 year-old Daniel Hamilton, is the winner of a Belfast Telegraph competition.
Englishman Clive Dutton was an urban planner who was best known for work in Birmingham, London (Newham), and Belfast. He produced “The Dutton Report” in 2004 and “The Big Plan” (pdf) (the cover of which is pictured in the mural) in 2013. In them, he proposed and then updated a plan to tackle economic deprivation in west Belfast by the creation of a ‘Gaeltacht Quarter’ or ‘Ceathrú Gaeltachta’. He died on June 8th at the age of 62 and the mural above has been painted in remembrance.
This Saturday and Sunday (June 20th and 21st), Belfast Community Circus celebrates its 30th birthday with two days of events and performances in the Cathedral Quarter, including a world record-breaking (hopefully) pie fight. Kev Largey (KVLR) last month placed two “foolish” figures among the acrobats on the front wall of the organization’s Gordon Street headquarters, a lobster having a drink of weasels wearing hats and a rambler with a patched bed-roll and basket of spray-cans. (Also seen in paste-up form outside the Sunflower – see Costume Party.)
13 years after the military prison opened, Guantanamo Bay Naval Base is home to various detainees from around the Middle East as well as US service-men and women who (unlike the prisoners) can avail themselves of the fine beaches and the McDonalds, Taco Bell, Subway and other fast-food restaurants. Their living conditions are documented by Debi Cornwall in an exhibition at the Belfast Photo Festival; the images are housed in a shipping container in front of St. Anne’s cathedral. A piece from Alma Haser‘s Cosmic Surgery series can be seen in the centre of the wide shot, below.
June brings the Belfast Photo Festival (4th-30th), including the work of Mentalgassi, a German trio that wraps street poles and other urban objects with black-and-white images of humans. In Belfast, they have covered the three buoys in the park beside the Art College. For shots of the buoys being covered, see the group’s Fb page.