Above is the third panel from a recent (2014-07) mural advertising the Ardoyne Association, whose office is just down the street. As the shot of the full mural shows, asking for advice and help with debt will make it finally stop raining (and turn you blonde?). Some images of the mural in progress, painted by Michael Doherty, can be found at the Association’s Facebook page.
Here are two new boards in the courtyard of the Rex Bar on the Shankill Road, describing the formation of the Ulster Volunteers (‘A Force For Ulster’) and commemorating the losses suffered by the 36th (Ulster) Division of the British Army, which the Volunteers became, at the Somme and in other battles, mowed down by “the Hun machine guns” (‘The Great War’).
‘A Force For Ulster’ includes photographs of the recent centenary re-enactments of the Balmoral Review, the Ulster Covenant, the formation of the Volunteers (“east” and “west”) and “Operation Lion” – more commonly known as the Larne Gun-Running.
According to the ‘The Great War’ board, 32,186 men from west Belfast were killed, wounded, or missing. “To them bravery was without limit, to us memory is without end”. The board shows the Thiepval Memorial To The Missing Of The Somme against a background of portraits.
Above is a recent mural by Damian Walker in the New Lodge, in support of republican prisoners in Maghaberry, showing a single shirtless prisoner with a flower (? – see the close-up below) surrounded by three baton-wielding officers. Sponsored the 32-County Sovereignty Movement (web).
The fairy-tale covering painted over an LVF “North Belfast Rat Pack” mural is fading away to reveal the previous work. For the original LVF mural, see D01199.
The graffiti on the wall (see the third image, below, of the whole wall) – Welcome to LVF Land – has itself been scored out. There is also anti-LVF graffiti in the street.
The Elms/The Globe/The Elms/The Club is making way for a Tesco Express (Tele). Above is the bloodshot eyeball street art (by KVLR? – please confirm) that adorned the tradesman’s entrance of the bar in its most recent incarnation.
As reported at the time, after the Nugent/Hughes mural at the corner of Divis and Northumberland Streets (see Belfast’s Infamous Prison) was painted out to make way for a pro-Catalonia vote mural (see Votes About Votes), Kieran Nugent was added to the hunger-strikers mural further down the international wall, along with Mairéad Farrell, who was the second person, after Nugent, to refuse to wear a prison uniform. A blanketed Brendan Hughes has also been added, above the declaration of independence.
Below is a progress shot (previously posted in Votes About Votes); the original version of the hunger-strikers mural is in Peace With Justice.
Joe McDonnell was a Provisional IRA volunteer (óglach) imprisoned in the Maze H-blocks. He was the fifth hunger-striker to die, on July 8th, 1981 after 61 days. The Wolfe Tones wrote a ballad in his memory (for their 1983 LP A Sense Of Freedom), which FAI chief John Delaney was recorded singing in a Dublin pub a few weeks ago (November, 2014) after a 4-1 win by the Republic over the US in a friendly. He at first denied it was him, then apologized, and has kept his job (Guardian).
As of this morning (December 10th, 2014), the song, re-released by the Wolfe Tones as a charity Christmas single in aid of the Simon Community, is the #7 single at itunes.ie.
The mural above was painted in July by Gerard “Mo Chara” Kelly, on the Suffolk Road, Andersonstown, west Belfast.
“End British Internment – End Maghaberry Torture – Strip searches, isolation, controlled movement”. The board above at the top of Havana Street, Ardoyne, shows a a prison guard in Union colours beating a prisoner in the Tricolour’s green, white, and orange. On the left is the barbed wire symbol of the Irish Republican Prisoners Welfare Association (IRPWA) and on the right the emblems of the PSNI, the RUC, and MI5 are crossed out under a swastika. A wide shot, showing the CLG/GAA mural in the background, is below.
Here are two details from the ‘Understand The Past’ mural in Mountpottinger Road which is gradually peeling away. For the mural in better days, see Understand The Past.