
“No British withdrawal? No royal visits!”. Republican flyers from Éırígí on Beechmount Avenue.
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Copyright © 2014 Seosamh Mac Coılle
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“No British withdrawal? No royal visits!”. Republican flyers from Éırígí on Beechmount Avenue.
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Copyright © 2014 Seosamh Mac Coılle
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The Bawnmore area lies just beyond the border of Belfast, north of the city council along the Shore Road. While the area has seen many large retail chains erect stores over the last few decades, the local businesses have closed. Above, the Boundary Bar, which was burnt out in 2007, now with fake window dressing; below, Paul’s newsagents around the corner in Mount Street.

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Copyright © 2014 Seosamh Mac Coılle
X02268 X02272 fake front

After adding windows to the downstairs, The Strand Bar has reinstated the mural previously at the front in the form of a painted board (above) showing the original bar in Anderson Street (the current Arran Street), which was attacked by the UVF in 1975 with the loss of six lives. The relative size can be gauged from the wide shot, below. The previous mural can be seen in the bottom two images. For photographs of the original bar, see the BelfastForum.



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Copyright © 2011 Seosamh Mac Coılle
X02565 X02566 X00382 X00383 installed 2015-03-20 melting pot

James Connolly was concerned not just with the political independence of Ireland but its economic independence: both political and economic liberty were required in order for the human being to live freely. The quote in the image above comes from Connolly’s 1897 essay “Socialism & Nationalism”. The economic context is clear when we read a little more broadly:
“To the tenant farmer, ground between landlordism on the one hand and American competition on the other, as between the upper and the nether millstone; to the wage-workers in the towns, suffering from the exactions of the slave-driving capitalist to the agricultural labourer, toiling away his life for a wage barely sufficient to keep body and soul together; in fact to every one of the toiling millions upon whose misery the outwardly-splendid fabric of our modern civilisation is reared, the Irish Republic might be made a word to conjure with – a rallying point for the disaffected, a haven for the oppressed, a point of departure for the Socialist, enthusiastic in the cause of human freedom.” (marxists.org)
Takes the place of Padraig Pearse’s “The fools, the fools …“
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Copyright © 2015 Seosamh Mac Coılle
X02581 5th june 1868 – 12th may 1916

“RNU call for the release of Leonard Peltier – http://www.freeleonard.org“. The lower left-hand panel of the RNU spot on Northumberland Street is serving as a changeable notice-board – it was previously The Popular Front.
Peltier has been in jail since 1977, convicted of killing two FBI agents on the Pine Ridge Reservation in 1975 and sentenced to two life-sentences (WP).
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Copyright © 2015 Seosamh Mac Coılle
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The Bobby Sands mural in Sevastopol Street has been given a facelift, including the blocking-up of a vent on Sands’s left cheek. Kieran Doherty and Joe McDonnell have been added in place of the 1798 medallions on each side. On the side-wall are Sean McCaughey, ten doves representing the 1981 hunger-strikers, and Long Kesh. Aerosol‘s accordion-player stencil has been also been retained.
For a full history of the wall, see the Bobby Sands (Sevastopol Street) Visual History page.


Ag sráıd Sevastopol cuımhnıtear ar Bobby Sands ı múrmhaısıú a aithnıtear ar fud an domhaın. Ba scrıbhneoır, file, réabhlóıdí agus díograıseoır Gaeılge é Sands. Fuaır sé bas 5 Bealtaıne 1981 tar éıs 66 lá ar stailc ocraıs. As ucht na dıograıse a thaıspeáın Sands agus a chomhchımí ı leıth fhoglaım na teanga faoı choınníollacha uafásacha Bhlocanna H na Ceıse Fada, spreagadh glúın úr chun dul ı mbun athghabháıl na Gaeılge.
Here at Sevastopol Street Bobby Sands is remembered in a mural which has become world-renowned. Sands, a writer, poet, revolutionary and Gaelic enthusiast, died on May 5th 1981 after 66 days on hunger strike. Sands and his fellow prisoners inspired a new generation to reclaim the Irish language enthusing them by the huge efforts they put into learning Irish in the horrendous conditions on the H Blocks of Long Kesh.
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Copyright © 2015 Seosamh Mac Coılle
X02586 X02588 X02587 everyone Republican or otherwise has their own particular role to play our revenge will be the laughter of our children joe mcdonnell i’ll wear no convicts uniform nor meakly meekly serve my time that Britain might make Irelands fight 800 years of crime ira volunteer

The life of a child in the New Lodge of the 1900s was one of poverty, disease, mill work, and being displaced by German bombers in 1941, with only a lamppost swing and marbles for relief. (It was also in black-and-white.) The struggle for young people’s rights “to be loved, to family life, to freedom of expression, to life, to your own beliefs, not to be bullied, to be safe from war, to privacy, to play, to be happy” continues in the panels on the right-hand side (for a close-up, see Young People’s Rights).
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Copyright © 2014 Seosamh Mac Coılle
X02423 tom mcelwee mickey devine linen tram irish news bronchitis

Patrick O’Connor was born on this day in 1924 on the lower Falls but after his father emigrated he spent his early years – until age 5 – with his grandparents in East Street in the Markets. It was as a high-schooler in New York that he adopted the name Pádraıc Fıacc (“fıach dubh” is “raven”) and began writing poetry. He settled in Glengormley upon his second and final return; it is not clear that he ever saw East Street lined with British Army soldiers, as shown in the mural above. He wrote of his early life in ‘First Movement’:
Low clouds, yellow in a mist wind
Sift on far-off Ards
Drift hazily …
I was born on such a morning
Smelling of the bone yards
The smoking chimneys over the slate top roofs
The wayward storm birds
And to the east where morning is, the sea
And to the west where evening is, the sea
Threatening with danger
And it would always darken suddenly
Some of Fıacc’s poems are in the TroublesArchive. There are two videos below. The first is an interview with NVTv’s Bernard Conlon; the second is of a reception in Belfast City Hall.

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