Lurkers

This writing on Cupar Way is by some of the artists in town for CNB the previous (2017) September.

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Copyright © 2018 Seosamh Mac Coılle
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Gibraltar And Milltown

Féıle An Earraıgh – the spring festival in advance of this summer’s Féıle An Phobaıl – includes a series of talks and tours examining the killing of the Gibraltar 3 (l-r, Maıréad Farrell, Daniel McCann, and Seán Savage) and the deaths of (l-r) Kevin Brady/Caoımhín Mac Brádaıgh, John Murray, and Thomas McErlean at the funeral, and (two days earlier) Kevin McCracken. Yesterday (March 6th) was the 30th anniversary (“comóradh 30 blıaın”) of the Gibraltar killings and the date was noted by the launch of the mural above, at the site of the old Andersonstown RUC station. The photograph in the bottom right was reproduced in the 25th anniversary mural.

X06309 2018-11-09 Gib 30 Years+

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Copyright © 2018 Seosamh Mac Coılle
X04811 X06309 Glen Road Monagh Bypass

Make Partition History

The Thames Street wall of Salvezza’s pizzeria doesn’t allow for full murals because of a giant flue, but Saoradh (web | fb) are making the most of the space with long vertical tarps. The quote on the tarp above (new for 2018) is from James Connolly, from his foreword to Labour In Irish History: “Only the Irish working class remains as the incorruptible inheritors of the fight for freedom in Ireland.”

The tarp that hung for most of 2017 is included below.

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Copyright © 2017 Seosamh Mac Coılle
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Refugees Welcome

This graffiti is at the park end of Cliftonville Avenue.

An earlier piece of graffiti, “DHLA”, has stood for “Divis Hoods Liberation Army” but we’re a long way from Divis.

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Páırc Mhıc Ionnrachtaıgh

Gort Na Móna (tw | Fb) play their home games at Páırc Mhıc Ionnrachtaıgh/Enright Park, named after the local Enright clan and in particular Terry Óg, who was killed by the LVF in January 1998 as he was working as a doorman at Space nightclub (Independent | Irish Times). In addition to football and hurling, he was a boxer, Irish dancer, and – as will be seen in the other mural to his memory – a lover of the outdoors.

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Copyright © 2018 Seosamh Mac Coılle
X04805 mol an óıge agus tıocfaıdh sí

Nothing Is Lost, Everything Is Transformed

A colour version of emic’s (Fb | tw) piece gets no respect from the tourists visiting the Cupar Way “peace” line. It replaces his own Great Great Grandad.

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Time For Truth

Since the 14th, the Time For Truth Committee on its Facebook page has been rolling out videos by relatives who lost family members to British Army or loyalist paramilitary attacks during the Troubles. This Saturday, February 25th, sees a march in support of their call for investigations into these and other deaths. “Fírınne anoıs! Ceartas anoıs!” (Truth now! Justice now!)

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National Republican Easter Commemoration

Republican political party Saoradh (web) are organising a ‘National Republican Easter Commemoration’ on the Saturday before Easter Sunday (which is April 1st, this year). The parade is expected to be led by a colour party and marchers in combat gear (Irish NewsBelTel).

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Copyright © 2018 Seosamh Mac Coılle
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Please Respect Artwork

There is either no artwork or no respect on the Cupar Way “peace” line, as tourists sign their names and leave messages (some thought patronising: see Fuck You & Your Patronising Slogans) on the wall without regard to whatever they’re writing over. The Face (on the right), by Kevin Killen (web | NVTv) and participants in a local training programme (Irish Revolution), is composed of cogs and other mechanical pieces, intending to represent the importance of industry in Shankill (and Belfast) life.

Related: A Dialogue On The Nature Of Art | Fuck Art | An Essay On The Necessity Of Art.

See also: State Art Vs Graffiti On The West Belfast “Peace” Line.

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Artist Kevin Killen gave voice to the programme: “The Face relates to the themes of Belfast industries. Working with the young adults in Impact Training, we designed and fabricated the artwork. Being a part of the project was rewarding and insightful to everyone involved. As the group was a part of the process from start to finish they have developed ownership of the artwork, which is an important benefit. I hope that the artwork gives pride to all the participants involved in the project.” (Irish Revolution)