“End partition” was the message on the mountain (Black Mountain/Slıabh Dubh) last week, shown here between Clonard Monastery on the left (where the Hume-Adams talks took place in 1988 and 1993) and the Cupar Way “peace” line on the right.
Here is a mural in the Markets area of south Belfast celebrating the achievements of local boy George McMullen, who played youth football for St. Malachy’s and St. Matthew’s before joining Cliftonville in 2011 age 20.
On the left is the familiar Cliftonville huddle (see previously: The Red Army). The two poses in the centre and on the left are reproductions of Belfast Telegraph images. The first is from Cliftonville’s 2013 Dankse Bank Irish League-clinching win over Linfield, which the Reds won with a McMullen penalty in the dying seconds; the second in from the same moment in the 2014 campaign: Chris Curran has just scored to put the Reds two-nil up in a game against Portadown that would win them the League for the second year in succession.
Other Cliftonville players have been featured in murals: Joe The Goal in Ardyone and Rory Donnelly in the Bone.
Below is a shot of the piece in development and below that is a wide shot showing the mural’s location adjacent to the End The Siege On Gaza mural.
Images of Padre Pio, the Capuchin friar, and Our Lady with a sacred heart adorn the outside of the Centre For Health & Well-Being in Ballymurphy’s bullring. Wide shot below.
Above is another piece of the multi-panel work by Gerard Kelly (“Mo Chara”) at the top of Springhill, showing a forearm in the colours of the Palestinian flag with a fist clenched around a strand of barbed wire, causing blood to drip down.
Ligoniel (above) and New Lodge (below) copies of a JFTC2 (Justice for the Craigavon Two) stencil by Damian Walker of GaelForce. The Ligoniel location is proving controversial: Walker’s previous attempts have been painted over three times, according to an image in this 32 County Sovereignty post, which also alleges that Sınn Féın has been behind the removals. According to the Tele, a housing executive van was burnt out in response to one of the white-washings. There has been no such controversy in the New Lodge.
Previously: JFTC2 on the mountain | Justice in Hugo Street
The Disney princesses (Snow White and Princess Anna, the younger sister from Frozen) are being watched, not just by the wicked witch, but by the communications tower on the Springfield Road barracks. There are two close-ups below, one of Ariel and Snow White, the second of Anna. The mural is new work by a local artist and local children in the Slıabh Dubh estate.
Last Saturday (2014-11-08) saw the launch of a new mural in Ballymurphy Crescent, celebrating local IRA volunteers and community workers.
The doves at the top of the mural are in the style of Robert Ballagh’s “Legacy Of The Hunger Strikes” though there are 12 doves here rather than 10. Marty Lyons holds a copy of Ballagh’s piece in an image below, along with an image on which the halberd and pistol around the beret and gloves in the bottom of the mural are based – the rifles of the original are absent. (Possibly by Patrick Magee, the Brighton bomber (WP) – please confirm by e-mail or comment.)
Left-hand portraits (counter-clockwise from top): Eileen Gray, Margaret Campbell, Annie Adams, Kathleen Moore, Lizzie McGivern, Joe Reid, Rosaleen Russell, Mary Armstrong, Agnes Robinson, Eileen Reid.
Standing (l-r): Fra Toner, Gerry Campbell, Liam Mulholland, Paddy Tier, Sean Connolly, Michael Kane, Liam McParland, Sean Doyle, Cllr. Sean Keenan, Pat McGeown.
Squatting/Kneeling (l-r): Jim McGrillen, Francis Toner, Jr., Jimmy Duffy, Tony McAlister, Billy Carson, Cormac McArt.
The main figure is (and remains from the previous mural) Tommy “Toddler” Tolan, who escaped from the Maidstone in 1972 and served time in the cages at Long Kesh. (See Lost Lives entry #1956 and An Phoblacht.) In the original (2001) version of the ‘Safe House’ mural, he was dressed in fatigues (image at CAIN), but this was changed within 18 months to a brown suit (image at CAIN | detail at ExtrAct), similar to the way he is portrayed here.
The mural took some time to complete — the fifth image, below, shows one of the artists on a scaffold with #stoptorycuts on Slıabh Dubh in mid-October — partly because more and more figures were added.
Update 2014-11-26: In an unusual move, the launch of the mural was advertised by a board (rather than flyers), in this case at Dorothy Maguire Corner on the Whiterock Road – see the final image, below.
Yesterday’s symbolic vote on Catalonian independence (for more background see Votes About Votes) showed 81% in favour of separation from Spain. Here are three shots of the encouragement on Slıabh Dubh (Black Mountain), the second with the Ballymurphy Easter Rising mural in the foreground, the third with the wall of superheroes in Slıabh Dubh estate (see Wallbusters | The Walls, Unbroken | Red-Eye | Cartoon World).
Bobby Sands’s poem The Rhythm Of Time, published in 1981 as part of Prison Poems, is printed in full along with images of Long Kesh and other prisons in which republican prisoners were held.
The work was launched 2014-08-10, to coincide with the anniversary of the introduction of interment in 1971 (see e.g. this BBC news report).
26 volunteers and 14 others from the Ardoyne, Bone, and Ligoniel areas are commemorated in a new (2014-10-05) mural. The images below show artist Mickey Doherty, himself an ex-prisoner, at the start of the process – with the grid-work visible – and shooting an “action” shot for VICE TV.
The previous mural also commemorated local volunteers (34 painted portraits rather than a printed board), but this mural adds a Celtic cross, funeral volley, and images of Armagh women’s prison, the cages at Long Kesh, and the H-blocks, as well as (an inverted image of) blanketman Hugh Rooney – detailed images can be seen in Prison Walls.