Twelve Brave Young Men From Gertrude Street

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The twelve “Gertrude Street Great War Fatalities” are: Robert Harvey; William Duff; James Fagan; Alexander Leckey; George McCune; Hugh Nabney; William Nabney; Matthew Scott; Robert C. Skillen; James Watson; Samuel Wright; James Burns.

This board was originally next to the To France And Flanders mural on the adjacent wall; the mural also named these twelve but which only lasted a year. That mural depicted the damaged basilica tower in the village of Albert and there is a similar mural in the village itself – a photograph of the mural and the rebuilt tower can be seen in the top right of the board; the mural can be seen in full here.

As the map in the top left shows, Gertrude Street was where Wolff Close now is, running north from the Newtownards Road; the original Gertrude Star mural (circa 1989) was on the first gable of what is now called “Freedom Corner” – see D00388.

The emblem of the Gertrude Star flute band serves as a background. The band’s 60th anniversary mural is across the street.

“‘The Legacy Of Gertrude Street. Twelve brave young men from Gertrude Street,/Bravely fought in world war one./They tried their best as legends do./But never returned back home.//They dragged through muddy trenches,/In the darkness of the night./But never once would they give up,/As they bravely continued to fight.//Each year these men will be honoured,/As we stand together taking time to reflect./It’s vital to show these heroes the uttermost respect.//For now they lie in Flanders fields,/Between crosses row by row./They lived, they fought for our country,/And gave their lives many years ago.//Forever we will speak of these men,/Who came from Gertrude Street./Their legacy will always live on,/When we think of their marching feet.’ By Angela McCully”

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Undefeated

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“We have given much, we have much to give”. Earlier murals on this wall in the Caw (2015 | 2011) were similarly divided into Ulster Volunteers/Ulster Division on the left and the modern UVF on the right. But this version shows a UVF “hooded gunman” whereas before on both sides there were graveside mourners. There is also a very rare (and possibly unique) reference to the H-Blocks, rather than the Long Kesh cages – a watchtower and walls are included above Carson’s portrait.

On the left are the Union Flag, Covenant, the Clyde Valley, graveside mourner in WWI, and Carson. On the right a UVF hooded gunman, the PUP emblem and slogan “Country Before Party”, and the flag of the UVF (Londonderry company).

The plaque, which has been retained from previously, reads “In proud memory of our fallen comrades from the Nelson Drive flute band. Glorious on the graves of heroes, kindly on all those who have suffered for the cause. Thus will shine the dawn. They gave their tomorrow for our today.”

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Gaırdín Na hÉıreann

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Plants provide symbols of, and metaphors for, rebellion. In America, 1775, Paine wrote of the Liberty Tree which Americans must rise to defend against “Kings, Commons and Lords” and Jefferson would later write (in a 1787 letter) that “The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants.” In Ireland, the tree of liberty was borrowed for the 1798 rebellion (see Where Did The Seeds Fall?“) and although t more familiar symbol of the 1798 Rebellion is the pike, the shamrock is thought to be included as one of the objects in the Wearing Of The Green: Boucicault’s version begins “Oh, Paddy, dear, an’ did you hear the news that’s goin’ round?/The shamrock is forbid by law to grow on Irish ground.” The lily, of course, is a symbol of the 1916 Rising, though it is shown here growing between sunflowers and a rose.

These painted electrical boxes are in Westrock and Ballymurphy (“Fáılte chuıg Baıle Uí Mhurchú”).

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The People’s Queen Is Dead

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Upon news of Queen Elizabeth’s death, the platinum jubilee mural at the bottom of Crimea Street became a memorial, with hundreds of bouquets being laid before it and a “wall of condolences” set up. (For the mural itself, see The People’s Monarch.) In addition, to the right-hand side has been added a small commemoration of her passing, with a quote from her son, the newly acceded King Charles:

“We mourn profoundly the passing of a cherished Sovereign and a much-loved Mother. I know her loss will be deeply felt throughout the country, the Realms and the Commonwealth, and by countless people around the world”; “Long live the king!”

The fifteen commonwealth “realms” (previously called “dominions”) share a monarch – formerly Elizabeth II and now Charles III – while the commonwealth comprises 41 additional nations, including some which are now republics: Barbados, for example, became a republic on November 30th last year (2021) but is still in the Commonwealth (WP). Additional countries might take the passing of Elizabeth as a suitable juncture at which to sever ties (Edinburgh News has a round-up | for the Bahamas see Caribbean National Weekly | for Canada see Toronto Star).

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Every Child Needs Someone To Look Up To

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This mural is alternatively entitled ‘Baby Jake’ after the nephew of its creator, artist RAZER (Fb) (Belfast Live). It was painted on a wall at the site of the old Gasyard for the 30th Gasyard Féile.

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First Newtownards Somme & Historical Society

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This is new, more extensive display from The First Newtownards Somme & Historical Society (Fb) (replacing The Pride Of Ulster). There are seven panels about the Ulster Volunteers and the 36th Division, plus an eighth panel on the Ulster Special Constabulary. The formation of the Ulster Volunteers (anti-Home Rule poster | anti-Home Rule postcard), formation of the 36th (Ulster) Division, the 13 battalions of the division, the Battle Of The Somme, JP Beadle’s Attack Of The Ulster Division (Royal Irish), the Ulster Tower, the USC (B Specials), the Victoria Cross.

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At The Heart Of Bloomfield

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The hooded UDA gunmen stare down at you in the green in the middle of Bloomfield (Bangor) estate. The new printed board replaces the similar North Down battalion mural seen in Always Remembered. (The plaque to Andrew McIlvenny and Roy Officer has been moved to the right-hand side.) There are smaller UDA boards – one on top of some old “UVF” graffiti (third image) – and one RHC board on the other gables around the green; not included here is the somewhat odd history of Bloomfield that only shows images from the Shankill in Belfast – see A Journey Through Time And Space.

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Big Babes

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This Wee Nuls piece is a commercial piece for Rapyd (tw). The tattoos on the bodies represent local independent businesses Seedhead Arts, Fresh Garbage, the Sunflower bar, PaperxClips, and Bullhouse East.

The middle image shows Wee Nuls being interviewed for a Rapyd short.

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I Was Sick And Ye Visited Me

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A gallery of faces from KVLR (ig) in Exchange Place, perhaps on their way to Belfast’s first maternity hospital, the Humane Female Society For The Relief Of Lying-In Women (Clifton House). “The Entries are passageways for the comings and goings of rich and poor, sugar and coal, horses and handcarts, porter and print, secrets and songs. Openings and entrances over the centuries. A labyrinth of muck-made Belfast brick at the mouth of the Farset.”

The in-progress shots are from June.

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Welcome To Antiville

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“Antiville” is perhaps derived from the Irish “an tıgh bhıle, “the house of/by the sacred tree” (rather than just “the house of the old tree”, as on the board below). The two boards shown here are at the Linn Road entrance to the estate: above is the UDA’s welcome, below is the welcome from the Bonfire committee and Antiville Partnership (Fb), showing a tree. The 2022 Antiville bonfire was torn down after the death of one of its builders, John Steele – see With Heart And Hand.

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