The Undauntable Thought

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A succession of Irish rebels is shown in this new mural in Andersonstown, west Belfast. It begins (top left) with the rebellion of 1798 and then to the Easter Rising of 1916 at the GPO in Dublin. In the lower left, a pious Padraıg Pearse awaits his execution with rosary beads in hand. There are then shown female figures from Cumann Na mBán and the IRA (see previously: United Irishwomen, Do You Care? and Mothering Sunday In Beechmount), and then Maıréad Farrell in Armagh Women’s Prison (for the original, see Prison Walls). In the bottom right corner there is a blanketman. The busts of Bobby Sands and Joe McDonnell float above the GPO and the last verse of Sands’s The Rhythm Of Time form the epigraph: “It lights the dark of this prison cell, it thunders forth its might, it is the undauntable thought, my friend, the thought that says, “I’m right”.

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Ag Fíorú Na Poblachta

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“Realising the Republic”. This is the first of three new murals side-by-side in Andersonstown. It celebrates the centenary (“Céad Blıaın 1916 – 2016”) of the Easter Rising and shows a copy of the proclamation of the republic and an Easter lily.

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Brandywell Past And Present

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“You are the future” is the message from Long Tower Youth & Community Centre (Fb) to young people in the Brandywell. Sporting heroes of the past, especially boxing and soccer (for a mural of local clubs, see I Don’t Like Mondays) are featured in black and white. (Derry Journal article on the mural and its sponsors.)

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If You Remove The English Army Tomorrow

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A line from James Connolly’s 1897 piece “Socialism And Nationalism” is adapted by the IRSP for the current post-partition situation: “England will still rule you, she would rule you through her bankers, landlords and Stormont”.

Connolly’s original thought is that – even in a self-governing republic – nationalism is not enough to establish an authentically Irish state: “If you remove the English army tomorrow and hoist the green flag over Dublin Castle, unless you set about the organization of the Socialist Republic your efforts would be in vain. England would still rule you. She would rule you through her capitalists, through her landlords, through her financiers, through the whole array of commercial and individualist institutions she has planted in this country and watered with the tears of our mothers and the blood of our martyrs.”

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Business As Usual

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While taking part in the Easter Rising centenary parade, members of the James Connolly 1st Republican Flute Band from Glasgow (tw) pause on the Falls Road during a squall. Embroidered on the rear of their shirts are the words “We serve neither king nor kaiser, but Ireland”, the slogan which hung outside the ITGWU’s Liberty Hall during the first world war. Image courtesy of Bronagh Bowerman.

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Copyright © 2016 Bronagh Bowerman
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Dissidence

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Anti-Óglaıgh Na hÉıreann graffiti in Beechmount Street beneath a Sınn Féın banner using Martin Luther King to advocate for non-violent protest (featured previously in Always Avoid Violence).

See also: The F-Bomb.

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To Protect Partition And To Serve Capitalism

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The Royal Ulster Constabulary, Police Service of ‘Northern Ireland’, and An Garda Síochána are branded as agents of the status quo, enforcing the partition of Ireland and the capitalist system in this IRSP mural on Northumberland Street: “Know your enemy – reject political policing”.

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We Bleed That The Nation May Live

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Arrayed against the forces of the British Army (which are shown laying siege to the Dublin GPO during the Easter Rising in armoured cars and in sniping positions in the foreground of the mural, along the whole length of the wall) are various symbols of Irish nationalism: 

Oliver Sheppard‘s 1911 statue of Cú Chulaınn dying (see the Visual History page);
the pikemen of the 1798 Rebellion (featured in Éırí Amach 1798);
the four provinces of Ireland;
Érıu the mythological queen of Ireland/Éıre as designed by Richard J King/Rísteard Ó Cíonga; Easter lilies;
the emblems of Na Fıanna Éıreann and Cumann Na mBan on either side of a quote from (The Mainspring) Sean MacDiarmada, “We bleed that the nation may live; I die that the nation may live. Damn your concessions, England: we want our country”; 
a phoenix rising from the flames of the burning Dublin GPO (inspired by Norman Teeling’s 1998 painting The GPO Burns In Dublin);
the GPO flying an ‘Irish Republic’ flag and a Tricolour;
portraits of signatories and other rebels — (left) Padraig H. Pearse, Thomas J Clarke, Eamonn Ceannt, Thomas MacDonagh, (right) Countess Markievicz, James Connolly, Sean MacDiarmada, Thomas Plunkett; 
the declaration of independence, placed over the advertising box of AA Accountants – see the in-progress shot below.

For more work-in-progess images, see the previous entry, Éırí Amach 1798. At the very bottom is a quote from the mother of Gerard ‘Mo Chara’ Kelly, Harriet Kelly: “We want the freedom of our country and your soldiers out.”

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Éırí Amach 1798

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The pikemen of 1798 go into battle under the flag of the United Irishmen in a detail from a new mural on the Falls Road for the centenary of the 1916 Easter Rising. Below are work-in-progress images showing artists Gerard ‘Mo Chara’ Kelly and Bill Bradley.

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Reclaim Coke

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At the corner of the Falls Road and Northumberland Street, consumerism and republicanism collide.

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