From The Shipyard To The Somme

The 36th (Ulster) Division Memorial Association (Fb) put on a play called From The Shipyard To The Somme (Fb | watch on youtube) in Connswater Community Centre in 2013. It follows a group of men from east Belfast who joined the Ulster Volunteers in Belfast but are now training at Abercorn barracks in Ballykinlar (later an internment camp) as members of the 36th Division, before going to the Battle Of The Somme in France.

Belfast – with one tenth of the population – provided about a third of the Irish soldier to participate in WWI. In the shipyards, Harland & Wolff responded to the slow-down in production not by putting everyone on short time but by letting go of employees, particularly unskilled employees, for whom the wages of soldiering were competitive (particularly if married), while skilled men were reclassified as “munitions workers” needed to fulfill war contracts (History Ireland | Long Kesh Inside Out).

The Somme board, which dates to about 2015, is above Connswater Commemorates and The Glorious Dead.

The plaques are to John Cochrane of the Mersey Street Area Residents Association and Margaret Proctor ?of the Connswater Community Centre?

The industrial mural on the side perhaps features the Ballymacarrett rail crash of 1945, described previously in Step Back In Time.

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The Six Counties

Of some interest in this Mersey Street NI Centenary board is the use of St Patrick’s saltire (in the background). The saltire is an anglo symbol of Ireland and was included in the Union Flag when the union was between Britain and Ireland and thus – like the word “Ulster” – has been reduced to meaning Northern Ireland after partition.

There is also an anti-Irish Sea border board on the next house along – see An Act Of Betrayal. This features the Union Flag together with flags representing the “home countries”: the Welsh dragon, the English St George’s Cross, the Scots St Andrew’s Saltire, and the Northern Irish Ulster Banner.

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No EU, No Irish, No British

The graffiti reads “No EU, No Irish, Buy British” but the cars parked in front of these graffiti are a BMW – a German company with factories also in China, Mexico, the Netherlands, South Africa and the US (WP) – and a Ford – a US company with factories all over the world, but since 2002 Ford cars have not been made in Britain (WP). The graffiti is a protest at the NI Protocol (as seen in roughly 22 previous posts).

In the Dee St/Newtownards Rd Iceland car-park, adjacent to the ‘pilgrims’ mural seen in Please Pay Here.

Reminiscent of: ‘No Blacks, No Dogs, No Irish’ in Oppose Racism | No Irish No POWs | More Blacks, More Gays, More Irish

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The Battle Of Ulfreksfjord

According to 13th century Icelandic historian Snorri Sturluson, The Battle Of Latharna (now Larne) took place in 1018 between Irish warriors and Orkney vikings at Larne Lough or “Ulfreksfjord” which name eventually became “Olderfleet”, to the south of the harbour.

This is the contribution of artist Kim Montgomery (web) to a Larne Council project to add art to the city centre (BelTel). See previously, Dawn Aston’s Dire Wolf.

Main St, Larne

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Children In Crossfire

Michael Blakstad’s Children In Crossfire is a justly famous documentary portraying the lives of children in Creggan (Derry) and various areas of Belfast, such as Ballymurphy & Springmartin, Divis, and the area around Gawn St in east Belfast. The documentary is on youtube and an image from it (c. 28m 13s) is depicted in this mural (Connswater Chronicle) at the foot of the Dee Street overpass into what is now the “Titanic Quarter”.

The panel to the right shows the original Armitage Street; the area has been redeveloped and the street was built over with a cluster of houses named Armitage Close.

By Dee Craig with support from the Housing Executive, City Council, and Connswater Homes.

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The Glen Memory Wall

The Cregagh Glen – Lisnabreeny walk (National Trust) is home to a memorial marking the site of the (former) Lisnabreeny American Military Cemetery (featured previously). Today’s images feature a smaller and more recent memorial site, to the coronavirus lockdown. The sign asks for colourful items such as locks and ribbons but the picture above also shows a Translink ticket and a doggie poop bag.

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Smash Fascism And Capitalism

James Connolly and Lasaır Dhearg (web) calling for revolution – “The day has passed for patching up the capitalist system; it must go” [from Labour, Nationality And Religion]” (seen previously on a sticker in Stop War) – on top of an unknown sticker involving a Union Flag, on top of a ‘Smash Fascism’ stencil, all competing for space, somewhat usually, in the (PUL) Village – but see previously Even Protestants Love Marxism.

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Lest We Forget

This is the third commemoration to Village UVF volunteer Stevie McCrea and the second to Sammy Mehaffy – see Stephen Desmond McCrea and Battalion Of The Dead, which also includes John Hanna, who has a solo board in Prince Edward Pk.

As is often now the case, the modern UVF (McCrea died 1989-02-18 from wounds sustained in the IPLO attack on the Orange Cross, and Mehaffy on 1991-11-13, shot by the IRA in nearby Lecale Street) is mixed in with the 1912 anti-Home Rule Ulster Volunteers and Young Citizen Volunteers, which are themselves blended together with WWI and the 36th (Ulster) Division of 1914-1918.

Replaced 2nd Batt B Coy and next to Taking Aim in Tavanagh St.

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Eat To The Beat

This signal box on the Holywood Road, Belfast, has been repainted by FGB (ig) to look like a Drumstick – not the musician’s tool or the chicken leg but the chewy lolly. The Drumstick dates back to 1957 (swizzels.com). Swizzels makes not just Drumsticks but also Refreshers, Double Lollies, Love Hearts, Double Dips, Lipsticks, and Whistles.

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The Famous

Sons Of Kai flute band (ig) re-formed in 2006 (youtube | Coin Talk) but here claims as its origin date “1972”. IWM gives the founding year as 1970, and quotes one of the founders, Bo Kerr, saying that the band was named after Danish soccer player Kai Johansen (WP), who played for Rangers from 1965-1970, and that the “tartan” gang (History Ireland) ‘Rathcoole KAI’ subsequently took its named from the band. Then (BelTel) and now (Irish News | Slugger) “KAI” is understood to stand for “Kill All Irish”. A 1982 image of the Rathcoole KAI “red devils” mural can be seen in the Ciaran McGowan collection at IWM.

[2024 update: the band’s foundation story is told in more detail in Kai Johansen’s Bar.]

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